More stories

  • in

    In ‘A Friend of the Family,’ Jake Lacy Breaks Character

    The actor Jake Lacy, whom I met for tacos on a recent weekday evening, has an All-American handsomeness that verges on caricature — brown hair, blue eyes, a chin so strong it must work out. He looks as though a 3-D printer were fed images of lacrosse players and then told, ‘Go ahead, make this.’ His face at rest — though, over dinner it was that way only very rarely — suggests a guy who captained a team or two in high school and then joined a frat in college. A craft brewery fan. A fleece wearer.“There’s a bro element to my look,” he acknowledged as the guacamole arrived.“He’s got this handsome blank canvas thing,” Murray Bartlett, his co-star on the HBO hit “The White Lotus,” told me. “But he’s incredibly versatile with that handsome blank canvas. He can take that in many directions.”Until recently, most of those directions — “Obvious Child,” “High Fidelity,” “Girls” — confirmed Lacy as a go-to nice guy. Vulture once created a list ranking the niceness of his various characters. Several of these characters were mere way stations or end points on some female protagonist’s journey. And Lacy — citing, in a very un-bro way, the patriarchal history of TV and cinema — liked that fine.“What a great way to start in this business,” he said, sincerely.In “The White Lotus,” Lacy played privilege personified. With, from left, Jolene Purdy, Murray Bartlett and Alexandra Daddario.Mario Perez/HBOBut he switched up that persona with last year’s “The White Lotus,” in which he played Shane, a paragon of white male entitlement in a succession of sherbet-colored polos, earning him his first Emmy nomination. (At last month’s ceremony, he lost, happily, as he tells it, to his scene partner, Bartlett.)His new show, the fact-based drama “A Friend of the Family,” uses that bland handsomeness as both camouflage and cudgel. “Weaponizing that” is how Lacy put it.He had suggested meeting at La Superior, an unassuming, Michelin-starred taco place in Williamsburg, Brooklyn, near a few of his old apartments. (Mid-pandemic, he and his wife, Lauren DeLeo Lacy, packed up and moved to Connecticut.) This was a comfortable spot for him, though he seemed, in a faded red T-shirt with a few holes in the torso, not entirely comfortable there, apologizing often for rambling, pausing, digressing.“He’s very earnest, not in a cheesy way; he’s just a good guy,” Bartlett had said. And this seemed true enough. While Lacy has little particular professional interest in playing likable characters, he has a personal need — a need that most of us share — to be likable. And he is. (“I’ve gotten better about my own people-pleasing,” he said.) “A Friend of the Family,” works with and against that likability, in ways more insidious and less comic than his work in “The White Lotus.”In the past, Lacy has struggled to disentangle himself from his characters. That wasn’t the case with “A Friend of the Family,” he said. Nathan Bajar for The New York TimesIn this nine-episode limited series, which streams on Peacock, Lacy plays Robert Berchtold, an Idaho husband and father who in the mid-1970s twice abducted Jan Broberg, the eldest daughter of a family that he had known for years. (This case was previously explored in the Netflix documentary “Abducted in Plain Sight.”) As the show tells it, and as Broberg confirmed in a recent interview, Berchtold, or B as those close to him knew him, used his smile, his jokes, his great charisma to insinuate himself with the Brobergs. The two families were so enmeshed that when Jan was first taken, her parents delayed contacting the FBI.(Following the first abduction, Berchtold was convicted of kidnapping. Sentenced to five years, he served just 45 days. After the second, he avoided prison entirely, serving five months in a psychiatric facility instead. In 2005, having been found guilty of aggravated assault and possession of a firearm for a later offense, he committed suicide.)Most of the episodes of “A Friend of the Family” had been written before casting began. Finding the right Berchtold was particularly daunting, because the actor needed to project an uncanny charm.“He had to have a natural charisma that would come through the screen and drop into the living room of whoever was watching the show,” said Broberg, who is a producer on the series. Because charisma, she continued, was “B’s superpower.” And yet, that same actor would also have to travel to some very dark places.Nick Antosca (“The Act,” “Candy”), the showrunner on “A Friend of the Family,” had been impressed by Lacy’s turn on “The White Lotus” and the sympathy that he brought to such an unpleasant character. An audience isn’t meant to sympathize with B, Antosca clarified. “But you have to understand how that family fell in love with him,” he said.B doesn’t think of himself as a monster, though — inarguably — he is one. Antosca suspected Lacy would be able to play both aspects at once.In “A Friend of the Family,” Lacy stars as Robert Berchtold, who twice abducted Jan Broberg (Hendrix Yancey).Erika Doss/PeacockNot every actor on a hot streak would choose to play a pedophile for his follow-up. And Lacy, who has two young sons, nearly turned down the show. But the challenge of the character attracted him, as did the scripts, and he appreciated the involvement of both Jan Broberg and her mother, Mary Ann, who is also a producer.“Had they not been involved, it would be so voyeuristic and so tabloid and not grounded in some greater purpose,” Lacy said.That purpose, he believes, is to show how grooming can operate and how abuse is perpetrated most often by intimates. Before shooting began, Broberg had left a letter for Lacy, detailing all the positive things she remembered about B — his charm, his sense of fun — while also encouraging Lacy to make the role his own and assuring him that the choices he made would not cause her further harm.“I was wildly impressed by that level of grace,” Lacy said.This allowed him to pour as much of himself as he could into the role. “He’s a very nice person and a caring father,” Broberg observed of Lacy. “You have to bring all of those things to the role for it to work.”As for the darker aspects, Lacy filled those in with research — evidence from the various trials, audio that Berchtold had recorded, material on psychology. Sometimes he had to put a time limit on that research. “Like, that’s enough for now,” he said. “Let’s not spend all night listening to these tapes of Robert Berchtold.”“There wasn’t a need to go into his thoughts,” Lacy said of Berchtold. “Because my point of view on his thoughts is so rightfully so filled with judgment.”Nathan Bajar for The New York TimesWhen it came to pedophilia, that wasn’t a place that he went to imaginatively, though he did read “Lolita.” Instead he worked through what he described as substitutions, trusting that if he looked at his young scene partners with love, the camera would read that love as something dark and unsafe. (The show doesn’t include any scenes of rape, so Lacy never had to portray these acts directly.)Neither he nor Antosca saw a need to locate Berchtold’s humanity. “He was a sociopath who kept telling himself self-justifying stories,” Antosca explained. So in nearly every scene, he said, it was enough to know what B was trying to achieve and how he was trying to achieve it without marinating too deeply in the why.“There wasn’t a need to go into his thoughts,” Lacy said. “Because my point of view on his thoughts is so rightfully so filled with judgment.”In the past, Lacy has struggled to disentangle himself from characters he has played. That didn’t happen here. “When people were like, ‘Is it hard to leave that on set?’ I was like, ‘No, it’s a very clean break,’” he said.Antosca confirmed this. “He is a super-thoughtful and technical actor, not method,” he said. “I didn’t see him struggling to get out of character.”Lacy doesn’t know what he’ll play next, if he’ll continue this particular heel turn or return to nice-guy roles or try something else. (“He has tremendous depth and this range that hasn’t been fully used yet,” Antosca told me.) He mentioned a Los Angeles project. And one in London. He is glad to have made “A Friend of the Family,” glad to promote it, but also glad to leave it in the rear view.“I’m very happy to just take a little breath and hold my kids,” he said. More

  • in

    Jake Lacy Says Aloha to ‘The White Lotus’

    In an interview, the actor discusses the HBO social satire, Sunday’s season finale and the possibility of his returning for Season 2.This interview includes spoilers for Sunday’s season finale of “The White Lotus.”Before Jake Lacy landed in Hawaii to shoot “The White Lotus,” he had only received the first script of what was at the time a six-episode limited series. (HBO recently renewed it for a second season.) He knew a character had died — a cardboard coffin of human remains was loaded onto a plane. But who was it?“Mike White [the show’s creator, writer and director] was like, ‘All these limited series start with a body,’” Lacy said. “So there’s an element of narrative satire along with the social satire. It’s like, If a dead body is what you want, then we’ll start with a dead body. We’re making fun of the device that is part of this very popular narrative format.”“The White Lotus” doesn’t deal with its opening mystery right away, and only gives us a few clues at first. Before a backward time jump to a week’s events at a Hawaiian luxury resort called the White Lotus, we see that Lacy’s character, Shane, seems disturbed both by the dead body and by a friendly question put to him regarding the whereabouts of his wife Rachel, (played by Alexandra Daddario). Hmmm.“I kept asking myself, ‘When do I kill my wife?’” Lacy said. He assumed he was the killer, and she would be his victim. From the character’s perspective, the couple’s honeymoon had gone off the rails the minute they failed to get the prized Pineapple Suite they booked, and the hotel manager Armond (Murray Bartlett) put them in the Palm Suite (no plunge pool, but a nicer view) instead. Things soured further thanks to Shane’s temper tantrums and Armond’s odd responses to them.“Either one could back down,” Lacy said, “but they both keep upping the ante.”The actor recalls reaching the last pages of the final script — the scene in which Armond slips into Shane’s room to leave a parting gift in his suitcase — and pumping his fists with glee. “I was like, ‘Oh, this is it!’ How did I not see this coming four episodes ago? I can’t believe we’re going to have a guy defecate in my suitcase and then I murder him!”During a phone conversation, Lacy, who was in Vermont, discussed the series’s social satire, male Karens and Season 2 possibilities. These are edited excerpts from the conversation.HBO just announced a renewal of “The White Lotus” for a second season, to focus on a new location, new staff and new guests.This is the first I’m hearing of it! I’m thrilled. I hope I get to have Shane in the background at the pool, complaining about his daiquiri.You think he would go back to a White Lotus resort? He wouldn’t rather avoid the chain entirely?I don’t think shame or embarrassment are in his wheelhouse. He might be haunted by what happened and make up some excuse why he’s not going back, but it would be out of paranoia. I think he assumes people are whispering, “That’s the guy who killed the guy.” The more brazen Shane move is to play the victim: “I should be able to stay at any one of these places for free, anywhere in the world, for the rest of my life, because of what they put me through! I should have sued them for this!” That might actually be his mentality, to think he’s got the short end of the stick as a multimillionaire 30-year-old. He doesn’t know he’s the villain, not the victim.Shane appears to escape all accountability and just walk away from the death he caused. On the other hand, Kai (Kekoa Kekumano) will likely be severely punished for stealing the Mossbachers’ jewelry.I think that’s intentional. In this “White Lotus”-reality, here’s how one class of person is treated by the criminal justice system and here’s how someone with access, money and privilege is treated. Yes, you would normally be told, “Don’t leave the island,” or “Don’t leave the state.” But Shane’s dad probably called in a favor — a senator? a judge? That’s how at times a certain level of this world operates. Kai will be a felon, but Shane will not have to serve any time — and Shane will still paint himself as a victim, because he might become a social pariah. He might not be invited to summer parties in the Hamptons because of this.How replicable do you think the show’s concept is as it continues as an anthology series? How many oblivious rich people can we take?If Mike White didn’t have more to offer at this same level, he would go do something else. But you could do something more like “Upstairs, Downstairs,” with the second season being more about the service end of things.People have been talking about how the show is about entitlement, but Mike says it’s more about how money corrupts the dynamics of every relationship, whether it’s a business relationship, a friendship or a marriage. Tanya [Jennifer Coolidge] unfairly dangles this hope to Belinda [Natasha Rothwell] of having her own spa, and it’s messed up how quickly she snatches that hope away. But you also see how Belinda changes in the face of this opportunity. Nobody’s free from it, except maybe Quinn [Fred Hechinger] and the guys in the outrigger canoe, because none of them are making money from the ocean. There is a certain equality in that relationship.The story also seems to be about complicity. When Rachel joins Shane at the airport, she is essentially accepting his objectionable qualities in exchange for the benefits he provides. But since she spent the night in another hotel room, do you think she knew that Shane killed Armond?Oh, man! I always assumed that she knew, but maybe she just heard through the hotel, “Oh, somebody killed somebody.” Or maybe Shane’s mother Kitty [Molly Shannon] called her and told her. But it would be a wonderful scene to show her finding out after they get on the plane. He’d be like, “I killed that guy,” and she’d be like, “What are you talking about?! Oh no, no, no, no! I thought you were just rude to waiters!”But yeah, she’s giving Shane a get-out-of-jail-free card with her decision to stay. It’s just short of being in abusive relationship. The conclusion she’s come to is that having money is better than not having money in a capitalist society, but that’s not a healthy choice. You want to see her follow her heart, but that’s not what happens here. She makes a pretty pragmatic choice as to what she wants her life to be. Maybe she regrets it later. Maybe she walks away. But for the moment, she is settling, essentially, and the cost is the loss of some sense of self.“She’s giving Shane a get-out-of-jail-free card with her decision to stay,” said Lacy, with Alexandra Daddario in the season finale of “The White Lotus.”HBOOne of the things Shane and Rachel fight about is having sex on their honeymoon. Isn’t that when you’re supposed to have the most sex of your life?Some of what we shot didn’t make it in. We had one scene where Shane wanted to have sex, and Rachel wasn’t quite saying no, but she wasn’t in the mood. It’s not assault, but they took it out because it ended up looking far more aggressive than what they had intended. The purpose of the story wasn’t meant to be that Shane sexually assaulted his partner as much as he was not reading when she was in the mood or not.Some of those references about how sexed up he is maybe made more sense with those kinds of pieces in there. I think there is a multitude of things happening under that, too. She’s saying, “My concern is that is all you want from me.” She’s not saying, “This is too much sex.”If it were a white woman trying to get Armond fired, we’d have a name for her: Karen. I don’t know if we have a male equivalent of that name, but here it seems like “Shane” might work.I hope it does! The Karen thing is like, “I won’t stand for this,” as if they’re taking the side of justice. And Shane’s thing is, “Don’t make me make this ugly.” There is this aggression there, like, “I won’t be treated this way!” It’s the same in Shane as it is in a Karen.At the same time, Armond gave him the wrong room. I mean, these rooms cost $26,000 a night. It’s as if you bought a car, and they were like, “Oh, we just know this is the one you wanted,” and you’re like, “This is definitely not the car I paid for.” He booked a room, and he feels they should give him that room. Even if his behavior is increasingly inappropriate, and the way he treats people is terrible, what he wants seems pretty fair: “I want what I paid for.” Not that that excuses his behavior. In a perfect world, he would chill out and let it go.Who do you think was the worst?I feel like people are going to say Shane, but that’s my guy! I still have a little empathy for him. I feel like most of these characters are pretty unpalatable. In actions alone, Shane is the worst, for sure. No one else kills a guy. But Paula [Brittany O’Grady], as honest and progressive as she claims to be, is an accomplice to a felony, and when the rubber meets the road, she gets back on a plane. She doesn’t say anything. And Rachel will put up with Shane if it means she gets the nice dinners.To me, a lot of the show is saying is, “How clean are you? How innocent are you? How free of guilt are you?” Whether it’s the opportunities you’ve had that others haven’t, or your privilege, or money, or the way you look, or the color of your skin — if you’re in a transactional world, how clean are you?The hope is that all this gets reflected back to the audience: “You probably do some of the same things, don’t you? On some level?” Whether it’s at the Four Seasons, the carwash, in line at McDonald’s or at Starbucks, how much expectation do you have for what the world owes you and how you deserve to be treated?That is the part of the show that most intrigues me. It’s less about who’s worse, and more about who’s kidding themselves the most. More

  • in

    In ‘The White Lotus,’ Mike White Takes You on Vacation

    The writer’s latest investigation of human frailty and craven behavior focuses on wealthy resort guests and the hotel workers who cater to their whims.Last September, the writer-director Mike White checked into a recently reopened but still deserted Four Seasons on Maui. He was the first guest since March. The staff gave him a standing ovation. More

  • in

    Review: ‘The White Lotus’ Offers Scenery From the Class Struggle

    Mike White’s one-percenter satire for HBO is a sun-soaked tale of money, death and customer service.What do people expect from their vacations? Rest? Sure. Fun? Absolutely. But also miracles.They want one week out of the year to somehow rectify the other 51; to make them fall in love, or back in love; to strengthen tattered family bonds; to provide closure; to create deathbed memories; to summon magic, serendipitously yet on demand. More