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      How Pixar’s ‘Soul’ Animates Jazz

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyHow Pixar’s ‘Soul’ Animates JazzA look at the ways filmmakers and musicians collaborated to present an accurate view of players’ artistry.Concept art from the movie. The filmmakers consulted several players and worked with the pianist Jon Batiste to convey jazz musicianship.Credit…Pixar/DisneyPublished More

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      In ‘Soul’ on Disney+, Pixar Has Its First Black Lead Character

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Soul’ Features Pixar’s First Black Lead Character. Here’s How It Happened.Mindful of animation’s history of racist imagery, the studio aimed to make the jazz pianist at the center of the film as specific as possible.The movie centers on Joe Gardner, a jazz pianist with a day job as a middle-school music teacher.Credit…Disney/PixarDec. 22, 2020, 3:15 p.m. ETAll Pixar features arrive with technical innovations, but “Soul,” opening Dec. 25 on Disney+, breaks important new ground: The movie centers on the studio’s first Black protagonist, Joe Gardner, a jazz pianist on what might be the biggest day of his life, and the creative team includes the company’s first Black co-director, Kemp Powers.In general, Black stories and talent remain underrepresented in American animation, onscreen and off. You can hear Black stars in supporting roles (Samuel L. Jackson as Frozone in the “Incredibles” movies) or voicing animals (Chris Rock and Jada Pinkett Smith in the “Madagascar” series). But “Soul” is only the fourth American animated feature to make Black characters the leads, following “Bebe’s Kids” (1992), “The Princess and the Frog” (2009) and “Spider-Man: Into the Spider-Verse” (2018).“To me, Joe represents a lot of people who aren’t being seen right now,” said Jamie Foxx, who provides Joe’s voice. “Joe is in all of us, regardless of color. To be the first Black lead in a Pixar film feels like a blessing, especially during this time when we all could use some extra love and light.”Knowing their work on “Soul” would be minutely scrutinized, the director Pete Docter, the co-screenwriter Mike Jones and the producer Dana Murray, who are white, set out to create a character who would be believably Black while avoiding the stereotypes of the past.The journey of Joe Gardner — and “Soul” — began four years ago, when Docter felt at loose ends after winning his second Oscar, for “Inside Out.” Murray recalled, “Pete had this feeling, ‘Is this it? Do I just do this again?’ I don’t know if it was a midlife crisis as much as a midlife what-am-I-doing? moment.”Docter began wondering about the origins of human personalities, and whether people were born destined to do certain things. Jones added, “In our first meeting, he told me, ‘Think about an idea set in a place beyond space and time, where souls are given their personalities.’”Docter said he and Jones worked for about two years to develop Joe, a Black middle-school music teacher and musician from Queens. But something was missing. “We wanted somebody who could speak authentically about this character and bring some depth to him,” Docter said. “That’s when Kemp Powers came on,” as the film’s co-directorPowers’s background is in live action and journalism; he adapted the coming film “One Night in Miami” (also due Dec. 25) from his own play. But he felt at home in the new medium. “Animation is a very collaborative, iterative form, which felt very akin to live theater,” he said. He was initially hired for 12 weeks as a writer, but his contract was extended. “Later, I got promoted to co-director, because Pete really wrapped me into the process.”Nevertheless, Powers understood the pitfalls of his role: “Some people might relish the idea of saying they speak for Black people, Black Americans, whatever: I am not one of those people,” he said, adding, “I’m absolutely a Black man, and I know my history; at the same time, I can’t speak for all the Black men who are from New York; I can’t speak for my generation.”Kemp Powers, co-director of “Soul,” said the filmmakers were aware of animation’s history of racist imagery. “At the same time, we didn’t want them to be white characters who happen to be brown-skinned. We had to give them distinct looks.”Credit…Texas Isaiah for The New York TimesMurray said Pixar recognized that “if Joe’s going to be Black, we’d need a lot of help,” She said Britta Wilson, the company’s vice president of inclusion strategies, helped build an internal “Cultural Trust” made up of some of the studio’s Black employees, a group that was diverse in terms of gender, jobs and age. “We also talked to a lot of external consultants and worked with Black organizations to make sure we were telling this story authentically and truthfully,” Murray added.Powers said they were all aware of the specificity needed for Joe’s character. “Treating the Black experience as a monolith makes things a lot easier: You can have one Black person rubber-stamp something and use that as your excuse for not having tried harder to get it right.”He recalled that the individual consultants brought a range of viewpoints: “We’d have 20 Black people in a room: We’d ask a question and get 20 different answers.” Their debates sometimes “broke along generational lines, which was interesting: Things I think are fine may seem offensive to the younger generation. Everyone had a different take, which made the job exponentially harder, but that care was needed.”Further complicating their work was the fact that animation is a medium of caricature: No human is as squat and angular as Carl in Pixar’s “Up,” yet audiences accept him as a crabby old man. For “Soul,” the Pixar crew strove to create characters who were recognizably Black while avoiding anything that recalled the racist stereotypes in old cartoons, from Mammy Two Shoes, the Black maid in the Tom and Jerry cartoons, to George Pal’s stop-motion Jasper.Docter, who has written about animation history, acknowledged, “There’s a long and painful history of caricatured racist design tropes that were used to mock African-Americans.”He recalled that when he was making “Up,” he worried about how the design of the Asian-American scout Russell might be perceived. Docter said his fellow Pixar director Peter Sohn, a Korean-American artist, advised him, “‘Korean eyes are shaped differently than Caucasian eyes. Look at me and draw what you see: The truth isn’t racist.’”Powers agreed that there was an important difference between “leaning into and taking pride in those features and making fun of those features.” Pixar, he said, was mindful of the sorry images from animation history. When it came to designing appealing but stylized characters, the artists “took care not to make them insulting. At the same time, we didn’t want them to be white characters who happen to be brown-skinned. We had to give them distinct looks, so they’re not just boring, monotone characters.”To create those looks, Pixar artists and technicians needed to capture the textures of Black hair and the way light plays on various tones of Black skin. Murray said they brought in the cinematographer Bradford Young, whose work includes “Solo: A Star Wars Story,” to consult as well.Finding the voice that fits an animated character is as challenging as finding the best performer for a live-action role. “You have a voice in your head that you can write to,” Jones explained. “We needed Joe to have ambition, to want to play music at the highest level, but we also needed Joe to be excited to teach what he loves — jazz — to his students, all of which Jamie provided.”Although Foxx has voiced animated characters before, he still had to adjust his performance. “When I got in the recording booth, I was delivering the lines with all kinds of facial expressions and gestures,” Foxx said. “They were like, “Uh, Jamie, let’s try that again and remember … we can’t see you.”During the film, Joe argues — and bonds — with a recalcitrant soul known as 22, who refuses to enter a human body. As 22, Tina Fey found the purely vocal performance liberating. though she too has done other voice-overs before: “I could let go of any worry about how I looked. Even as a comedy person, you’re always thinking a little bit about finding your light and standing up straight. It’s so freeing to not have to do that.” (The relationship between Joe and 22 grows increasing complicated, but neither actor wanted to say anything that might spoil the plot twists.)Reflecting on the creation of “Soul,” Powers said, “When someone told me I was Pixar’s first Black director, I said that can’t be right. Pete said — and my hope is — this is an indicator of changes that are going to be pretty rapid.” There are more animators of color and women in the business than there were 15 or 20 years ago, he noted. “It’s sad it’s taken this long, but I’m glad it’s coming finally.”AdvertisementContinue reading the main story More

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      The Biggest Casting News From Disney’s Investor Day

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Biggest Casting News From Disney’s Investor Day“Black Panther 2” will not recast King T’Challa. Harrison Ford is picking up the hat and whip again. And “Star Wars” recruited Rosario Dawson for her own show.Lupita Nyong’o, Chadwick Boseman and Danai Gurira in the 2018 film “Black Panther.” Disney will not recast King T’Challa in the wake of Mr. Boseman’s death, the company announced.Credit…Marvel Studios/Disney, via Associated PressDec. 11, 2020Updated 6:27 p.m. ETIn unveiling a huge raft of content coming to theaters and its streaming service at a four-hour investor presentation on Thursday, Disney announced major cast news for many of its highest profile properties, including Pixar, Marvel and “Star Wars.”Each division of Disney’s entertainment empire brought big names to the table, though some landed with a bigger splash than others. Film and TV fans will have a hard time missing what’s coming.Here are some of the biggest casting announcements for Disney’s film and streaming projects:Marvel will not recast King T’Challa in “Black Panther,” first played by Chadwick BosemanPerhaps the biggest news at the event was a decision not to make a casting announcement. Kevin Feige, the president of Marvel Studios, said that, after the indelible mark that Chadwick Boseman, who died this year, made playing King T’Challa in the 2018 movie “Black Panther,” Marvel would not recast the role out of respect for the actor’s legacy. The film’s sequel, however, is still scheduled for release on July 8, 2022, with the director Ryan Coogler and much of the original cast returning.Mr. Boseman died at 43 on Aug. 28 of colon cancer. The news stunned the industry and fans, some of whom mounted a campaign demanding that Disney not recast the role. In a tribute shared with The Hollywood Reporter, Mr. Coogler wrote, “It is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again.”Hayden Christensen as Anakin Skywalker in “Star Wars Episode III: Revenge of the Sith.” Credit…ILM/Lucasfilm LTD, via 20th Century FoxHayden Christensen will again play Darth VaderIn the upcoming “Obi-Wan Kenobi” series for Disney’s streaming service, Disney+, the actor Hayden Christensen will reprise his role as Anakin Skywalker, this time behind the mask of Darth Vader. The series will take place 10 years after the events of the 2005 movie “Star Wars: Episode III — Revenge of the Sith,” with Mr. Christensen starring opposite Ewan McGregor’s title character.After starring in two of George Lucas’s prequels to the original “Star Wars,” Mr. Christensen largely moved on to other projects. He did not completely part from the franchise, though: Die-hard fans could make his voice out at the end of last year’s “Star Wars: The Rise of Skywalker.” “Obi-Wan Kenobi” will debut in 2022.Amy Adams returns as Princess GiselleAmy Adams — who has been nominated for six Academy Awards — will reprise her role from the 2007 revisionist fairy tale “Enchanted” in a follow-up titled “Disenchanted” for Disney+.In The New York Times’s review of the original film, the critic Manohla Dargis called Ms. Adams “superb,” adding that she was an “irresistibly watchable screen presence and a felicitous physical comedian.”Harrison Ford in the 2008 film “Indiana Jones and the Kingdom of the Crystal Skull.”Credit…David James/Paramount PicturesHarrison Ford will play Indiana Jones one last timeThe fifth and final “Indiana Jones” film is officially in preproduction, and Harrison Ford will, of course, play the title role. The director of “Logan” and “Ford v Ferrari,” James Mangold, will lead the project. Not much else is known about the film so far, other than that there will need to be a hat and a whip.The new Indy film is set to reach theaters in July 2022.Chris Evans will play Buzz Lightyear. No, the real Buzz Lightyear.Chris Evans, best known for playing Captain America and that guy with the great sweater in Rian Johnson’s “Knives Out,” will play the starring role in Pixar’s “Lightyear,” set for a release on June 17, 2022. The film will set out to explore the back story of the human whose likeness was turned into the toy that Tim Allen played in the “Toy Story” series. You get it.Rosario Dawson gets her own “Star Wars” seriesRosario Dawson will star in “Ahsoka,” a Disney+ series that, along with “Rangers of the New Republic,” will be a spinoff from “The Mandalorian.”Ms. Dawson first appeared in a “Star Wars” feature, “The Mandalorian,” only weeks ago, as Ahsoka Tano, a character whose exploits “Star Wars” fans have followed from the 2008 film “Star Wars: The Clone Wars” to the more recent animated series “Star Wars Rebels.” The new series doesn’t yet have a release date.Whoopi Goldberg, right, in “Sister Act 2: Back in the Habit.”Credit…Buena Vista PicturesWhoopi Goldberg signs on for “Sister Act 3”Whoopi Goldberg, who played the iconic Deloris Van Cartier in “Sister Act” nearly 30 years ago, will star in and produce “Sister Act 3” for Disney+. The writer-director Tyler Perry will produce alongside her.“Sister Act” was one of the top grossing movies of 1992, and went on to inspire a sequel and a Tony-nominated Broadway musical. “Ms. Goldberg starts out with some tough talk, but this turns out to be one of her ultra-lovable roles,” the Times critic Janet Maslin said in a review of the original.John Mulaney and Andy Samberg will play Rescue RangersThe “SNL” alumni John Mulaney and Andy Samberg will play the title roles in “Chip n’ Dale: Rescue Rangers,” a live-action-animated hybrid heading to Disney+.The film will be an update on the 1989 animated series of the same name, wherein two chipmunks start a detective agency. It was a different time. Akiva Schaffer, a member of The Lonely Island with Samberg, will direct.Tatiana Maslany in “Orphan Black.” For Disney, she will play the character She-Hulk, a lawyer.Credit…Ian Watson/BBC AmericaTatiana Maslany will join the Marvel Cinematic Universe as She-HulkTatiana Maslany, best known for award-winning turns as several clones on the BBC’s “Orphan Black,” will star in the upcoming Marvel series “She-Hulk” on Disney+. The series will involve her character, Jennifer Walters, taking on superhero-related legal cases.Mark Ruffalo, who plays the Hulk in the Marvel movies, will also appear, along with Tim Roth, who played the Abomination in the 2008 movie — pre-Ruffalo entry in the series — “The Incredible Hulk.”HBO meets Marvel in Ant-Man and the Wasp: QuantumaniaThe stars of a few recent prestige dramas on HBO will appear in the next “Ant-Man” film. Jonathan Majors, a lead of “Lovecraft Country,” will appear as the villain in the movie, playing the classic Marvel character Kang the Conqueror. Kathryn Newton, who played a rebellious teenager opposite Reese Witherspoon in “Big Little Lies,” will play Cassie Lang, who comic fans know goes on to become the superhero Stature.Warwick Davis will reprise his role from WillowWarwick Davis will star as the title character in a sequel series to the 1988 cult classic “Willow” on Disney+, set to air in 2022.The original film, conceived by George Lucas and directed by Ron Howard, involved a farmer and would-be sorcerer, Willow Ufgood, tasked with helping an infant — the future empress of the realm — fulfill her destiny. Val Kilmer helps them out. The series will take place years after the film’s events.Christian Bale goes from Dark Knight to God ButcherChristian Bale, who donned superhero tights for three Batman movies, has officially joined the cast of “Thor: Love and Thunder,” the fourth installment in the “Thor” series and the second from the director Taika Waititi. Mr. Bale will play Gorr the God Butcher, a being who wants to kill all of the gods. Straightforward stuff, really. The film is scheduled for release on May 6, 2022.Hailee Steinfeld may be the next HawkeyeHailee Steinfeld, who could last be heard in “Spider-Man: Enter the Spider-Verse” as Gwen Stacy, will appear alongside Jeremy Renner in Marvel’s “Hawkeye” series, airing on Disney+ next year. She plays Kate Bishop, who in the comics takes the Hawkeye name for herself.Ms. Steinfeld has already been spotted in set photos from the series:Happy birthday, Ms. Steinfeld.Multiple series will deal with Tony Stark’s legacyDon Cheadle, already busy picking up Emmy nominations for his work in the Showtime series “Black Monday,” will star as James Rhodes, a.k.a. War Machine, in a new series called “Armor Wars.” No longer playing second fiddle to Iron Man after Tony Stark’s death in “Avengers: Endgame,” his character will instead have to deal with, according to Mr. Feige, what happens when Stark’s tech falls into the wrong hands — something of a trend for Stark Industries.Dominique Thorne, whose film debut was in “If Beale Street Could Talk,” will star in “Ironheart,” Marvel’s first series featuring a Black female lead. The actress will play Riri Williams, a young inventor who reverse-engineers Iron Man armor to protect her neighborhood.Finally, Samuel L. Jackson and Ben Mendelsohn will return as Nick Fury and Talos in a Disney+ series based on Marvel’s “Secret Invasion” comics event. The series explored what happened when Marvel’s superheroes were replaced by Skrulls, the aliens first seen in the 2019 film “Captain Marvel.”AdvertisementContinue reading the main story More