Selma (Movie)

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    25 Biggest Oscar Snubs of All Time

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    Every year since the Academy Awards were invented, somebody has been overlooked, ignored, passed over, disregarded or brushed off. You know what they say about beauty and beholders.But perceived Oscar omissions — snubs, as we have come to call them — have grown into a frenzied annual conversation, with people left off the nomination list, or nominated but denied a statuette, sometimes receiving as much attention, or more, as those who win.These are the 25 true snubs and unjust losses that Times film critics, columnists, writers and editors still can’t get over. Read more →‘Do the Right Thing’ for Best Picture (1990)Actual winner: “Driving Miss Daisy”Spike Lee and Danny Aiello in the Brooklyn-set drama.Universal PicturesSome people hated this movie. Others, more ominously, feared it, or claimed to. News articles and reviews imagined riots sprouting in its wake (they never came), seeing in the character of Mookie — who, in a fit of righteous fury, smashes a pizzeria window in the film’s famous climax — confirmation of Lee’s insidious intent. Did academy voters have similar misgivings? Lee, who was shut out of the directing category, did receive a nomination for his screenplay, suggesting at least one branch of the organization had his back. (Danny Aiello was also nominated for supporting actor.) But it’s hard to look at the eventual best picture winner, “Driving Miss Daisy” — a film in which Morgan Freeman plays Hoke Colburn, the patient chauffeur of a bigoted, elderly white woman — and not see a statement of preference. In 1990, it was the Hoke Colburns of the world, not the Mookies, who were welcome on the academy’s biggest stage. REGGIE UGWU, pop culture reporterWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Becoming King’ Review: An Actor Marches On

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      This documentary about Ava DuVernay’s 2014 Martin Luther King drama “Selma” plays more like a David Oyelowo tribute than a proper look at the difficulties of making the film.“Becoming King,” a documentary on Paramount+, traces the actor David Oyelowo’s journey to playing the Rev. Dr. Martin Luther King Jr. in Ava DuVernay’s 2014 drama “Selma.”Directed by Jessica Oyelowo (the actor’s wife), it’s a lackluster, dutiful affair that plays more like a hagiographic appreciation of David Oyelowo than a tribute to the making of “Selma.” In part, the documentary seems like a reaction to Oyelowo’s Oscars snub the following year in the best actor category, though it does a lousy job at making its case.The first part of the film digs into Oyelowo’s origins: first, as a child who grew up poor in Lagos, Nigeria; and then, as a theater prodigy who took on leading roles in London’s Royal Shakespeare Company. The next step was Hollywood, where Oyelowo established himself with parts in films that, when strung together, create a history of civil rights in America: Think “Lincoln,” “Red Tails” and “The Help.”Throughout, the director weaves what appears to be home-video footage from the nearly seven-year process it took to make “Selma.” Around these snippets, which show David at home, taking work calls, or verbalizing his anxieties about playing the civil rights leader, we hear from talking heads like Oprah Winfrey (a producer on the film), Lee Daniels (who was at one point signed on to direct) and DuVernay.Nothing they say is particularly interesting; they shower the expected compliments on Oyelowo and, otherwise, offer little else beyond their own symbolic power. These are Black entertainers, coming together to make a rare high-profile Hollywood feature about Dr. King, but the documentary only rehashes these facts without truly exploring what made “Selma” such a risky project to mount. Aside from a brief segment with the actor’s dialect coach, we never really get a sense of Oyelowo’s process, either — or the challenges he faced portraying an icon who was also a flesh-and-bones human with imperfections and ambiguities. “Becoming King” exhibits the kind of self-importance that ultimately diminishes the subject, be it Dr. King or Oyelowo.Becoming KingNot rated. Running time: 1 hour 6 minutes. Watch on Paramount+. More