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    ‘Shogun’ Episode 3 Recap: The Not-So-Great Escape

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    Lord Toranaga, John Blackthorne and Lady Mariko draw closer as they battle enemy forces.Episode 3: ‘Tomorrow Is Tomorrow’A lovely scene is taking place at sea. After a daring escape, Lord Toranaga and his newfound English associate John Blackthorne are free from captivity. Much has been lost in the attempt. Toranaga’s wife, Lady Kiri no Kata (Yoriko Doguchi), remains in the clutches of the hated Lord Ishido, having fulfilled her part in the ruse that allowed her husband to flee. Lady Mariko’s husband, Buntaro (Shinnosuke Abe), sacrifices himself to prevent enemy soldiers from thwarting the escape. Or at least he appears to: Until we see a dead body, it’s probably wisest to consider this character still in play.As far as Mariko, Toranaga and Blackthorne are concerned, a lot of people gave all they had in order to safeguard them. There’s much for which the survivors can be grateful. How does Lord Toranaga choose to celebrate? With a diving lesson from the Anjin, the barbarian, John Blackthorne.Blackthorne rolls with the odd request. He’s becoming increasingly adept at acclimating himself to Japanese customs, and equally adept at knowing when to break them. Throwing a theatrical fit about the propriety of inspecting women’s quarters in light of European chivalric ideals is, after all, what enabled Toranaga to escape Ishido’s clutches while wearing his wife’s clothes. Toranaga names Blackthorne hatamoto, an honorific indicating high status earned through his courage in effecting Toranaga’s escape.If this lord, who has very obviously taken a shine to him, wants to learn to dive, then John Blackthorne will see it done.And so the episode ends, with the actors Cosmo Jarvis and Hiroyuki Sanada leaping from the vessel in their skivvies, racing each other to shore. It’s a delightful moment of recreation and repose, in a series driven by physical peril and paranoia. This is the kind of enriching material that makes a show worthwhile.Would that the same could be said for the rest of the episode. Despite all its hallmarks of a real nail-biter — an escape in disguise, a firefight in a forest, a heroic last stand, a race at sea — this episode fails as action filmmaking.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Shogun’ Season 1, Episodes 1 & 2 Recap

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      When an English ship pilot lands in feudal 1600s Japan, five lords must decide whether he’s an enemy or a useful pawn in their quest for power.Episode 1: ‘Anjin’Episode 2: ‘Servants of Two Masters’The ghostly Dutch trading vessel Erasmus materializes out of the fog, dwarfing the homes of a small coastal village like a Lovecraft-ian monster emerging from the sea. It may as well be one.There is no shogun, no unquestioned and absolute ruler, holding the country’s fractious lords together when “Shogun” begins. The Erasmus, with its cargo of guns and ammo and its irascible English pilot, is the harbinger of a world war into which Japan doesn’t even realize it’s been drafted. Its flag means death.Adapted by Rachel Kondo and Justin Marks from the 1975 novel by James Clavell, “Shogun” co-stars Cosmo Jarvis as John Blackthorne, the Erasmus’s pilot, or navigator. Blackthorne is part of a small fleet commissioned by England to find the mysterious and very wealthy island of Japan, and harry any Catholic forces along the way. This is a tall order: England’s Catholic rivals, Portugal and Spain, have kept their lucrative route to East Asia a secret from the rest of the world — even as they kept the existence of England, and Protestantism in general, a secret from their Japanese trading partners.By the time Blackthorne and what’s left of the fleet’s crew wash ashore, they’re down to a dozen or so bedraggled, starving and half-delirious men, looking and acting every bit like the barbarians they’re held to be by the heirs of Japanese civilization. This is no fit state under which to meet Lord Yabushige (Tadanobu Asano), an opportunistic sadist who aims to hang onto the ship and its weaponry for himself.Yabushige defies the wishes of his Portuguese Jesuit translator and spares Blackthorne, who seems a mere pirate until his Protestant desecration of the Catholic cross tips off the nobleman to his true motivations. Yabushige does, however, slowly boil a member of the crew to death to further his studies of dying men’s last moments. Samurai or serial killer: six of one, half dozen of the other.While Yabushige’s cruelty gets laid on pretty thick, “Shogun” does not render that cruelty as some innately Japanese feature. The show is set in 1600, as Europeans have been waging centuries of brutal religious warfare and burning heretics alive.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Shogun’ Review: Rediscovering Japan

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      The FX remake of the classic mini-series is classed up, retuned for contemporary sensibilities and still an epic soap opera.The new FX mini-series “Shogun” is getting a lot of credit simply for not being “Shogun,” the 1980 NBC mini-series also adapted from James Clavell’s best-selling novel about the last days of feudal Japan. But the new show stands and falls on the same terms as the old show: its success as an epic costumed soap opera. You can correct for wooden acting, dated production values and Eurocentrism, but you can’t really correct for the basic nature of the material.And on those terms, this “Shogun” — which premieres Tuesday on FX and Hulu with two of its 10 episodes — is perfectly successful. It is sumptuously produced, mostly well acted and not excessively sentimental or sensational. If its story seems to stop and start a bit, there are reasons for that, which become clear in a satisfying and moving ending; if there are major characters who don’t stand up to scrutiny, there are others who come alive and hold your interest. It may not live up to its hype, and it may leave you wondering why so much time (more than a decade) and money needed to be spent reanimating Clavell’s tale. But it delivers.Created by the husband-and-wife team of Justin Marks and Rachel Kondo, the FX “Shogun” is still the story of an English navigator, John Blackthorne, who arrives in Japan at the turn of the 17th century and becomes embroiled — to a startling degree — in the political, cultural and romantic life of the country. (Blackthorne, like most of the significant characters, is loosely based on a historical figure.)Kondo and Marks have recalibrated the narrative, however, moving Blackthorne’s point of view down in the mix and elevating the roles of many of the Japanese characters, particularly Toda Mariko, the noblewoman who becomes Blackthorne’s translator and love interest, and Yoshii Toranaga, the lord who both protects and manipulates him.That’s a notable change from the original “Shogun,” but 44 years down the road, it’s not as if the show should get a ton of credit — it’s an easy win. In the current global TV environment, the show’s emphasis on Japanese characters and language is welcome but not exceptional. (Tremendous effort reportedly also went into vetting the details of period costume and behavior; few viewers, even in Japan, are likely to know the difference, but what’s onscreen certainly looks credible to the rest of us.)As the plot, busy yet not all that complicated, unwinds — Toranaga and his rival Ishido jockeying for power, with Blackthorne as a reluctant pawn; Blackthorne being alternately repulsed and seduced by his new surroundings — the real difference between the old and new shows has less to do with cultural enlightenment than with a higher level of tastefulness and technique. Though there is a multicultural dimension there, too: Marks and Kondo’s show is informed by the craftsmanship of classic Japanese samurai films, which were in turn heavily influenced by the attitudes and styles of Hollywood westerns and swashbucklers. This “Shogun” sits in a polyglot comfort zone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Shogun’ Remake: This Time, the White Man Is Only One of the Stars

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      A 1980 adaptation of the best-selling novel cast it as the tale of a white hero in an exotic Japan. A new version tells a more kaleidoscopic story.Gina Balian, a television executive who had worked on the hit series “Game of Thrones” for HBO, had just left to help FX start a new limited series division when an agent sent her a nearly 1,200-page novel.It was “Shogun,” James Clavell’s 1975 best-selling chronicle of a hardened English sailor who lands in Japan at the dawn of the 17th century looking for riches and ends up adopting the ways of the samurai. Balian’s first reaction was that she had already seen this book on television — back in 1980, when NBC had turned the novel into a mini-series that earned the network its highest Nielsen ratings to date.Most of what she remembered about the first adaptation was Richard Chamberlain — its white, male star. But as she started reading, she discovered the novel had a much more kaleidoscopic point of view, devoting considerable pages to getting inside the heads of the Japanese characters.“I thought that there was a story to be told that was much wider and deeper,” said Balian, who is co-president of FX Entertainment. It didn’t hurt that something about it also reminded her of “Game of Thrones,” in terms of the “richness of so many characters’ lives.”It took 11 years, two different teams of showrunners and a major relocation to bring “Shogun” back to the screen. The 10-part series debuts on Hulu on Feb. 27 with the first two episodes, followed by new ones weekly, and will premiere on Disney+ outside of the United States and Latin America.Both Hollywood and Western audiences largely have moved beyond viewing the world as a playground where (mostly) white protagonists prove their mettle in exotic lands. Shows and films like “Squid Game” and “Parasite” have shown that audiences can handle Asian characters speaking their own languages.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More