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    Watch Ryan Reynolds Meet His Past Self in ‘The Adam Project’

    The director Shawn Levy narrates a sequence from the film, which also features Walker Scobell.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.The central idea behind the Netflix sci-fi adventure “The Adam Project” is presented in this comical, yet tender, living room scene.The 12-year-old Adam (Walker Scobell) is questioning a strange man (Ryan Reynolds) he has found in the shed behind his house. They have the same mannerisms, the man knows the kid’s dog’s name (Hawking) and they’re both wearing the same watch. Could it be they are past and future versions of each other?“I wanted this scene to not only lay out the premise of the movie,” said the director Shawn Levy, “but to do so in a way that would essentially establish a pact with the audience as far as tone, that this movie would have a somewhat fluid, blended tone that vacillates between comedy and poignancy.”In the sequence, Scobell must mimic Reynold’s mannerisms. Levy said it came easy for the young actor, who is making his screen debut.“When we cast Walker, we knew we had found this revelation who had never done anything, and we knew the kid was smart and authentic and talented,” Levy said. “What we didn’t know is that he had been watching the ‘Deadpool’ movies since he was 7, so he shows up on set and he gets to co-star with his hero, whose rhythms and inflections he has literally ingested for half of his very young life. So we never needed to teach Walker how to say and do things the ‘Ryan Reynolds way.’ He already knew how.”Read the “Adam Project” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    ‘The Adam Project’ Review: Back Talk to the Future

    Ryan Reynolds plays a time traveling wise cracker in Shawn Levy’s science fiction adventure.Early in “The Adam Project,” a pipsqueak asthmatic named Adam (Walker Scobell) and his golden retriever gallivant through the woods among shimmering falling debris. The cause of the wreckage, Adam learns, is a time jet that was crash landed by his older self (Ryan Reynolds) traveling from the future. This is pure ’80s sci-fi pastiche for the ages. Add a few flying saucer chases, cook up a quickie solution to the grandfather paradox and this movie might have fallen at the intersection of “E.T.” and “Back to the Future.”Instead, “The Adam Project,” directed by Shawn Levy, might as well be called “The Ryan Reynolds Project.” Last summer, Levy and Reynolds teamed up under a different Hollywood juggernaut to deliver the clamorous video game flick “Free Guy.” This new movie (on Netflix) is a comparable package — noisy and formulaic, but still occasionally enjoyable. Reynolds recycles his trademark twerpy charisma, using quips to punctuate battle scenes that are spiced up with special effects. Mileage for the actor’s wise guy persona will vary — I’ve personally had my fill for several lifetimes, with or without time travel — and it’s hard here to separate the movie from the leading man.This is because Reynolds imbues Adam with such excitable, exhibitionistic energy he might as well be waving jazz hands. Levy and the screenwriters, Jonathan Tropper, T.S. Nowlin, Jennifer Flackett and Mark Levin, have crafted in “The Adam Project” a vehicle that enables Reynolds to multiply his shtick by two. By allying Adam with himself, not only can Reynolds poke fun at his adversaries — “your outfits are incredible,” he gushes at one point to a squad of henchman — he can actually mock his own insufferableness. “You have a very punchable face,” he tells Adam the preteen early in their peregrinations. Scobell, for his part, mirrors Reynolds’s mien with precision, making the duo feel less like Marty McFly and Doc Brown than twin sidekicks who stumbled into the spotlight.Their adventure begins when the adult Adam, visiting 2022 from 2050, explains to his kid accomplice that time travel has ruined mankind, and impeding its invention is their only hope. Complicating the mission is Adam’s dad, Louis (Mark Ruffalo), a physicist who models traversable wormholes, and Louis’s ruthless business associate, Maya (Catherine Keener). How tampering with the past will upset the future — including Adam’s marriage to fellow insurgent Laura (Zoe Saldaña) — is a mystery that the movie declines to dwell on.Blissfully under two hours, “The Adam Project” is no modern classic. But it does benefit from an affecting finale that pays special attention to Adam’s strained relationship with his father. Reynolds may play the smart aleck, but beneath Adam’s zingers he is compensating for a profound pain, and Louis is critical in activating his son’s tender side. It’s an unexpectedly sweet note to end on. Or perhaps it’s just that after a double dose of wise cracking, some authentic feeling is a welcome respite.The Adam ProjectRated PG-13. A little battle, a lot of prattle. Running time: 1 hour 46 minutes. Watch on Netflix. More

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    Watch Ryan Reynolds Power Up in ‘Free Guy’

    The director Shawn Levy narrates a sequence where the character Guy discovers something new about the world he’s been living in.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.New revelations come quickly and colorfully to Guy (Ryan Reynolds), who transforms from a supporting character in a video game character to its biggest star.In this scene, Guy, a bank teller whose work day plays out predictably, down to a daily bank robbery, this time turns the tables. He takes down a robber, including the special glasses he wears. When Guy puts them on, he sees an entirely new graphical layer of his town that he has been missing before.Discussing the scene, the director Shawn Levy said that he wanted to unlock this secret part of the video game world using a lively visual motif, with bursts of color and action all around.“I wanted this sequence, frankly, to be a little bit overwhelming to the audience,” Levy said, “like there’s too much to take in because that’s exactly what Ryan’s character is experiencing.”Levy said that he played a lot of video games when researching the movie, and he kept noticing how the camera moved in less of a human-operated way, and instead was “almost robotic in its speed and fluidity,” he said. For this scene, he and his team sought to mimic that by mounting the camera on a robotic arm. They then programmed the arm to move around Guy as he sees things through his glasses. Because the movement were locked in by code, Levy said, Reynolds had to be precise with his blocking to avoid being injured by the camera.Read the “Free Guy” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    ‘Free Guy’ | Anatomy of a Scene

    Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera.Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera. More

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    ‘Free Guy’ Review: Don’t Hate the Player

    Ryan Reynolds brings his nice-guy charisma to the role of a video game character who doesn’t want to stay on the sidelines.One day you’re just heading to your job at the bank, preparing for its daily spate of robberies, and the next you find out that you’re a side character in a video game. Tough break.That’s the scenario in which Guy (Ryan Reynolds) finds himself in the perky though predictable new adventure-comedy “Free Guy,” directed by Shawn Levy. Guy is comfortable with his monotonous life in the game Free City until he meets a player named Millie (Jodie Comer), a coder who is looking for proof that Antwan (Taika Waititi), the money-hungry mogul behind the game’s virtual world, stole her code. With help from her friend and partner Keys (Joe Keery), Millie attempts a code heist with a leveled-up Guy, who has become a viral hero in the gamersphere.“Free Guy” is as agreeable as its main actor; Reynolds taps into his endless well of nice-guy charisma to deliver an adorable brand of humor that feels like “Deadpool” Lite. And the various comic-relief characters (Lil Rel Howery as Guy’s clueless best friend, Waititi as the toxic boss) and cameos (a priceless Channing Tatum and a Marvel surprise) make for a perfectly enjoyable experience.But innovative? Not so much. Conceptually, “Free Guy” recalls a PG-13 version of “Westworld” (fewer stabbings, no sex). The interesting existential tidbits about agency, morality and artificial intelligence play second string to the straw-man argument about the baseness of consumerism. The jokes, too, feel neatly packaged; they’re sometimes funny, but never surprising.It’s no spoiler to say that art wins over capitalism, the phoned-in romantic subplot is resolved and everyone’s happy in the end. “Free Guy” has charm, but there’s not much memorable in the same old quest, same old boss fight, then game over.Free GuyRated PG-13. Running time: 1 hour 55 minutes. In theaters. More