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      After Chris Rock and Dave Chappelle Attacks, Comedy Venues Increase Security

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      Will Smith slapped Chris Rock onstage at the Oscars. Dave Chappelle was tackled at the Hollywood Bowl. Now some venues are increasing security to protect comedians.It was a joke about a mother, cocaine and Walmart that set the man off.He had been sitting with a woman at the Laugh Factory in Chicago this winter, shouting enthusiastically in response to a joke about drugs when, after being needled about his relationship with the woman, he said that she was his mother.So when Joe Kilgallon, the next comedian, took the microphone, a joke popped into his head.“That’s healthy — cocaine with your mom on a Monday,” Mr. Kilgallon recalled quipping. “Getting some real Walmart vibes here.”The man leaped from his chair, cursed and made a beeline for the stage, club officials and Mr. Kilgallon recalled. A security guard grabbed the man before he could climb onstage and hustled him out of the club through an emergency exit.It wound up nothing more than a minor confrontation, the kind that comedians have had to deal with for years, given that making fun of people and mixing it up with hecklers is basically part of the job description. But a couple of recent high-profile physical attacks on comedians — Will Smith slapping Chris Rock onstage at the Oscars in March and a man tackling Dave Chappelle as he performed at the Hollywood Bowl last week — has left some comics wondering if the stage is becoming less safe, and has led some clubs and venues to take steps to beef up their security at comedy shows.Laugh Factory officials say that as a result of the recent unrest, they have added cameras and metal detectors and increased the number of security guards at some of their locations. They have made a few additions — “This is not a U.F.C. match!” “We do not care about your political affiliation!”— to the standard monologue about two-drink minimums people hear as they walk in the door. The Uptown Comedy Corner in Atlanta last weekend hired an off-duty police officer to bolster its security, moved one of its guards closer to the stage and began using metal detecting wands to check patrons and their bags at the door. And the Hollywood Bowl said it had implemented its own “additional security measures” after the attack on Mr. Chappelle.Garrett Baney was searched this week as he entered The Laugh Factory on Sunset Boulevard in Los Angeles.Alex Welsh for The New York Times“When a comedian gets onstage, what is their only goal?” asked Judy Gold, the comedian and author of “Yes, I Can Say That: When They Come for the Comedians, We Are All in Trouble.” “To make you laugh. That’s it.”“When you take the comedian’s intent out of the formula and you decide ‘I am going to take this joke the way I perceive it, instead of the way the comedian intended it,’ ” she said, “and then say ‘I didn’t like that joke, I want that person canceled or silenced or beat up,’ I mean, it’s just devastatingly sad.”In interviews, comedy club owners and comedians themselves expressed varying degrees of concern over the recent events. While some spoke of a worrisome uptick in audience outbursts that predates the Oscars, others cautioned against conflating what happened to Mr. Rock and Mr. Chappelle and drawing overly broad conclusions.Trevor Noah addressed the situation with comedy last week, when he warily walked out onto the stage of his Comedy Central program, “The Daily Show with Trevor Noah,” under the watchful eye of a man in a black windbreaker that said “Security” who appeared to murmur into a Secret Service-style earpiece as Mr. Noah opened the show.Noam Dworman, the owner of the Comedy Cellar in New York, said he viewed the Smith-Rock confrontation as a highly specific “one-off” in which Mr. Smith seemed to be trying to embarrass Mr. Rock more than physically hurt him. Seeing an audience member tackling Mr. Chappelle was concerning, he said, but might be part of a broader trend.“It just seems like violence is creeping up on us,” Mr. Dworman said, citing recent riots and protests that have turned violent. “We have a lot of people equating words with violence. And the logical extension of equating words with violence is to say that it’s reasonable to answer words with violence.”Some comedians brushed off concern about their personal safety, noting that they are not, for the most part, big names like Mr. Rock and Mr. Chappelle. Several made clear they did not plan to soften their material. But some worried that societal forces, including the bitter debates of the Trump years and the difficulties many faced during the pandemic, may have left people increasingly on edge — and less willing to take a joke.After Will Smith slapped Chris Rock at the Oscars and was allowed to stay at the ceremony, some comedians feared it might embolden copy cat attacks. Ruth Fremson/The New York TimesJamie Masada, the owner of the Laugh Factory, said he had been counseling his comedians to take into account that some audience members have spent much of the last two years inside their apartments during a grueling pandemic. Mr. Kilgallon said he believed that after so much time alone, “people don’t know how to act in public” — whether it be in comedy clubs, bars or sporting events.Comedy clubs have long employed bouncers and security guards to deal with the occasional patron who has been overserved, or who is heckling a tad too much. And long before Mr. Smith strode onto the Academy Awards stage to slap Mr. Rock as retribution for a joke about his wife, there have been scattered instances of people confronting comedians during their sets, or in some cases, physically assaulting them.In the aftermath of the Oscars slap, some comics warned of the potential for copy cats. Mr. Smith was not only not removed from the Dolby Theater after hitting Mr. Rock but was given a standing ovation soon afterward when he was awarded the Oscar for best actor. (He was later banned from the Oscars for 10 years.)“These people gave him a standing ovation and no punishment,” Ms. Gold said of Mr. Smith. “We all said there will be copycat assaults. And there was.”The attack on Mr. Chappelle was murkier. A man carrying a weapon tackled Mr. Chappelle onstage at the Hollywood Bowl, where he was appearing as part of “Netflix Is a Joke: The Festival.” The Los Angeles city attorney charged Isaiah Lee, 23, with four misdemeanors in connection with the attack, including battery and possession of a weapon with intent to assault; Mr. Lee has pleaded not guilty.The Los Angeles police have not released any information about Mr. Lee’s motive for the attack on Mr. Chappelle, whose comedy has provoked controversy in the past. Mr. Chappelle discussed the encounter at another comedy show in Los Angeles later that week, according to The Hollywood Reporter. Mr. Chappelle told the audience that he had spoken to Mr. Lee after the incident, and said that Mr. Lee had said he did it to draw attention to the plight of his grandmother, who had been forced out of her neighborhood by gentrification, the trade publication reported.The Laugh Factory recently installed a new security camera.Alex Welsh for The New York Times“More than the incident itself, it’s the reaction people are having and saying — saying this is an ongoing or repeat thing,” said Angelo Sykes, a co-owner of Uptown Comedy Corner, which stiffened its security after the attack on Mr. Chappelle. “When you hear those things it makes you say, ‘OK, we can’t take those chances. We’ve got to be on the safe side.’”In telephone interviews last week, several comedians in Los Angeles said the attacks had been a topic of conversation between comics after shows. Ms. Gold described some of her fellow comedians as “weary and tired” and said others were “freaking out.”Comedy, she noted, is often a work in progress. “We don’t know where the line is until we bring up our material,” she said. “The audience informs us.”Tehran Von Ghasri, a Los Angeles-based comedian, was among those who said an increasing share of “hypersensitive” audience members seemed to be coming to shows and either inviting confrontation, “looking to be offended” — or both.Mr. Kilgallon said social media was also to blame. He has noticed that audience members are now quick to pull out their phones if a controversial topic is being discussed or a tense moment arises. But he said that the fundamentals of comedy remained the same.“Over the last five years, people come up to me after a show and say, ‘It’s got to be tough these days doing comedy — everyone’s so sensitive,’” Mr. Kilgallon said. “And I say, ‘No, it’s not.’ I perform in the bluest parts of the country and some of the reddest parts of the country. If you’re funny — no matter what the joke is, people laugh.” More

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      One Last Takeaway From ‘The Slap’: Leave Black Women’s Hair Alone

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      Lost in the Oscars fray is the hurt inflicted when a group is denigrated for a laugh. Chris Rock, who has examined this issue in a documentary, should have known better.While the Slap Heard Round the World has been vigorously debated and dissected since Will Smith confronted Chris Rock at the Oscars, there was more to the incident than its abrupt physicality.Rock’s joke, and Jada Pinkett Smith’s resulting eyeroll, echoed even more thunderously for Black women. Her glare encapsulated the fatigue and frustration that so many of us deal with in the complex daily feat of simply wearing our hair as we like. That Chris Rock would point to a Black woman’s hair for a joke left me breathless, and I wasn’t alone.“When Black women’s hair is mocked by comedians like Rock, he ushers in the everyday forms of microaggressive hatred against Black women that normalized blatant discrimination,” Ralina Joseph, a professor at the University of Washington, Seattle, and the director of the Center for Communication, Difference and Equity, said in an email interview.Black women’s hair has been the object of scrutiny, derision and ridicule in American society since it’s been growing out of our heads. Thanks to standards of beauty that for too long excluded us, we are arguably the largest demographic in the country whose hair is continually policed. Court cases document fights against school districts and corporations trying to govern how we can wear our hair. A segment of people who don’t live with it, in all its iterations of textures and lengths, somehow wants to dictate how and when it’s pretty, professional or unkempt.Distaste for Black hair seeps into our everyday lives: Just last month, the House of Representatives passed the CROWN Act, banning discrimination against natural hair in hiring, public housing placement and public access accommodations. Let that sink in: Exclusionary actions stemming from disdain toward our hairstyles are so pervasive, they require legislation.Nowadays, visibility and a touch of glamorization in mainstream media (I’m lookin’ at you, Beyoncé), have fostered a growing fascination with our manes — a double-edged sword. Bosses scrutinize or give it a shout-out, strangers try to paw or photograph it, friends and frenemies praise or judge it — even Tinder prospects weigh in on it.Academic studies have outlined how strongly the identity of many Black women is tied to their hair. Not having the type of hair that’s affirmed and considered “womanly” in the culture at large can dent one’s sense of self. And feeling that what’s considered a key part of womanhood needs altering to be accepted, especially from childhood, makes it hard to see one’s image as positive.The Altercation Between Will Smith and Chris RockThe Incident: The Oscars were derailed when Will Smith slapped Chris Rock, who made a joke about Mr. Smith’s wife, Jada Pinkett Smith.His Speech: Moments after the onstage altercation, Mr. Smith won the Oscar for best actor. Here’s what he said in his acceptance speech.The Aftermath: Mr. Smith, who the academy said refused to leave following the incident, apologized to Mr. Rock the next day after the academy denounced his actions.A Triumph Tempered: Mr. Smith owned Serena and Venus Williams’s story in “King Richard.” Then he stole their moment at the Oscars.What Is Alopecia?: Ms. Smith’s hair loss condition played a major role in the incident.Since it’s hard to separate our image from our hair, poking fun at a Black hair style is an easy way to get a laugh while devaluing Black women. Witness Jamie Foxx lampooning us as Wanda on “In Living Color” and Martin Lawrence as Sheneneh. It’s incomprehensible that a Black comic would reach for it in such a high-profile setting as the Oscars — especially a man so closely associated with a film about Black women’s hair struggles.Not only did Rock produce and narrate the 2009 documentary “Good Hair,” which brought Black hair culture to the big screen, but he created it with his own daughters in mind. In the opening, he recounts how one of his girls asked him, “Daddy, how come I don’t have good hair?” Onscreen, he speaks to a range of women, including celebrities like Raven-Symoné, who explain that when they relaxed their hair, the goal was also about making society comfortable with them.Chris Rock in “Good Hair,” a documentary he narrated and produced.Roadside AttractionsWhile the film could have delved further into how Black women have thrived in a beauty culture (including a hair-care industry) that has rarely included them, it illuminated our struggle to audiences that may not have known one existed. It’s hard to understand how he could help bring that gem of a film to life and yet take a swipe at a Black woman’s hair. Did he so quickly forget the lessons of that film, which seemed to recognize how American society “otherizes” us and our tresses?Or, worse still, did the lessons never matter? Rock has a history of dogging not just Black women, but the entire Black community, or as Joseph calls it, “in-group punching down.”“Despite a brief ‘Good Hair’ moment. where he celebrated (and mocked) Black women, his punching down has also been broadly anti-Black woman,” she noted.Through his career, Rock has demonstrated a penchant for belittling and mischaracterizing Black women, from his ex-wife to female romantic partners in general. In a 1997 episode of “The Chris Rock Show,” he skewered Black women’s need to join the Million Woman March to his guest — Jada Pinkett Smith, a march participant.There’s another sensitive aspect to Rock’s dig at Pinkett Smith. In interviews and on her Facebook series “Red Table Talk,” she has chronicled her painful ordeal with alopecia, a condition that disproportionately affects Black women. She initially concealed her hair loss under wigs. That she decided to shave her head and reveal the reason was to be commended, not jabbed at. To be clear: Whether Rock knew of her condition or not, the joke wasn’t hurtful only because Pinkett Smith deals with alopecia (an affliction to which “Good Hair” even devotes special attention). The insult added an extra layer of hurt, especially because Black women can be harsh on ourselves about hair, amid social pressures and Eurocentric beauty standards that we’ve internalized, often to an extreme degree.Generations of Black American women recall weekend afternoons spent watching an iron comb glow like molten lava on the stove burner. We waited for our mothers to wield the hot comb like a weapon, ready to press our thicket of coils into submission to make us more culturally palatable. Even at a young age, I wondered who I was supposed to be impressing.When I was deemed old enough, I “leveled up” to chemical straighteners that would frequently blister my scalp — all for a flouncy bob I detested. “Beauty is pain,” my hairdresser would chirp as she kneaded the chemical cream into my roots and I winced. In my mid-20s, I decided beauty wasn’t worth that pain, so I chopped off most of my hair and have since maintained a very short, natural style.“When Black women’s hair features as the butt of jokes, the very real and myriad forms of multiple marginalization against Black women is erased and even justified,” Joseph noted. “It hurts.”Even though the jokes at the expense of us and our hair predate Rock, we don’t need him to lead the way in turning up the savagery of the practice, let alone on Hollywood’s biggest evening.Like the director Jane Campion’s misstep a couple weeks ago at another awards show (which, sadly, also involved the Williams sisters, one of the focuses of the Will Smith film “King Richard”), this takedown of a Black woman stings even more for having been unleashed by someone who should know better — in Rock’s case, as a Black father of daughters; in Campion’s, as a woman who’s also probably dealt with sexist professional slights. But the result each time was the same: Black women were expected to smile and take the stab.In one sense, the entire Oscars to-do, and its flurry of embarrassment and apologies, could have been avoided by choosing not to drag a Black woman down by her hair. Yet for too many and for too long, it has felt irresistible not to mess with it, mess with us.So to anyone who ever feels the urge to mock, I’ll reframe Will Smith’s warning at the show: Keep the mention of Black women’s hair out of your mouth. More

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      Will Smith’s Slap Could Hurt His Family’s Brand

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      Will Smith has spent decades radiating boundless likability. His family has become known for sharing therapy sessions online. His smack at the Oscars has complicated all of that.From his start as a goofy, G-rated rapper and sitcom star through his carefully managed rise as a blockbuster action hero, Will Smith has spent decades radiating boundless likability. But his amiable image was something of a facade, he wrote in his memoir, noting that a therapist had nicknamed his nice guy persona “Uncle Fluffy.”Mr. Smith said he had concocted this people-pleasing demeanor as a means of deflection during his turbulent childhood. “As an adult, he became my armor and my shield,” he wrote. “Uncle Fluffy paid the bills.”Mr. Smith wrote that he had another, less public, side: “the General,” a punisher who emerged when joviality didn’t get the job done. “When the General shows up, people are shocked and confused,” he wrote in “Will,” his 2021 memoir. “It was sweetness, sweetness, sweetness and then sour, sour, sourness.”Both sides of Mr. Smith, 53, were on display on one of the world’s biggest stages last week when he suddenly slapped the comedian Chris Rock during the telecast of the Academy Awards ceremony, complaining that Mr. Rock had insulted his wife of 25 years, Jada Pinkett Smith, with a joke. Soon afterward, Mr. Smith won the Oscar for best actor, and wept through his polarizing acceptance speech. Then he was off to the Vanity Fair party, dancing to “Gettin’ Jiggy Wit It,” his chart-topping hit from the last century, as though nothing had happened.Now Mr. Smith has resigned from the Academy of Motion Picture Arts and Sciences that just honored him with an Oscar, and which has condemned his actions and opened disciplinary proceedings against him. And he is confronting the very real possibility that a night which should have been the crowning moment of his professional career could wind up damaging a family brand rooted in his seemingly-authentic congeniality.For several years, a growing branch of Smith family enterprises has adeptly delivered reality-style revelation and emotional intimacy across an expanding number of platforms. Beyond Mr. Smith’s acting career and his introspective, best-selling memoir, there is the popular “Red Table Talk” show on Facebook Watch, in which Ms. Pinkett Smith, their daughter, Willow, and Jada’s mother, Adrienne Banfield Norris, hold forth on everything from racial identity to workout routines to the Smiths’ unconventional marriage.Mr. Smith’s upcoming projects include “Emancipation,” a $100 million, high-prestige drama for Apple; an action thriller at Netflix; a remake of “Planes, Trains and Automobiles” where he would star opposite Kevin Hart for Paramount; and the second installment of a travel series for National Geographic on Disney+. They are all under the banner of Westbrook Studios, the film and television arm of the media company that the Smith family started in 2019. It was valued at $600 million earlier this year when an investment firm bought a 10 percent stake.Could The Slap derail all that?It was not clear whether the incident would affect any of his current projects, like “Welcome to Earth” for National Geographic on Disney+.Disney+, via Associated PressNow that Mr. Smith may not be welcome at the Oscars and his public reputation has been tarnished, studios may be wary of hiring him at the moment for lead roles in their biggest films. The companies behind Mr. Smith’s upcoming projects declined to comment on whether they were altering their plans in light of recent events. But three talent agents, who were granted anonymity to describe private negotiations, said there had been indications that at least some of his upcoming projects could be hanging in the balance.Several public relations specialists who focus on crisis management warned that the incident could erode the good will that the Smiths have built up, while others suggested the fallout could be contained. “His brand is currently damaged goods worldwide,” said Mike Paul, a public relations expert. The Altercation Between Will Smith and Chris RockThe Incident: The Oscars were derailed when Will Smith slapped Chris Rock, who made a joke about Mr. Smith’s wife, Jada Pinkett Smith.His Speech: Moments after the onstage altercation, Mr. Smith won the Oscar for best actor. Here’s what he said in his acceptance speech.The Aftermath: Mr. Smith, who the academy said refused to leave following the incident, apologized to Mr. Rock the next day after the academy denounced his actions.A Triumph Tempered: Mr. Smith owned Serena and Venus Williams’s story in “King Richard.” Then he stole their moment at the Oscars.What Is Alopecia?: Ms. Smith’s hair loss condition played a major role in the incident.The veteran television producer Jonathan Murray, who has dealt with on- and offscreen drama and family brands in programming like “Keeping Up with the Kardashians,” said that the outcome for the Smiths depends on what steps they, and particularly Mr. Smith, take now.“I think most people would give him the benefit of the doubt,” said Mr. Murray, a co-founder of the production company Bunim Murray, which pioneered reality TV. “But it really will rest on whether we believe that he is authentically dealing with this.”Several friends and colleagues of Mr. Smith described the Oscars altercation as a puzzling aberration for a man who has spent his career almost fanatically hewing to professional standards.“What happened was inconsistent with any behavior I’ve seen working with Will Smith,” said Elizabeth Cantillon, a producer of “Concussion,” the 2015 film in which he played a doctor battling the N.F.L. “He was always exquisite. I think he’s part of the collective breakdown we are all having.”The incident came as Mr. Smith has appeared to be in a period of transition: seeking out loftier and more personal roles; expanding his media empire beyond film and television; openly discussing the abuse he witnessed his father inflict on his mother; and working on what he has described as self-understanding, through therapy, meditation and even hallucinogens.“Strategizing about being the biggest movie star in the world — that is all completely over,” Mr. Smith said in an interview with The New York Times Magazine in December. He added: “I want to take roles where I get to look at myself, where I get to look at my family, I get to look at ideas that are important to me. Everything in my life is more centered on spiritual growth and elevation.”Mr. Smith starred on the NBC sitcom “The Fresh Prince of Bel-Air” in the 1990s.Alice S. Hall/NBC, via Getty ImagesMr. Smith, a Philadelphia native, started performing as a teenager in the ’80s, in the rap duo D.J. Jazzy Jeff and the Fresh Prince, and quickly earned a Grammy — the first ever for best rap performance — for “Parents Just Don’t Understand.” A chance encounter with the producer Quincy Jones led to him starring in the hit NBC sitcom “The Fresh Prince of Bel-Air,” which ran from 1990 to 1996, featuring a hip-hop theme many children of that era can still recite. It was perhaps the last bit of his career that happened by accident. (Mr. Smith’s company recently developed “Bel-Air,” a dramatic reboot which just finished its first of two seasons on Peacock as the nascent streamer’s most-watched original series.)Mr. Smith then set out to make himself the biggest movie star in the world, and by many measures succeeded. With a business partner, James Lassiter, Mr. Smith plotted out, with actuarial zeal, the commonalities among hit movies: special effects, aliens, a love story. He became the face of summer blockbusters, with films including “Men in Black” and “Independence Day.” In his memoir, written with Mark Manson, he provides a handy, if boastful, chart of his prowess: from 2002 to 2008, he had eight consecutive films gross more than $100 million domestically.For the fans, he was always accommodating. But the mantle was heavy.“I am a Black man in Hollywood — in order to sustain my position, I can’t get caught slipping, not even once,” Mr. Smith wrote in his book. “I had to be perfect at all times.”Mr. Smith became the face of summer blockbusters with a string of hit films, including “Men in Black” with Tommy Lee Jones.Columbia Pictures/Getty ImagesPart of the image that Mr. Smith sought to project had to do with his seemingly-enviable family life: his creatively inclined children — Willow, 21, his son Jaden, 23, and Trey, 29, a son from his first marriage — and his union with Ms. Pinkett Smith, 50, an actress and musician. That portrait of stability cracked in recent years, especially when Ms. Pinkett Smith acknowledged, in a 2020 episode of “Red Table Talk,” that the couple had gone through a separation, during which she had been involved in what she called an “entanglement” with an R&B singer, August Alsina.Leveraging “Red Table Talk” as a sort of public therapy session, the Smiths have laid bare the details of some of their fiercest disputes, sometimes in the presence of Willow and Ms. Banfield Norris, Mr. Smith’s mother-in-law, who is known to viewers as Gammy. In one episode in 2018 the Smiths sought to dispel rumors, noting that they are neither swingers nor Scientologists, after reports over the years that they had donated money to causes affiliated with Scientology.“We have devoted ourselves to each other in a spiritual sense — spiritual, emotional — it’s like whatever she needs, she can count on me for the rest of her life,” Mr. Smith said in the episode. “We don’t have any deal breakers.”On “Red Table Talk,” their Facebook Watch show, topics include everything from racial identity to the Smiths’ unconventional marriage. Facebook WatchThe revelations about their marriage were met with public derision, including on the awards circuit. In mid-March, at the BAFTAs, Britain’s equivalent of the Oscars, the host, the comedian Rebel Wilson, joked about it when she mentioned Mr. Smith’s win for “King Richard.”“Personally,” she said, “I thought his best performance in the past year has been being OK with all of his wife’s boyfriends.” Mr. Smith was not present at that ceremony.At this year’s Academy Awards, even before Mr. Rock took the stage, Regina Hall alluded to the Smiths’ relationship in a comic bit in which she suggestively asked to personally inspect some of Hollywood’s most eligible bachelors, joking that their Covid test results had been lost. “Will Smith,” she said. “You’re married, but you know what, you’re on the list and looks like Jada approved you. So you get on up here.” He laughed and stayed seated.What did bring Mr. Smith to his feet, striding purposefully across the room to strike Mr. Rock, was an ad-libbed line about Ms. Pinkett Smith’s shaved head. It stung, Mr. Smith explained later, because Ms. Pinkett Smith has alopecia, which leads to hair loss. “A joke about Jada’s medical condition was too much for me to bear, and I reacted emotionally,” Mr. Smith explained in the apology to Mr. Rock and others he posted on Instagram Monday evening. For his part, Mr. Rock said at his comedy show on Wednesday that he was still processing the event. (A representative for Mr. Smith declined to comment. Representatives for Ms. Pinkett Smith and Mr. Rock did not respond to requests for comment.)For many viewers and fans, especially Black fans, the incident involving three of the highest-profile Black artists in Hollywood was fraught and did not lend itself to easy judgment. “It’s a really complicated moment, because of all the ways that it resonates with gender and race and power and brand,” said Miriam Petty, a film historian and professor at Northwestern University who studies Black stardom.Some commentators criticized Mr. Rock for what they deemed a low-blow joke. Others, like the actress Tiffany Haddish, who co-starred with Ms. Pinkett Smith in the comedy “Girls Trip,” applauded Mr. Smith for seeming to defend his wife’s honor, which Dr. Petty characterized as understandable in a world in which Black women and other women of color are not afforded the same social protections as their white counterparts. But was that stance anti-feminist? Did it glorify violence? “Again — messy, messy, messy,” Dr. Petty said.Since turning 50, Mr. Smith has relaxed, to some degree, his public image. A recent YouTube series, “Best Shape of My Life,” that ostensibly targeted his non-superhero dad bod was really about unbuckling his own strictures of behavior. He has traveled without security for the first time in years; at last learned to swim; and tried to come to terms, after the death of his father in 2016, with the toll that relationship took.In the statement announcing his resignation from the academy, Mr. Smith said, “Change takes time and I am committed to doing the work to ensure that I never again allow violence to overtake reason.”Now, as Mr. Smith seeks to rebound from this episode, he seems all but certain to do it with his family around him. In the aftermath of the Oscars, Ms. Pinkett Smith posted a message on Instagram: “This is a season for healing,” it read, using a watchword well-known to the 11 million Facebook followers of “Red Table Talk.” “And I’m here for it.”Julia Jacobs contributed reporting. Susan Beachy contributed research. More

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      Will Smith Resigns From Academy After Slapping Chris Rock at Oscars

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      The producer of the telecast said that Smith had been asked to leave after slapping Rock, and that he had urged officials not to “physically remove” him. LOS ANGELES — Will Smith, who slapped the comedian Chris Rock at the Oscars, said Friday that he was resigning from the Academy of Motion Picture Arts and Sciences, saying that he had “betrayed” its trust with conduct that was “shocking, painful, and inexcusable.”The sudden announcement came late Friday afternoon, days after the Academy had condemned Mr. Smith’s actions and opened an inquiry into the incident. “I have directly responded to the Academy’s disciplinary hearing notice, and I will fully accept any and all consequences for my conduct,” he said in a statement on Friday. “I deprived other nominees and winners of their opportunity to celebrate and be celebrated for their extraordinary work,” he said in the statement. “I am heartbroken.”He said that he would “accept any further consequences the board deems appropriate.”“Change takes time,” he concluded, “and I am committed to doing the work to ensure that I never again allow violence to overtake reason.”The academy said that it accepted his resignation. “We have received and accepted Mr. Will Smith’s immediate resignation from the Academy of Motion Picture Arts and Sciences,” David Rubin, its president, said in a statement. “We will continue to move forward with our disciplinary proceedings against Mr. Smith for violations of the Academy’s Standards of Conduct, in advance of our next scheduled board meeting on April 18.”Now that he has resigned, Mr. Smith will no longer have access to academy screenings and events. He will also not be able to vote in the Academy Awards. However, he could still be nominated for an award, since being a member is not a requirement for eligibility. Mr. Smith’s resignation came roughly 12 hours after Will Packer, the lead producer of the Oscars telecast, spoke publicly about the episode for the first time. In an interview with Good Morning America” on ABC, the network which also broadcasts the Oscars, Mr. Packer said that after Mr. Smith had been asked to leave the ceremony, he urged the Academy leadership not to “physically remove” him from the theater in the middle of the live broadcast.Mr. Packer said he had learned from his co-producer, Shayla Cowan, that there were discussions of plans to “physically remove” Mr. Smith from the venue. So he said he immediately approached academy officials and told them that he believed Mr. Rock did not want to “make a bad situation worse.”The Altercation Between Will Smith and Chris RockThe Incident: The Oscars were derailed when Will Smith slapped Chris Rock, who made a joke about Mr. Smith’s wife, Jada Pinkett Smith.His Speech: Moments after the onstage altercation, Mr. Smith won the Oscar for best actor. Here’s what he said in his acceptance speech.The Aftermath: Mr. Smith, who the academy said refused to leave following the incident, apologized to Mr. Rock the next day after the academy denounced his actions.A Triumph Tempered: Mr. Smith owned Serena and Venus Williams’s story in “King Richard.” Then he stole their moment at the Oscars.What Is Alopecia?: Ms. Smith’s hair loss condition played a major role in the incident.“I was advocating what Rock wanted in that time, which was not to physically remove Will Smith at that time,” Mr. Packer said. “Because as it has now been explained to me, that was the only option at that point. It has been explained to me that there was a conversation that I was not a part of to ask him to voluntarily leave.”In the interview, Mr. Packer also said that Mr. Rock’s joke about Jada Pinkett Smith’s hair was unscripted “free-styling.”“He didn’t tell one of the planned jokes,” he said of Mr. Rock.Someone close to Mr. Rock who asked to speak anonymously because the Academy’s inquiry into the incident is ongoing said that Mr. Rock was never asked directly if he wanted Mr. Smith removed. Had he been asked, it was not clear how Mr. Rock would have responded, the person said. Mr. Rock was only asked if he wanted to press charges, and he said that he did not, the person said.Mr. Packer said that, like many viewers at home, he had originally thought the slap might be part of an unplanned comedic bit, and that he was not entirely sure until he spoke with Mr. Rock backstage that Mr. Smith had actually hit the comedian.“I just took a punch from Muhammad Ali,” Mr. Packer recalled Mr. Rock telling him.Mr. Packer said that Mr. Smith reached out and apologized to him the morning after the Oscars. And he praised Mr. Rock for having kept his cool. “Chris was keeping his head when everyone else was losing theirs,” he said.“I’ve never felt so immediately devastated,” Mr. Packer said of the incident.Asked if, after hearing Mr. Smith’s acceptance speech, he wished that the actor had left the ceremony, Mr. Packer said that he did, noting that Mr. Smith had not used his remarks to express real contrition and apologize to Mr. Rock.“If he wasn’t going to give that speech which made it truly better, then yes, yes,” Mr. Packer said when asked if he wished Mr. Smith had left the ceremony. “Because now you don’t have the optics of somebody who committed this act, didn’t nail it in terms of a conciliatory acceptance speech in that moment, who then continued to be in the room.”Mr. Smith did not apologize to Mr. Rock until Monday evening, after the Academy had condemned his actions and initiated disciplinary proceedings against him. Mr. Packer’s comments came after days of questions about why Mr. Smith had seemed to face no repercussions for striking a presenter on live television.The academy said in a statement earlier this week that Mr. Smith had been asked to leave the awards ceremony following the slap, but had remained. Then several publications questioned that account, citing anonymous sources, and reported that Mr. Packer had suggested he stay. Shortly after the ceremony ended Sunday, the Los Angeles Police Department issued a statement saying that the person who had been slapped had “declined to file a police report.”In the interview, Mr. Packer described his recollection of law enforcement’s involvement.“They were saying, this is battery, we will go get him,” Mr. Packer said in the interview. “We’re prepared to get him right now. You can press charges. We can arrest him.”“Chris was being very dismissive of those options,” Mr. Packer continued. “He was like, ‘No, I’m fine.’ He was like, ‘No, no, no.’”Both on Sunday night and in subsequent interviews this week, the Los Angeles police have maintained that Mr. Smith’s slap qualified as misdemeanor battery under California law — and that as a misdemeanor, officers cannot take action unless the victim in the case files charges, which Mr. Rock did not do.In an interview on Thursday, Deputy Chief Blake Chow, of the Los Angeles Police Department’s West Bureau, described the department’s role in less dramatic terms. At the Oscars, police officers are primarily responsible for patrolling outside the Dolby Theater and the Academy hires a security company to handle issues inside the building, he said.On Sunday, one police captain was stationed backstage as a liaison, the deputy chief said. The police captain inside did not observe the slap himself; but he quickly became aware of it, the deputy chief added. The police captain made contact with a representative for Mr. Rock shortly after the comedian had finished presenting an award and had returned backstage with his team, Deputy Chief Chow said.The representative communicated “Chris Rock’s wishes” that he did not want to press charges or file a police report, the deputy chief said. “He didn’t want to do anything.”The police department was not asked to escort Mr. Smith out of the venue, and even if the police had been asked to do that, such a request would not have fallen within the department’s purview, the deputy chief said.Detectives followed up on Monday with Mr. Rock’s representatives to ensure that he still did not want to take action. He reaffirmed that he did not, the deputy chief said.Mr. Rock made his first public comments about the incident on Wednesday at a comedy show in Boston. “I’m still kind of processing what happened,” Mr. Rock said, while promising to discuss the episode in greater depth later. “It’ll be serious, it’ll be funny, but I’d love to — I’m going to tell some jokes.”After nominating only white actors and actresses for its awards in 2015, drawing widespread criticism, the academy did it again the next year — overlooking performances like the one Mr. Smith gave in “Concussion.” At the time, Ms. Pinkett Smith was outspoken about what many people saw as an urgent need for the academy to become more inclusive. Smith was less pointed in his criticism, but joined her in a boycott of the ceremony, drawing attention to the #OscarsSoWhite movement.Nicole Sperling More

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      Oscars Producer Did Not Want Will Smith Physically Removed After Slap

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      Will Packer, the producer of the telecast, said that Smith had been asked to leave after slapping Chris Rock, and then there were discussions of having him physically removed.Will Packer, the lead producer of the Oscars telecast that was thrown into upheaval after the actor Will Smith went onstage and slapped the comedian Chris Rock, said Friday that after Mr. Smith had been asked to leave the ceremony, he urged the Academy leadership not to “physically remove” him from the theater in the middle of the live broadcast.Mr. Packer said he had learned from his co-producer, Shayla Cowan, that there were discussions of plans to “physically remove” Mr. Smith from the venue. So he said he immediately approached academy officials and told them that he believed Mr. Rock did not want to “make a bad situation worse.”“I was advocating what Rock wanted in that time, which was not to physically remove Will Smith at that time,” Mr. Packer said. “Because as it has now been explained to me, that was the only option at that point. It has been explained to me that there was a conversation that I was not a part of to ask him to voluntarily leave.”EXCLUSIVE: #Oscars producer Will Packer tells Good Morning America about the frenetic aftermath of actor Will Smith slapping host Chris Rock live on stage on Hollywood’s biggest night. https://t.co/AeoYcGkM32 pic.twitter.com/8z35t8TPFw— Good Morning America (@GMA) April 1, 2022
      Mr. Packer gave his first interview since Sunday’s broadcast to “Good Morning America” on ABC, the network which also broadcasts the Oscars. In the interview, Mr. Packer said that Mr. Rock’s joke about Jada Pinkett Smith’s hair was unscripted “free-styling”“He didn’t tell one of the planned jokes,” he said of Mr. Rock.Mr. Packer said that, like many viewers at home, he had originally thought the slap might be part of an unplanned comedic bit, and that he was not entirely sure until he spoke with Mr. Rock back stage that Mr. Smith had actually hit the comedian.“I just took a punch from Muhammad Ali,” Mr. Packer recalled Mr. Rock telling him.Mr. Packer said that Mr. Smith reached out and apologized to him the morning after the Oscars. And he praised Mr. Rock for having kept his cool. “Chris was keeping his head when everyone else was losing theirs,” he said.The Altercation Between Will Smith and Chris RockThe Incident: The Oscars were derailed when Will Smith slapped Chris Rock, who made a joke about Mr. Smith’s wife, Jada Pinkett Smith.His Speech: Moments after the onstage altercation, Mr. Smith won the Oscar for best actor. Here’s what he said in his acceptance speech.The Aftermath: Mr. Smith, who the academy said refused to leave following the incident, apologized to Mr. Rock the next day after the academy denounced his actions.A Triumph Tempered: Mr. Smith owned Serena and Venus Williams’s story in “King Richard.” Then he stole their moment at the Oscars.What Is Alopecia?: Ms. Smith’s hair loss condition played a major role in the incident.“I’ve never felt so immediately devastated,” Mr. Packer said of the incident.Asked if, after hearing Mr. Smith’s acceptance speech, he wished that the actor had left the ceremony, Mr. Packer said that he did, noting that Mr. Smith had not used his remarks to express real contrition and apologize to Mr. Rock.“If he wasn’t going to give that speech which made it truly better, then yes, yes,” Mr. Packer said when asked if he wished Mr. Smith had left the ceremony. “Because now you don’t have the optics of somebody who committed this act, didn’t nail it in terms of a conciliatory acceptance speech in that moment, who then continued to be in the room.”Shortly after the ceremony ended Sunday, the Los Angeles Police Department issued a statement saying that the person who had been slapped had “declined to file a police report.”In the interview, Mr. Packer described his recollection of law enforcement’s involvement.“They were saying, you know, this is battery, was the word they use in that moment,” Mr. Packer said in the interview. “They said we will go get him; we are prepared. We’re prepared to get him right now. You can press charges. We can arrest him. They were laying out the options, and as they were talking, Chris was being very dismissive of those options. He was like, ‘No, I’m fine.’ He was like, ‘No, no, no.’”Both on Sunday night and in subsequent interviews this week, the Los Angeles police have maintained that Mr. Smith’s slap qualified as misdemeanor battery under California law — and that as a misdemeanor, officers cannot take action unless the victim in the case files charges, which Mr. Rock did not do.In an interview on Thursday, Deputy Chief Blake Chow, of the Los Angeles Police Department’s West Bureau, described the department’s role in less dramatic terms. At the Oscars, police officers are primarily responsible for patrolling outside the Dolby Theater and the Academy hires a security company to handle issues inside the building, he said.On Sunday, one police captain was stationed backstage as a liaison, the deputy chief said. The police captain inside did not observe the slap himself; but he quickly became aware of it, the deputy chief added. The police captain made contact with a representative for Mr. Rock shortly after the comedian had finished presenting an award and had returned backstage with his team, Deputy Chief Chow said.The representative communicated “Chris Rock’s wishes” that he did not want to press charges or file a police report, the deputy chief said. “He didn’t want to do anything.”The police department was not asked to escort Mr. Smith out of the venue, and even if the police had been asked to do that, such a request would not have fallen within the department’s purview, the deputy chief said.Detectives followed up on Monday with Mr. Rock’s representatives to ensure that he still did not want to take action. He reaffirmed that he did not, the deputy chief said.Mr. Rock made his first public comments about the incident on Wednesday at a comedy show in Boston. “I’m still kind of processing what happened,” Mr. Rock said, while promising to discuss the episode in greater depth later. “It’ll be serious, it’ll be funny, but I’d love to — I’m going to tell some jokes.”The academy said Wednesday that it had initiated disciplinary proceedings against Mr. Smith “for violations of the academy’s standards of conduct, including inappropriate physical contact, abusive or threatening behavior, and compromising the integrity of the academy.” It said that Mr. Smith would be given a chance to respond and that at its next board meeting, on April 18, it “may take any disciplinary action, which may include suspension, expulsion or other sanctions.” More

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      Will Smith Refused to Leave Oscars After Slap, Academy Says

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      The academy revealed that Smith was asked to leave the ceremony after slapping Chris Rock at the Academy Awards, and said that it was initiating disciplinary proceedings.LOS ANGELES — The Academy of Motion Picture Arts and Sciences said Wednesday that the actor Will Smith was asked to leave the Oscars ceremony after he slapped Chris Rock Sunday night onstage, but that the actor had refused to go.The admission came as part of a statement the academy released saying it had initiated disciplinary proceedings against Mr. Smith “for violations of the academy’s standards of conduct, including inappropriate physical contact, abusive or threatening behavior, and compromising the integrity of the academy.”The disciplinary process will take a few weeks to conclude, it said. Mr. Smith is being given at least 15 days’ notice of a vote regarding his violations and potential sanctions. He will be given the opportunity to be heard beforehand with a written response. The organization’s board of governors are scheduled to meet again April 18.The Altercation Between Will Smith and Chris RockThe Incident: The Oscars were derailed when Will Smith slapped Chris Rock, who made a joke about Mr. Smith’s wife, Jada Pinkett Smith.His Speech: Moments after the onstage altercation, Mr. Smith won the Oscar for best actor. Here’s what he said in his acceptance speech.The Aftermath: Mr. Smith, who the academy said refused to leave following the incident, apologized to Mr. Rock the next day after the academy denounced his actions.A Triumph Tempered: Mr. Smith owned Serena and Venus Williams’s story in “King Richard.” Then he stole their moment at the Oscars.What Is Alopecia?: Ms. Smith’s hair loss condition played a major role in the incident.“Mr. Smith’s actions at the 94th Oscars were a deeply shocking, traumatic event to witness in-person and on television,” the academy said in a statement. “Mr. Rock, we apologize to you for what you experienced on our stage and thank you for your resilience in that moment. We also apologize to our nominees, guests and viewers for what transpired during what should have been a celebratory event.”The statement continued, “Things unfolded in a way we could not have anticipated. While we would like to clarify that Mr. Smith was asked to leave the ceremony and refused, we also recognize we could have handled the situation differently.”The two-and-a-half-hour meeting of the board of governors on Wednesday was described by two people who attended as “emotional,” as the governors conveyed the feelings of their constituents from their branches of the film industry. The feeling in the room, according to those who attended, was that it was their obligation “to not normalize violence,” said two governors who were granted anonymity to discuss a private meeting.On Sunday at the Academy Awards, Mr. Smith reacted to a joke Mr. Rock had made about his wife’s buzzed hair by leaving his seat in the audience and slapping the comedian across the face, then warning him — with expletives — not to speak about his wife, the actress Jada Pinkett Smith. (Ms. Pinkett Smith has alopecia, which causes hair loss and has led her to regularly buzz her hair.)Shortly afterward Mr. Smith won an Oscar for his lead performance in “King Richard,” a biopic in which he played the patriarch of the Williams tennis family. He used his speech to apologize to the academy and fellow nominees — but not to Mr. Rock. The next day, after the academy condemned his actions and opened an inquiry, Mr. Smith apologized to Mr. Rock in a public statement that said he had been “out of line.”The stunning onstage moment immediately set off a national debate over who was to blame and, in Hollywood, questions about why Mr. Smith faced no repercussions after striking a presenter on live television.Wanda Sykes, one of the hosts of Sunday’s telecast, said in a clip from an interview with Ellen DeGeneres that was shared Wednesday that the moment was “sickening” to her and that she thought Smith should have been escorted from the building instead of being allowed to stay and accept his Oscar.“I’m still a little traumatized by it,” Ms. Sykes said in the clip from an episode of “The Ellen DeGeneres Show” that is scheduled to air next week. “For them to let him stay in that room and enjoy the rest of the show and accept his award — I was like, how gross is this? This is just the wrong message.”Nicole Sperling More

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      Oscars Audience Jumped After Will Smith’s Slap of Chris Rock

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      The Oscars audience swelled by more than half a million people on Sunday shortly after Will Smith slapped Chris Rock, capping the awards show with a late-night surge.At 10:27 p.m., Mr. Smith attacked Mr. Rock after the comedian delivered a joke onstage about Mr. Smith’s wife, Jada Pinkett Smith. Nearly 17.4 million viewers were watching in the minutes after the slap, up from 16.8 million shortly before it, according to Nielsen data released by ABC.Mr. Rock, who was presenting an award, had taken a jab at the close-cropped hair of Ms. Pinkett Smith, who has alopecia, a condition that leads to hair loss. Mr. Smith walked onto the stage, struck Mr. Rock, and then returned to his seat and loudly demanded, using expletives, that the comedian refrain from talking about Ms. Pinkett Smith. Mr. Smith’s words, as well as Mr. Rock’s responses, were silenced during the broadcast, leaving many viewers struggling to understand what had happened and speculating whether the incident was scripted. (It was not.)Until that point, viewership had been tailing off. The largest audience measured by Nielsen came earlier in the night, when nearly 17.7 million people watched Troy Kotsur, the first deaf man to win an acting Oscar, deliver a heartfelt acceptance speech for his supporting role in “CODA.”Viewership dropped off quickly after the attack, but then surged again during the period when Mr. Smith, who was the heavily favored front-runner in the best actor race, returned to the stage to claim the award for his role in “King Richard.” About 17.4 million people watched his speech, according to the Nielsen data.On Monday, Mr. Smith apologized for his actions. Earlier that day, the Academy of Motion Picture Arts and Sciences said it was conducting a formal review of the incident.Overall, the Oscars drew 16.6 million viewers, around 4.9 million of them 18 to 49 years old, according to Nielsen. The audience was 58 percent larger than the all-time low of 10.4 million people who watched last year, but was still by far the second smallest viewership on record. ABC said that the Oscars drove 22.7 million interactions on social media, a 139 percent increase over last year’s broadcast. More

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      Will Smith’s Slap Wasn’t the Only Astonishing Thing About the Oscars

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      One stretch of the broadcast featured a remarkable convergence of Black celebrities, our critic writes. But in the midst of it all, Will Smith’s victory became a defeat.This pandemic is still killing us. The virus at its center is one of the body. But it’s also costing us our minds. A sacked Capitol building, an invaded and decimated sovereign nation, a raft of refugee crises, more American murders, more overdoses, more harassment — for being Asian, for being Black, for being trans, for being on the subway, for waiting to ride the subway. On Sunday, a couple of hours before the 94th Academy Awards, I watched a man drive the wrong direction down my one-way street. He wasn’t in reverse. His car moved with confidence, with joy, as if this was the way it should be. At the end of the block, he took a right. That was the wrong way, too.So I don’t know why I was shocked when Will Smith got up from his seat that night and slapped Chris Rock. I actually wasn’t at first. I assumed, like lots of other people, that it was a bit because, by reputation, Will Smith walks on water. And surely, the crack that Rock had just made about Jada Pinkett Smith’s short, sharp haircut — that it looked like Demi Moore’s in “G.I. Jane,” a 25-year-old work of crypto-feminist trash — wasn’t the sort of joke one risks his reputation for. But these are now the times of our lives. Anybody could snap, even a man who was once one of Earth’s most beloved humans, even a man who, before he left his seat and swung, was poised to enjoy one of the happiest nights of his 53 years by accepting an Oscar for his role in “King Richard.”I assumed it was a bit also because of the easy way Smith strolled up to Rock and both the compact efficiency of his swing and the physics of Rock’s absorption of it. There was some choreography in it, some second nature. Smith returned to his seat and proceeded to yell up at Rock. ABC had cut the sound. But it was clear by then that we were well beyond bit territory. Rage had pooled around Smith’s eyes. Lupita Nyong’o was seated behind Smith; the agape attention in her face was all but audible. “Keep my wife’s name out your mouth,” he could be seen saying, plus the expletive I can’t print here.So why the eventual shock? For one thing, it wasn’t Kanye West who’d lost it. It wasn’t Martin Lawrence. It wasn’t Antonio Brown, whose erratic N.F.L. antics resumed in January when, in the middle of a Buccaneers-Jets game, he removed his jersey and pads, tossed his shirt and gloves into the stands and then ran off the field flashing a peace sign (this, for Brown, was mild). The source of Sunday night’s disruption is the winner of 10 individual Nickelodeon Kid’s Choice Awards. And the shock was its disturbance of the Oscars routine, a routine that both Smith and Rock were familiar with, as a three-time nominee and a two-time host. The show wanted to settle back into its routine after Smith seemed to calm himself. That was shocking, too. The show just … went on.And yet it didn’t, not with the same disposable exuberance. Smith’s altercation with Rock occurred with an hour to go. And it began a journey through some strange entertainment prism of the Black male experience in this country. It was dominated by ’90s hip-hop stalwarts and capped by Tyler Perry, an artist whose movies the academy had never acknowledged but who lately tends to be on hand as a kind of dignitary. He kicked off the in memoriam segment with a tribute to Sidney Poitier, who died at the beginning of the year and whose enormous symbolic appeal Smith’s most evokes.Rock had been invited to announce the winner of the documentary feature Oscar. Once he’d regained his post-slap composure, he read Ahmir “Questlove” Thompson’s name for “Summer of Soul” — well, what he said was, “Ahmir Thompson and four white guys,” which isn’t accurate. Questlove, like Smith, grew up making music in Philadelphia. And he, too, was overcome by where he found himself — expressing gratitude to his mother and late father, considering the canonical importance of his movie, which presents the 1969 Harlem Cultural Festival as a seamless outpouring of musical rhapsody.Questlove, at microphone, accepts the award for best documentary feature for “Summer of Soul,” with Joseph Patel, left, Robert Fyvolent and David Dinerstein.Ruth Fremson/The New York TimesThen, perhaps, the show’s second most astonishing event took place. Sean Combs arrived, wiser than I’ve ever seen him. He sensed, perhaps, that maybe we’d forgotten that Rock wasn’t the actual host and that the night had gotten away from Wanda Sykes, Regina Hall and Amy Schumer, the show’s official M.C.s, and asked the room to give it up for them. He then addressed The Incident. “I did not know that this year was going to be the most exciting Oscars ever,” he said. “OK, Will and Chris, we’re going to solve that like family at the gold party, OK? But right now we’re moving on with love.” Had anyone told me that the person who might follow an altercation between the Fresh Prince and the star and co-writer of the rap parody “CB4” with an offer of conflict resolution was the founder of Bad Boy Records, that this offer would be extended at the Academy Awards, and that this person had been invited to pay tribute to “The Godfather” for its 50th anniversary, I would’ve asked whether Combs was the last star alive. He knows from beef. And in the matter of skirmishes, he appears to be a vegetarian now.Smith leaves the stage after slapping Rock.Ruth Fremson/The New York TimesThat stretch of the broadcast said something to me about both how much farther Black people — Black men, especially — had come after centuries of American entertainment that for most of its existence had ignored their work and their existence. That stretch began in tastelessness, violence and pique, included the anointing of a divine achievement in nonfiction filmmaking and ended in a gospel-oriented celebration of the lives of the dead. Something had come full circle. A lot of odds had to be beat for these men — raised poor, lower-middle-class — to converge in this strange moment, as affluent shapers of culture. But an arc on that circle has marred the whole. And I don’t think that it’s overdoing it to identify that blemish as a tragic drama.Back in his seat, Smith waited, as per custom, for his category, best actor. The producers apparently didn’t ask him to leave. His name was called. As per custom, he took the stage and delivered a speech that has been inspected for the contrition expressed (to everyone but Rock) and identifications forged. He used it to explain that playing Richard Williams, the father of Venus and Serena Williams, had awakened in him an understanding of himself as a protector and defender — of women, of Black women. A couple of weeks earlier, he’d watched Jane Campion insult the meaning of the Williams sisters’ importance and could do nothing. And last year, he reconvened the cast of his show, “The Fresh Prince of Bel-Air,” and wept over his failure to save the job of Janet Hubert, who spent three seasons playing Aunt Viv. At the Oscars, as he spoke through tears and clutched his Oscar, the Williamses, up in their seats, seemed like passengers on a roller coaster.Since November, Smith’s memoir, “Will,” has been one of the most popular books in the country. Its psychological centerpiece involves his guilt over seeing his father badly beat his mother when he was 9. But its prevailing psychological metaphor is the brick wall he learns to build alongside his father, his Daddio. What seemed to break on Sunday night was a kind of cycle. He watched his wife wince and perhaps saw his mother. Snap. Trauma can’t exonerate Smith: The combined age of the three people involved in this triangle is 160. But maybe it can explain that, for a few rueful minutes, a wall had come down — or gone up. Smith might have left his body. He was no longer 53 but 9 again; and poor Chris Rock, he was Daddio.Jada Pinkett Smith and Will Smith in the audience at the ceremony.Ruth Fremson/The New York TimesIn the altercation’s wake, Smith said he received some wisdom from Denzel Washington, his fellow best actor nominee and a Hollywood sage now, one who’s been giving him advice since the beginning of his acting career. As Smith recounted in his speech, Washington said, “At your highest moment, be careful. That’s when the devil comes for you.” A shallow piece of me assumed the devil to be Rock. But we all understand what Rock was doing that night: his job, not well with that hair joke, but he was working. The devil is deeper than that. When something breaks, he gets loose. He got loose at the Oscars.Watching Smith up there on Sunday, burying his behavior in the Williamses’ story, I’m not sure he was entirely back in his body. I’ve never experienced a victory that feels this much like defeat. I suspect he knew this, too. He wondered whether he’d ever be invited back. That feels right. He wasn’t accepting an Oscar so much as trying to turn himself in.WHEN SOMETHING BREAKS, it’s probably best not to use your hands to pick up the pieces. But there was Smith using a hand. What happened on Sunday will be one of those live events that we’ll now spend the rest of our lives baffled by, like Justin Timberlake exposing Janet Jackson’s breast at the end of the 2004 Super Bowl halftime show. It’s been 55 years since anybody cared this much about a Hollywood slap. But when Poitier launched his against a haughty white moneybags in “In the Heat of the Night,” it was against racism. Sunday’s incident involved someone experiencing a private episode that we should never have seen.That’s one thing about the last two years. We’ve been made privy to all kinds of behavior we’d rather not see, witnesses of people’s worst moments. Now we’ve been made privy to one of Smith’s. Most of us don’t know any of these people. Yet we kind of do. We’ve made them part of some cultural family — that’s part of how stardom works (TV stardom, especially, which, early on, is what Smith, Pinkett Smith and Rock achieved). The reason so many of us are asking one another what just happened, the reason we’re so disturbed — a reason — is that maybe these three are like family, and it hurts to watch them feud. To witness intense emotional and psychological frailty (call it narcissism if you must) is to be left with as many questions about who we are as about who, Sunday night, Will Smith became. It’s like every other mystery of these past two years. We’ll never know. And with respect to him, why do we deserve to? More