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    Fugees’ Pras Says Lawyer Used A.I. for ‘Ineffectual’ Defense

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    Prakazrel Michel was convicted in April in an illegal foreign influence scheme. In a motion for a new trial, he said his lawyer’s closing argument was “frivolous.”A founding member of the hip-hop group the Fugees has requested a new trial for a foreign influence scheme after arguing in part that his lawyer used artificial intelligence software to craft a “frivolous and ineffectual” closing argument.In April, the rapper Prakazrel Michel was found guilty in federal court of orchestrating an illegal international conspiracy, in which he took millions of dollars from Jho Low, a Malaysian financier who was seeking political influence in the United States. Mr. Michel, known as Pras, was convicted on 10 criminal counts that included money laundering and witness tampering. He faces up to 20 years in prison.In a motion for a new trial this week, Mr. Michel’s new legal team said the lawyers who defended him during the trial in U.S. District Court in Washington had been “deficient throughout.” They singled out the lead lawyer, David E. Kenner, saying that he had misunderstood the facts of the case and ignored “critical weaknesses” in federal prosecutors’ arguments, and that he used an experimental A.I. program to create a closing argument that made “frivolous” claims.Mr. Michel’s lawyers also wrote that Mr. Kenner and another lawyer, Alon Israely, “appear to have had an undisclosed financial interest” in the program, EyeLevel.AI. The motion cited a news release from EyeLevel that mentioned a partner company, CaseFile Connect, the website of which lists the same Los Angeles address as Mr. Kenner’s law firm.Mr. Kenner did not immediately respond to requests for comment on Thursday. Neither Mr. Israely nor CaseFile Connect could be reached for comment.Neil Katz, the founder and chief operating officer of EyeLevel.AI, said on Thursday that it was “categorically untrue” that the trial lawyers had had an undisclosed financial interest in the company. He added that neither CaseFile Connect nor the lawyers at Mr. Kenner’s firm had a financial stake in his company.Regarding the role his company’s software played in the case, Mr. Katz said that it merely allowed the lawyers to conduct research and analysis in real time based on trial transcripts.“The idea here is not that you would take what is outputted by a computer and walk it into a courtroom and read it into the record,” he said. “That’s not what happened here,”“Human lawyers take this as one important input that helps them get to the ideas faster,” he added. “They ultimately write the legal arguments that they present in a court.”The motion also took aim at the Justice Department and the federal court itself. It said government prosecutors had improperly used an F.B.I. agent at trial, “usurping the role of the jury and influencing the jury’s verdict.” It added that court had prejudiced the jury by ruling in front of them that Mr. Michel had conspired with others in the foreign influence scheme.The Justice Department declined to comment on Thursday. The U.S. District Court for the District of Columbia did not immediately responded to requests for comment.Erica Dumas, Mr. Michel’s publicist, said in a brief statement that his new legal team had identified areas of the case “where justice may not have been properly served.”“After careful examination of the facts and circumstances around Pras Michel’s previous trial, it has become evident that there were inconsistencies and errors in the case,” she said. She did not elaborate and declined to comment further.It was unclear whether the motion would be granted. More

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      Hollywood Gala Will Welcome Striking Stars, but Not Studio Bosses

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      How will the Academy Museum of Motion Pictures put on its star-studded fund-raiser this year, amid the polarizing strike? Very carefully.Meryl Streep, who was chosen to be honored at the gala next month for the Academy Museum of Motion Pictures, was initially under the impression that the Hollywood actors’ strike would prevent her from attending.The strike, after all, had already forced the Academy to delay one gala in November, where Angela Bassett and Mel Brooks were to receive honorary Oscars. In the case of the fund-raising event planned for Oct. 14, it was unclear at first if SAG-AFTRA, the union representing TV and movie actors, would allow striking members to attend, and, if it did, whether any would want to go.Would it be OK to appear at such a celebratory event while the industry is on the ropes? Should actors sit at tables (costing $250,000 to $500,000) that in some cases are paid for by the studios they are striking against? And what about the potential for vitriol and tension, or at least deep social awkwardness?But after negotiations and quiet diplomacy that determined who could attend and what kinds of work could be honored, the gala — which typically attracts Hollywood’s A-listers and moguls and raises more than $10 million for the popular museum — will proceed. The biggest change: Executives from the studios being struck, some of which are among the museum’s biggest sponsors, will not be there.Streep will be, though, since she has approval from her union. “I have been assured that SAG-AFTRA has encouraged members to attend the gala — that the museum deeply depends on this event for its educational and community outreach, and that no industry executives from struck companies will be in attendance,” she said in an email. “So I am steaming my dress and heading West.”Meryl Streep, armed with permission from the actors’ union to attend the gala where she is being honored, said, “I am steaming my dress and heading West.” Arturo Holmes/Getty ImagesStreep’s initial confusion is emblematic of the fraught territory that the industry finds itself in as it tries to navigate the dos and don’ts of the strike — from awards shows and fund-raisers to social events, films and television shows.It can be confusing: Some talk show hosts have stumbled in trying to do decide whether to return to the air, and the writers’ union picketed “Dancing With the Stars” although its cast had received a green light from SAG-AFTRA to work. The tentative deal reached Sunday by the Writers Guild of America and the Alliance of Motion Picture and Television Producers was a hopeful sign, but the actors remain on strike, and securing their union’s blessing was crucial for the Academy gala.“The basic guidance we’ve given people is, so long as it is not focused on a particular project or a particular struck company, it’s OK for our members to participate in those events and to acknowledge someone’s body of work,” Duncan Crabtree-Ireland, the national executive director and chief negotiator of the actors’ union, said in an interview. “There will be members who choose not to participate in these things who don’t feel it’s the right thing to do at this point, since it is a serious time for people who work in the industry. I imagine our members will make judgments for themselves.”The gala is vital for the nascent museum, in an effort to raise millions of dollars and the institution’s profile. The event’s knack for drawing bold-faced names has led some to think of it as a West Coast Met Gala. The question this year is whether the lack of studio executives, and qualms on the part of striking actors, could make this year’s party less buoyant or its red carpet less buzzy.But assuming the honorees show up as planned, there will be guaranteed star power present: In addition to Streep, the Academy will honor Oprah Winfrey, Michael B. Jordan, and Sofia Coppola. The chairs of the gala, which is raising money for exhibitions, education and public programs, are the director Ava DuVernay, the actor Halle Berry, the producer Ryan Murphy and the producer Dr. Eric Esrailian, a physician and a trustee.Oprah Winfrey is being honored for her “exemplary leadership and support” of the museum. Roy Rochlin/Getty Images“This event is about raising vital funds to ensure that this work will go on in service to the public,” said Jacqueline Stewart, who last year became the museum’s director and president. “The work of the museum is a common ground despite the strikes.”Behind the scenes, union representatives have been in discussions with the museum to set certain ground rules: Individual actors can be honored, but not individual projects, and bodies of work can be highlighted, but not specific films, studios or streaming services. If the gala ventures out of bounds, Crabtree-Ireland said, members will be expected to get up and leave to avoid incurring disciplinary measures.Stewart said that no guests had declined invitations citing the strike as a reason. While some studios have contributed funds to the gala, she said, “given the particular circumstances this year, there will be no executives from struck companies in attendance.” The majority of table and ticket buyers are not from the studios, the museum said, but are a mix of corporate supporters, philanthropists, and museum trustees.Some union members hope that the museum gala can be an opportunity to highlight the labor dispute, which was prompted by concerns about pay, artificial intelligence and working conditions and which has halted virtually all production.“I get that the optics are bad when some of our members are walking the picket line and others are putting on black tie and jewels and walking the red carpet,” said Greg Cope White, who had to pause production on a Netflix adaptation of his memoir — for which he is also a screenwriter — “The Pink Marine,” about a gay 18-year-old who joins the U.S. Marine Corps.“The gala is an opportunity to get some attention to our cause,” White added. “Meryl Streep and Oprah are great speakers. Hopefully they’ll give passionate sound bites that will bring some light to us.”The Academy Museum opened in 2021, and has become a popular attraction. Tanveer Badal for The New York TimesEach honoree will receive a different award — Streep, for her “global cultural impact”; Jordan for “helping to contextualize and challenge dominant narratives around cinema”; Winfrey for her “exemplary leadership and support” of the museum; and Coppola for innovations that “have advanced the art of cinema.”After numerous delays, the Academy Museum finally opened in 2021, a seven-story, $484 million concrete-and-glass spherical building designed by the architect Renzo Piano that was widely welcomed as an example of the city’s cultural fertility. An exhibition dedicated to John Waters, the cult filmmaker who directed “Pink Flamingos,” “Polyester” and “Hairspray,” opened there on Sept. 17.Although the gala is approaching fast, some actors and writers remain hopeful that the strike will be resolved by the time the limousines start to roll down Wilshire Boulevard. “If I could open the envelope at the Oscars,” White said, “It would say, ‘Strike is over.’” More

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      A Woman Who Says Bill Cosby Molested Her as a Teen Begins Testifying

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      Judy Huth, who is suing Mr. Cosby on sexual assault grounds in a civil case, took the stand in California to begin describing an encounter with the entertainer that took place decades ago.Judy Huth took the stand in Santa Monica on Monday to describe a moment in 1975 when, as a teenager, she said she met Bill Cosby in a California park where he was making a film.Days later, at his invitation, she said, she and her friend went along to his tennis club and then ultimately to the Playboy Mansion in Los Angeles.“It was an adventure,” Ms. Huth said. “We were kids. He was a celebrity.”But later that day, the man she had admired as a famous comedian molested her, she said, after taking her to an isolated room at the mansion. Ms. Huth said she was 16 years old at the time.Mr. Cosby has denied he sexually assaulted Ms. Huth or any of the other women who have come forward in recent years to accuse him of sexual misconduct. He has said any relationship was consensual.But Ms. Huth, 64, has sued Mr. Cosby for sexual assault, and her account, which was not finished on Monday, is the centerpiece of her case against the entertainer, which completed its fourth day of testimony. Ms. Huth testified that she and her friend had been impressed when they saw Mr. Cosby — along with other movie stars — in a park in San Marino on the set of the film “Let’s Do It Again.” According to her account, Mr. Cosby gave the two teenagers alcohol at a house where he was staying, telling them to drink if he bested them in a game of pool, and then asked them to follow him in a car to the mansion. The Sexual Assault Cases Against Bill CosbyAfter Bill Cosby’s 2018 criminal conviction for sexual assault was overturned, the first civil case accusing him of sexual misconduct has reached trial.The Civil Trial: Judy Huth has accused Mr. Cosby of assaulting her as a teenager. She sued in 2014, but the case had been on hold while he was criminally prosecuted.Criminal Conviction: In 2018, a jury found the disgraced entertainer guilty of drugging and sexually assaulting Andrea Constand at his home near 14 years earlier,His Release From Prison: After the Pennsylvania Supreme Court overturned the conviction, Mr. Cosby was released from prison on June 30, 2021.The Ruling: The conviction was overturned on the grounds that prosecutors violated Mr. Cosby’s rights by reneging on a promise not to charge him.“Are you girls ready for your surprise?” he said, according to Ms. Huth. “I had no clue what it could be,” she said. Her lawyers showed the jury a photograph of Ms. Huth standing with Mr. Cosby in the game room at the mansion, taken, she told the court, “before he molested me. It happened 15 minutes after.”Ms. Huth’s testimony was interrupted by the end of the court day before she was able to discuss what she has, in court papers for her case, accused him of doing: placing his hand down her pants and then forcing her to fondle him.The impact of that event, her lawyers have told the court, included depression and anxiety. She had experienced a happy childhood, she said, growing up in Temple City, Calif. But her lawyers said that the incident had derailed her and that she didn’t earn her high school diploma until she was 60.Mr. Cosby’s lawyers have disputed Ms. Huth’s account, suggesting that their meeting actually happened years later, when she was an older, and willing, visitor to the mansion who by her own account did not flee after the encounter but stayed on for hours, swimming in the pool and watching a movie.Ms. Huth’s lawsuit, filed in 2014, was largely on hold while prosecutors in Pennsylvania pursued Mr. Cosby, 84, criminally on charges that he had sexually assaulted Andrea Constand, a former Temple University employee.But Mr. Cosby’s 2018 conviction in that case was overturned last year by the Pennsylvania Supreme Court on due process grounds, and Mr. Cosby walked free after serving nearly three years of a three- to 10-year sentence.Mr. Cosby, flanked by two of his lawyers, outside his home in the Philadelphia suburbs after being freed from prison last year. Mark Makela/ReutersEarlier on Monday, Mr. Cosby’s lawyers had cross-examined Donna Samuelson, Ms. Huth’s friend who accompanied her to the mansion. She had told the court last week that Ms. Huth had been distraught after her encounter with Mr. Cosby but that Ms. Samuelson persuaded her to stay.Mr. Cosby’s defense tried to undermine the credibility of that account, suggesting that the two friends had coordinated their stories before Ms. Huth first went to the police in 2014. (Prosecutors ultimately declined to file criminal charges because the statute of limitations had passed.)But Ms. Samuelson said she had simply misremembered when she had initially reported to authorities that Ms. Huth was 15 at the time, not 16 as Ms. Huth now says.Mr. Cosby’s lawyers showed a layout of the game room at the Playboy Mansion and said that Ms. Samuelson had been wrong to say a person could access the bathroom only through an adjoining bedroom.Mr. Cosby’s lawyers also said it was impossible for Ms. Samuelson to have played the arcade game “Donkey Kong” there in 1975, as she has testified in a deposition. The game was not released until six years later.Ms. Samuelson said she meant that she had played a game like Donkey Kong.She denied that she and Ms. Huth had coordinated their accounts before Ms. Huth went to the police in 2014. “We were not putting anything together,” she said. “We were just telling our memories.”Jennifer Bonjean, a lawyer for Mr. Cosby, also brought up the subject of race in a way that suggested Ms. Samuelson was motivated to take down Mr. Cosby because he is Black. She said, for example, that Ms. Samuelson, in her pre-trial deposition, had described the décor of his house in Los Angeles as “jungly” and “African,” referring to the leaf print on the wallpaper.“It wasn’t atypical for people in your friend group to use racial slurs like the N-word,” the lawyer asserted.Ms. Samuelson said she never did that.“I am not racist,” she said.One of Mr. Cosby’s lawyers, Jennifer Bonjean.Lucy Nicholson/ReutersMr. Cosby’s lawyers have noted in court proceedings that Ms. Huth’s recollection of when her encounter took place has changed: While she initially said it had happened in 1974, when she was 15, she more recently concluded it was in 1975, when she was 16. The law in California classified a 16-year-old as a minor. In disputing Ms. Huth’s account, Mr. Cosby’s lawyers have suggested they met years after the time she said they did, when she was no longer a minor.Last week, Ms. Huth’s legal team introduced two other women who testified about encounters with Mr. Cosby. Kimberly Burr testified that she was 14 years old when he tried to kiss her in his trailer on the set of “Let’s Do It Again” in 1975 as well.Margie Shapiro testified that she was 19 that year when Mr. Cosby met her at the doughnut shop where she was working and invited her to the set of another movie he was filming in Los Angeles. Later that day, according to her testimony, she went to his house and then they went to the Playboy Mansion, where, she said, he drugged and assaulted her, an accusation that Mr. Cosby denies.Mr. Cosby is not expected to testify at the trial, having asserted his Fifth Amendment rights. But lawyers for Ms. Huth deposed him several years ago, and a portion of that testimony is expected to be presented in court before the conclusion of the trial, which is expected to last through the week. More

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      Oscars Will Require Covid Tests for All, Vaccines for Most

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      After much internal discussion, the Academy of Motion Picture Arts and Sciences has come to an agreement on coronavirus safety measures for attendees of the 94th Oscars, which will be held on March 27 in Los Angeles: The audience of 2,500 invited guests — including all nominees — will be required to show proof of vaccination against the coronavirus and at least two negative P.C.R. tests.Performers and presenters also must undergo rigorous testing — but those people will not need to show proof of vaccination, a decision that an academy spokeswoman said on Thursday was in keeping with virus safety protocols on some television sets and return-to-work standards set by Los Angeles County.Under an agreement last year between entertainment unions and the Alliance of Motion Picture and Television Producers, production companies (in this case the academy) have the option to mandate vaccinations for cast and crew. But it is not a requirement, and some companies separate productions into zones, with different testing and social distancing requirements depending on how closely casts and crews need to work together.Face covering requirements also will vary, the academy said. Nominees and their guests will be seated in the orchestra and parterre areas of the Dolby Theater and will not be required to wear masks. These attendees will be seated with more spacing than usual. The Dolby seats 3,317 people and 2,500 people will be invited, the academy said.Those in the mezzanine may be required to wear masks, as they will sit shoulder-to-shoulder. Infections are declining rapidly in Los Angeles County, and the academy said it was consulting with government officials, infectious disease experts and an independent vendor, Cosmos Health Solutions, on a policy.Last week, following a report in The Hollywood Reporter that the academy was planning to forgo a vaccine mandate across the board, the organization was pummeled on social media by fans, stars, politicians and others for what appeared to be an effort to accommodate unvaccinated celebrities. Seth MacFarlane, who hosted the Oscars in 2013, was among those who criticized the academy on Twitter.The academy declined to say anything publicly about The Hollywood Reporter’s article, but officials insisted that no decisions had been made.Coronavirus safety protocols have been changing rapidly as infections have declined. On Tuesday, Disney eased its mask mandate for fully vaccinated theme park visitors in California and Florida. This week, the Coachella Valley Music and Arts Festival said attendees (up to 125,000 fans a day in the prepandemic era) would not be required to be vaccinated, tested or masked.According to government data, 1,713 coronavirus-positive patients were hospitalized in Los Angeles County as of Thursday, a 54 percent decline since Feb. 1. Over the last week, the county has reported an average of about 4,100 new cases per day, a decline of 77 percent from two weeks ago.The academy’s decision puts it at odds with some award shows that are scheduled to take place in the weeks before the Oscars, including the Critics Choice Awards on March 13. Joey Berlin, the force behind the awards, told The Hollywood Reporter that everyone involved would be vaccinated. “I can’t invite people to a show where they’re not going to feel safe,” he said.The academy emphasized on Thursday that it would be in direct touch with nominees and studios to walk them through the various safety requirements. More

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      Surging Virus Prompts Call to Halt In-Person TV and Film Production

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storySurging Virus Prompts Call to Halt In-Person TV and Film ProductionSAG-AFTRA, the union representing 160,000 people who work in the industry, seeks a “temporary hold” in Los Angeles.A film crew in Los Angeles on Nov. 6. Credit…Etienne Laurent/EPA, via ShutterstockJan. 4, 2021Seven people working on “The Kelly Clarkson Show,” which was being shot at an NBC Universal stage in Studio City, Calif., tested positive for the coronavirus this fall. So did nine people working on the Netflix series “Colin in Black & White” in Gardena. And the Los Angeles County Public Health Department reported that a dozen people working on the sitcom “Young Sheldon” in Burbank got the virus, too.The entertainment industry is so vital to Los Angeles that film and television production were both allowed to continue even after outdoor dining was banned. But now, with the coronavirus surging across California and overwhelming hospitals, unions and industry groups are calling for in-person production to be suspended.“Southern California hospitals are facing a crisis the likes of which we have never seen before,” Gabrielle Carteris, the president of SAG-AFTRA, the union representing 160,000 people who work in film, television and radio, said in a statement. “Patients are dying in ambulances waiting for treatment because hospital emergency rooms are overwhelmed. This is not a safe environment for in-person production right now.”The union was joined in its call for a “temporary hold on in-person production in Southern California” by groups representing producers and advertisers.The recommendation, which was announced on Sunday, came as officials said that major studios in the area had already extended a standard holiday-related pause in production until at least mid-January in the hope that the number of new cases would subside by then, freeing up space in hospitals and intensive care units.By Monday night, “The Late Late Show” announced in a tweet that it had moved its production back into James Corden’s garage until it was “safe to return to our studio.” And a spokeswoman for “Jimmy Kimmel Live” confirmed a Deadline report that the Los Angeles-based late show would film remotely for the next two weeks. Officials from the groups calling for a pause — which also included a committee representing commercial advertisers and advertising agencies — said that they were encouraging their members to stay at home and not accept any on-set employment for several weeks. They noted that even workers who do not contract the virus put themselves at risk of becoming injured by stunts, falls or other mishaps, and that they could find it difficult to get treatment at hospitals.“It is too hard to say right now when the situation may improve,” said David White, national executive director of SAG-AFTRA.The Producers Guild of America said in its own statement that it was encouraging everyone “to delay production until the county health officials indicate it’s safe to resume.”Like sports, theater and much of the entertainment industry, film and television production has been forced to endure a turbulent year of stops and starts. The pandemic caused what was essentially a global shutdown in March, followed by a gradual phased reopening over the summer with a laundry list of new safety protocols in place that forced executives to reimagine how to make blockbuster movies safely, or how to finish uncompleted television seasons.The measures they have taken could not entirely stop the spread of the virus, however, and throughout the summer and fall, stars including Robert Pattinson and Dwayne Johnson tested positive. Mr. Pattinson’s positive test forced filming of “The Batman” at studios outside London to shut down. And last month, an audio recording of Tom Cruise emerged in which the actor could be heard scolding crew members on the set of “Mission: Impossible 7” for not following Covid-19 protocols.The restart, uneven and incomplete, has also forced the industry to slash budgets and lay off employees. FilmLA, the official film office for the city and county of Los Angeles, reported that filming in the area fell by more than 54 percent from July to September compared with the same period the previous year. (In New York City, only 35 of the nearly 80 series that were filming or planning to film were back at work by early November.)Then came the wave of infections that have staggered California since Thanksgiving. More than 35,000 new cases were reported in the state on Sunday, and the weekly average of new cases per day in Los Angeles County exceeded 16,000 last week — roughly 12 times higher than it was averaging on Nov. 1.The crisis has stretched the health care system so thin that at one Los Angeles hospital, incoming patients were recently being instructed to wait in an outdoor tent because the lobby was being used to treat patients, and gurneys filled the gift shop.The lack of hospital capacity prompted public health officials in Los Angeles to reach out to some members of the production industry on Dec. 24 to ask them to “strongly consider pausing work for a few weeks during this catastrophic surge in Covid cases,” FilmLA said. (An official at the Los Angeles County Department of Public Health said only that it had “recommended a voluntary pause on production activities” during a phone call with industry officials, but did not specify a time frame.)A database maintained by the county health department lists locations tied to CBS, NBC, Netflix and Warner Bros. as among the more than 500 workplaces, restaurants and stores that have reported three or more positive coronavirus cases. Officials for the studios declined to comment on the record.With the standard holiday break now expanded until mid-January because of the surge in cases and concerns about hospital capacity in Los Angeles, several shows that had been slated to resume production this week will not return until next week at the earliest, officials said.AdvertisementContinue reading the main story More