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    A Solar Eclipse Soundtrack

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    Songs from TV on the Radio, Brian Eno, Julianna Barwick and others than could well accompany the celestial event on Monday.TV on the Radio’s Tunde Adebimpe.Chad Batka for The New York TimesDear listeners,As you have probably heard, on Monday most people in the United States will be able to witness a solar eclipse that will plunge an ordinary afternoon into otherworldly darkness. Such events require planning. Where are you going to watch the eclipse? Who are you going to watch it with? And, most crucially for Amplifier purposes, what will you listen to during it?Today’s playlist aims to get you in the mood for this rare cosmic event. It features atmospheric ambient music from Brian Eno and Julianna Barwick as well as ethereal jazz from Alice Coltrane and Amaro Freitas. I also included a few songs that refer to moons and darkness, from Cat Stevens and Will Oldham, a.k.a. Bonnie “Prince” Billy, though I stopped just short of adding Bonnie Tyler’s “Total Eclipse of the Heart,” because I have at least some restraint.As far as solar eclipses go, this one is relatively long: Along the totality line, the moon will block out the sun for about four minutes and 28 seconds. A few songs on this playlist run for approximately that duration, so if you press play on, say, Eno’s “An Ending (Ascent)” as soon as the eclipse begins, it can soundtrack the entire experience. If you want to take in the moment in reverent silence, though, I fully support that; this playlist will be here when the eclipse is over, if you want to extend the astronomical vibe. And if you want to spend your eclipse listening to “Total Eclipse of the Heart”? Well, that’s your decision, not mine.I do love the feeling of human interconnectedness that occurs during an eclipse, though. There’s something powerful about knowing that millions of people in all sorts of locations will be stopping what they’re doing and perhaps reflecting on the fact that, for all our differences, we’re all living under the same sky. Who knows? Maybe some of us will even be listening to the same music.I’m being followed by a moonshadow,LindsayListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chappell Roan’s Eye-Roll Kiss-Off, and 11 More New Songs

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      Hear tracks by Prince, Young Miko, the Black Keys and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Chappell Roan, ‘Good Luck, Babe!’The rising pop star Chappell Roan sends an ex-lover off with an eye roll on the wrenching “Good Luck, Babe!,” a synth-driven tune that allows the dynamic vocalist to do her best Kate Bush. The subject of the song is noncommittal and perhaps in denial of her sexuality: Roan imagines her former flame kissing “a hundred boys in bars” and eventually becoming a man’s dissatisfied wife in the aftermath of their affair. But ultimately, Roan chooses herself, singing with all her heart, “I just wanna love someone who calls me baby.” LINDSAY ZOLADZPrince, ‘United States of Division’“Everybody stop fighting/everybody make love,” Prince urged in “United States of Division,” a song previously released only as a British single B-side in 2004, alongside Prince’s album “Musicology.” It’s six minutes of deep-bottomed polytonal funk — topped with synthesizer jabs and horn lines, goaded by a hard-rock guitar riff — that veers between disenchanted verses and a conditionally optimistic chorus. Prince was hoping for the best but seeing stubborn obstacles, pondering tribalism, inequality and faith all at once and wondering, “Why must I sing ‘God Bless America’ and not the rest of the world?” JON PARELESCharli XCX, ‘B2b’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Young Women Who Make TikTok Weep

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      Subscribe to Popcast!Apple Podcasts | Spotify | StitcherWhen the Scottish singer-songwriter Katie Gregson-MacLeod recorded a verse of an unfinished song called “Complex” and posted it to TikTok in August, she was tapping into the app’s penchant for confessional storytelling, and demonstrating its ease of distribution and repurposing.Overnight, the snippet propelled her into viral success, leading to a recording contract and placing her in a lineage of young women who have found success on the app via emotional catharsis — sad, mad or both. That includes Olivia Rodrigo, whose “Drivers License” first gained traction there, and also Lauren Spencer-Smith, Sadie Jean, Gracie Abrams, Lizzy McAlpine, Gayle and many more.On this week’s Popcast, a conversation about the evolution of TikTok’s musical ambitions and the expansion of its emotional range, how the music business has tried to capitalize on the app’s intimacy, and the speed with which a bedroom-recording confessional can become a universal story line.Guest:Rachel Brodsky, who writes about pop music for StereogumConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More