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      5 Things to Do This New Year’s Weekend

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyweekend roundup5 Things to Do This New Year’s WeekendOur critics and writers have selected noteworthy cultural events to experience virtually.Dec. 31, 2020, 5:00 a.m. ETDanceMaking the Old NewKenneth Shirley of Indigenous Enterprise in a scene from a short film that is streaming on the Joyce Theater’s website until Sunday.Credit…Danny UpshawSince September, the Joyce Theater has been offering a free virtual fall season that is as good as some of its best in-person ones. The secret has been surprise and an avoidance of the usual suspects. If that is a little less true of the latest batch of videos — available through Sunday at joyce.org/joycestream — the variety still provides plenty of spice.The connecting theme might be “tradition reimagined.” Indigenous Enterprise captures the beauty of Native American dances in urban settings. Les Ballets Trockadero de Monte Carlo revives parts of the 19th-century ballet “Paquita” with an all-male cast. Streb Extreme Action does daredevil stunts with huge machines; it’s like a carnival side show performed by cool astronauts.Vanessa Sanchez and the group La Mezcla, from San Francisco, mix modern tap and zapateado to celebrate the women of the Zoot Suit Riots of the 1940s. And Rennie Harris Puremovement shows once again how hip-hop can convey both can’t-take-your-eyes-off-it flash and hard-to-watch grief.BRIAN SEIBERTKidsBon Voyage to BoredomA scene from “Journey Around My Bedroom,” an interactive production that will livestream on Zoom through Jan. 10.Credit…New Ohio TheaterA room can be a refuge, but without an easy exit, it can also feel like a jail. For the Frenchman Xavier de Maistre, it was both: While under house arrest in 1790, he wrote “Voyage Around My Room,” a tribute to the creativity his imprisonment unleashed.Now de Maistre’s work has inspired New Ohio Theater for Young Minds’ first virtual presentation, “Journey Around My Bedroom.” Written by Dianne Nora and directed by Jaclyn Biskup, with songs by Hyeyoung Kim, this whimsical 35-minute play emulates Victorian toy theater, in which puppeteers manipulated cutouts on a tiny stage. (Myra G Reavis did the inventive design, assisted by Ana Maria Aburto.) Traveling in a failing dirigible, de Maistre visits Xavi, a contemporary girl who discovers that her own room offers hidden adventure.The production, which livestreams on Zoom Fridays to Sundays through Jan. 10, includes audience participation and a post-show discussion. Children can also follow the journey, though less interactively, in an on-demand video Jan. 11-Feb. 11. Tickets to gain access to these performances are pay-what-you-wish and available at newohiotheatre.org.LAUREL GRAEBERArtTime to Ponder Time ItselfClodion’s “The Dance of Time: Three Nymphs Supporting a Clock” will be the topic of discussion on Friday during the Frick Collection’s “Cocktails With a Curator.”Credit…Claude Michel and JeanBaptiste Lepaute; via Frick Collection; Michael BodycombWhen the Frick Collection introduced its virtual series, “Cocktails With a Curator,” its deputy director and Peter Jay Sharp chief curator, Xavier F. Salomon, described the program as a way to show how the museum’s pieces are “relevant to issues we’re facing today.” That’s especially true for the artwork featured in the next episode: “The Dance of Time: Three Nymphs Supporting a Clock,” by the 18th-century sculptor Clodion with the clockmaker Jean-Baptiste Lepaute. Looking back on 2020, the passage of time has never felt so complicated.There’s also nothing simple about “The Dance of Time.” The three terra-cotta nymphs holding up a globe-encased clock are either witnessing the passage of time or represent it themselves. To find out more, make a metropolitan (or the mocktail alternative, a ginger ale hot toddy; both recipes are on the Frick’s website), and tune in to the museum’s YouTube channel on Friday at 5 p.m. Eastern time to hear Salomon discuss the timelessness of this unique timepiece.MELISSA SMITHPop & RockSummerStage Is Just a Screen AwaySoccer Mommy and her band performed for SummerStage Anywhere in November. The show is available to watch on YouTube.Credit…via City Parks FoundationWhile its recently renovated stage in Central Park sat idle this past season, SummerStage — the nonprofit organization that typically floods the five boroughs with live outdoor music — sprouted roots in virtual space. Its season of free online programming, SummerStage Anywhere, is now complete, but is archived on their YouTube channel for latecomers to enjoy.Offerings are wide-ranging, crossing disciplines, genres and generations. Soccer Mommy, an indie-rock darling, performed her first and, so far, only full-band show in support of her latest album, “Color Theory.” ASAP Ferg joined Fab 5 Freddy, one of hip-hop’s elder statesmen, for a conversation about creativity in the face of racial injustice. Gloria Gaynor and her band revisited hits from her disco heyday (including, of course, “I Will Survive,” a song that has special resonance these days). For those of us yearning for a time when we can once again spread our blankets and take in the sounds at Rumsey Playfield, this series provides a nice stopgap.OLIVIA HORNClassical MusicCatch Up With ‘Density 2036’Claire Chase recently released four full-length CDs for her ongoing “Density 2036” project.Credit…Karen ChesterPreviously, listeners curious about “Density 2036” — the ambitious, 23-year commissioning project that the flutist Claire Chase started in 2013 — have needed to stake out her concerts. (While Chase recorded her interpretations of a couple of the earliest works at the beginning of the project, studio renditions seemed to have taken a back seat to live dates in recent years.)Now four new full-length CDs, released by Corbett vs. Dempsey Records, allow a global audience to catch up with the first half-decade of Chase’s initiative. (They’re also available digitally on Bandcamp.) Highlights abound in each set, thanks to a range of composers that includes Marcos Balter, George Lewis and Pauline Oliveros. And one particularly striking stretch on “Part IV” features a version of Tyshawn Sorey’s “Bertha’s Lair” (with the composer heard on percussion alongside Chase). That fancifully vigorous piece is directly followed by a distinct yet similarly percussive work: “Five Empty Chambers” by Vijay Iyer.SETH COLTER WALLSAdvertisementContinue reading the main story More

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      Film Academy Museum Delays Its Opening Again

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      #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesThe Latest Vaccine InformationU.S. Deaths Surpass 300,000F.A.Q.AdvertisementContinue reading the main storySupported byContinue reading the main storyFilm Academy Museum Delays Its Opening AgainThe Academy Museum of Motion Pictures pushed back its opening to Sept. 30, 2021, from April 30, citing the difficulty of forecasting when public life may begin to normalize.The museum recently installed a 1,208-pound model of the shark featured in “Jaws” above an escalator.Credit…Chris Pizzello/Invision, via Associated PressDec. 18, 2020, 1:00 p.m. ETLOS ANGELES — The Academy Museum of Motion Pictures is starting to feel a little cursed. Since the project was announced in 2012 — with an opening expected in 2017 — setbacks have included sparring architects, the discovery of mastodon fossils by excavation crews, a budget that ballooned by roughly 90 percent, the ouster of its founding director and now, for the second time, the coronavirus pandemic.On Friday, the museum pushed back its opening to Sept. 30, 2021, from April 30, citing the virus and difficulty forecasting when public life may begin to normalize. The pandemic already scuppered a planned opening this week. “With the current surge of Covid-19, it would be irresponsible to maintain an April opening,” Bill Kramer, the museum’s director and president, said by phone. “It’s not because we aren’t ready. Work has been moving forward. We’re completely on track.”Ted Sarandos, chairman of the museum’s board of trustees and Netflix’s co-chief executive, added in a statement: “It’s just a matter of patience, for all of us, as we look ahead to opening our doors on Sept. 30.” A private gala was set for Sept. 25.How did the museum select those dates? This month, for instance, Warner Bros. said it would still be too difficult to release movies normally by next December because of the pandemic.Mr. Kramer said summer was not an ideal time to inaugurate a cultural institution (too many people scattered here and there). An early September opening would collide with the Telluride and Toronto film festivals.Had the $482 million museum stuck to its April plan, a marketing campaign would have started next month. Hiring was also set to begin for gallery guards and ticket takers.For all of its stops and starts, the museum has gotten its act together under Mr. Kramer, who was hired last year. (He previously served as vice president of development for the Brooklyn Academy of Music.) In recent months, the museum has hired the film scholar and Turner Classic Movies host Jacqueline Stewart as its chief artistic and programming officer; repaired relationships with Hollywood collectors; attained LEED eco-friendly certification; and reached its pre-opening fund-raising goal of $388 million. Despite difficult working conditions because of the coronavirus, crews have installed exhibits, including a 25-foot-long, 45-year-old fiberglass model of the mechanical shark that Steven Spielberg used to film “Jaws.”Mr. Kramer called the shark, nicknamed Bruce, “shockingly cool.”AdvertisementContinue reading the main story More

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      Rock Hall of Fame Reveals Plan for Expansion

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyRock Hall of Fame Reveals Plan for ExpansionThe $100 million project would add more programming space and a new band shell and renovate the Rock Hall’s original I.M. Pei building in Cleveland.A rendering of the expansion plan, in which a triangular wedge will appear to slice into the base of the Rock Hall’s original building.Credit…Practice for Architecture and UrbanismDec. 18, 2020, 9:00 a.m. ETThe Rock & Roll Hall of Fame and Museum in Cleveland on Friday released designs for a $100 million renovation and expansion, which would grow the museum’s footprint by a third with a dramatic addition to the original I.M. Pei building.The Rock Hall announced that the architecture firm PAU will lead the project, which will bring 50,000 square feet of programming space and a new band shell overlooking the shores of Lake Erie. The triangular addition will resemble a guitar pick slicing into the base of the original waterfront pyramid, which opened in 1995.Vishaan Chakrabarti, the architecture firm’s founder and creative director, will oversee the expansion with assistance from other design firms including Cooper Robertson, James Corner Field Operations and L’Observatoire International.“Our theme for the project is the Clash,” said Mr. Chakrabarti, who also serves as dean for the College of Environmental Design at the University of California, Berkeley. He said the new design has “a sense of grit” that is in line with the rebelliousness of rock ’n’ roll.The desire to create a campus around the Rock Hall originated about five years ago, its president and C.E.O., Greg Harris, said. The hall hoped to add space for exhibitions and events, as well as offices with a view of the water.“We wanted to host exhibitions like the Brooklyn Museum’s David Bowie show, but we just didn’t have the space,” Mr. Harris said. “We want to give our audiences the giant wow moment that you would expect from a place of our magnitude.”The museum had originally embarked on a $55 million capital campaign for renovations, but the expansion nearly doubled the financial cost to a total of $100 million. With the help of trustees, the Rock Hall said, it has raised $73 million.PAU was chosen because it is one of the top architectural firms in the world, Paul Clark, the chairman of the museum’s board, said. “Their experience will be instrumental as we work through our vision to enhance the Rock Hall,” he said.It has been a difficult year for the Rock Hall, which relies heavily on ticketed attendance. The coronavirus pandemic put a $14 million dent in its revenues, and the museum was forced to lay off nearly 50 employees.AdvertisementContinue reading the main story More

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      ‘Museum Town’ Review: A Love Letter to Mass MoCA

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Museum Town’ Review: A Love Letter to Mass MoCAThis documentary looks at how a contemporary art museum in Western Massachusetts transformed a struggling small town.A scene from the documentary “Museum Town,” about Mass MoCA.Credit…Kino LorberDec. 17, 2020, 10:49 a.m. ETMuseum TownDirected by Jennifer TrainerDocumentary1h 16mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.At its heart, the documentary “Museum Town,” is a love letter — to the Massachusetts Museum of Contemporary Art, to artistic experimentation and to North Adams, the struggling factory town where the institution is situated.The film’s main thread follows the staff of Mass MoCA as they prepare for “Until,” a colossal exhibition by the Black sculptor Nick Cave that includes an eclectic mix of found materials like ceramic birds and 10 miles of crystals. The project, which was on display from October 2016 to September 2017, perfectly encapsulates Mass MoCA’s mission: to help contemporary artists realize their wildest dreams and to curate in ways not dictated by the art market. Between scenes of Cave approving different ceramic trinkets and the staff maneuvering the moving pieces of the exhibition are two other stories, narrated by Meryl Streep: The history of Mass MoCA’s uneven development and the story of how North Adams went from a bustling working-class factory town to a divested one.[embedded content]The film was directed by Jennifer Trainer, who was also the first director of development at the museum, and her adoration for Mass MoCA is obvious at every turn. This isn’t always bad, but at times, one wishes the documentary had more distance from its subject. Interesting conversations about gentrification as a means to revitalization and who a museum serves (the public, the artist, both?) are quickly papered over, and the focus on local residents’ indifference toward contemporary art begins to feel gimmicky. But for those even mildly curious about the story of one of the country’s largest visual and performing arts spaces, “Museum Town” is worth watching.Museum TownNot rated. Running time: 1 hour 16 minutes. Watch through virtual cinemas.AdvertisementContinue reading the main story More