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    Rod Wave and Lil Tjay, Two Brands of Sing-Rap With Different Bite

    Rod Wave’s new album “SoulFly” extracts maximum melancholy, while Lil Tjay’s “Destined 2 Win” can’t find a firm grip.“Tombstone,” from the excellent new Rod Wave album “SoulFly,” is a startling soul hymn about unshoulderable weight. Wave, 21, is a tender singer deploying the cadences of a rapper, and on this song he finds a way to sing — about the burdens of fame and how they are simply high-priced replacements for the burdens that came before fame — with gospel-like invigoration and blues contemplation.Last week, just after “SoulFly,” Wave’s third album, debuted atop the Billboard album chart, Wave performed “Tombstone” on “The Tonight Show Starring Jimmy Fallon.” Singing on a riverside porch, Wave gave off an air both baptismal and funereal:I keep my gun in my draws, ducking the sad newsMy phone say seven missed calls, I know it’s bad newsThis life had left me so scarred, I’m knowing that’s trueRemember times got so hard, I got it tattooedOne week after the release of “SoulFly” came the second album from the 19-year-old Lil Tjay, “Destined 2 Win,” which just debuted at No. 5. If Wave is the bluesman of this generation of sing-rappers, Tjay is the sweet crooner. Both traverse the same subject matter — more money, more problems; untrustworthy partners and the loyal ones who make up for it; skepticism about just how steady their perches are. But where Wave extracts maximum melancholy from these themes, Tjay’s approach is thinner and more brittle, rarely landing hard on a solid feeling.Wave is perhaps the pre-eminent hip-hop emoter of the last couple of years, and he chooses templates that allow his voice to ooze freely: guitar-led arrangements that recall schlocky 1980s radio rock, or elemental drum patterns. Many of the songs are short — a couple of choruses and a verse, sometimes just the verse. And Wave has a particular way of handling some of his line-ending syllables, breaking them into three descending steps, as if giving himself over to gravity.Mostly, he leans in to lamentation, like on “Gone Till November” and “How the Game Go,” plangent takes on overcoming adversity. On “Don’t Forget,” in between snippets of an old aggrieved Pimp C interview, Wave displays at least a brief glimmer of boast: “Rod crashed the ’Vette, but he came back in a better one/‘Rod fixed the ’Vette?’ Nah dog, this here the second one.”On paper, Tjay is working similar emotional territory. “I just rap about my pain ’cause I know others could relate,” he insists on “Slow Down.” And dating back to his earliest singles, like “Brothers,” Tjay has taken a microscope to the conditions that raised him. On “Nuf Said,” he nails a particular kind of intractable sadness relating a friend’s predicament: “Broski on the phone, he just want another chance to live/But he on his own so long in the cell, he say ‘the crib.’”Tjay’s voice is high-pitched — he’s one of a handful of current saccharine sing-rappers, including Lil Mosey — and his approach is melodic but not particularly soothing. His delivery can feel staccato, and so can his lyrics, which on songs like “Part of the Plan” tend toward the non sequitur, rhyming syllables tacked onto jumbled thoughts.On “Headshot,” the most recent single from this album, he follows his two guests, Polo G and Fivio Foreign, both of whom land harder than he does. In that way, it recalls “Mood Swings,” Tjay’s collaboration with Pop Smoke from last year, which was a hit on TikTok, largely as the soundtrack for comedic sketches about inappropriate older family members.They start with a starry-eyed kid sweetly lip syncing to Tjay about the object of their affection: “Shawty a little baddie, she my lil’ boo thang.” Then an older figure echoes them, lip syncing to Pop Smoke: “And shawty got the fatty.” The younger person agrees, lip syncing as Tjay concurs, “Shawty got the fatty,” before breaking character and staring at the flirtatious intruder, aghast.The interaction in these skits, and in the song, is almost primal — Pop Smoke, the gruff alpha, out to tame Tjay, and possibly walk off with his woman. It’s about power, but also authority. While those around him are staking hard claims to emotions and everything else, Tjay is still casting about, looking for a firm grip.Rod Wave“SoulFly”(Alamo)Lil Tjay“Destined 2 Win”(Columbia) More

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    Justin Bieber Reclaims No. 1, With Demi Lovato Close Behind

    The manager Scooter Braun’s clients battled for the Billboard 200’s top spot, while Rod Wave slipped to third place.Justin Bieber’s new album, “Justice,” has returned to No. 1 for a second time, beating out Demi Lovato’s latest in a tight race for the top.“Justice,” which opened at No. 1 two weeks ago, then dropped to No. 2, reclaimed the Billboard 200 chart’s peak position with the equivalent of 75,000 sales in the United States, including 89 million streams and 6,000 copies sold as a complete package, according to MRC Data, Billboard’s tracking service. Bieber, 27, has had eight albums go to No. 1, but this is the first time that one of them has accumulated more than a single week at the top since “My World 2.0,” which notched four chart-topping weeks in 2010.Close behind is Lovato’s “Dancing With the Devil … The Art of Starting Over,” which opened with the equivalent of 74,000 sales, including nearly 47 million streams and 38,000 copies sold as a full package.Bieber and Lovato share the same manager, Scooter Braun, who has also been in the news lately as the former owner of Taylor Swift’s first six albums, which she has pledged to rerecord as an assertion of control and economic revenge. (Over the last 21 months, Braun’s company, Ithaca Holdings, bought Swift’s former label, Big Machine, for $300 million to $350 million, then sold Swift’s recordings to an investment firm associated with the Disney family, also for more than $300 million, and then Ithaca sold itself for just over $1 billion.)Swift’s first rerecorded album, “Fearless (Taylor’s Version),” was released last Friday and is expected to open at No. 1 on next week’s chart with big numbers.Also this week, “SoulFly” by Rod Wave, last week’s top seller, fell to No. 3 in its second week out. Morgan Wallen’s “Dangerous: The Double Album” is No. 4. And “Destined 2 Win” by the New York rapper-singer Lil Tjay opened at No. 5. More

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    Lil Nas X Is No. 1 Again With 'Montero (Call Me by Your Name)'

    The rapper’s “Montero (Call Me by Your Name)” debuted at No. 1 on Billboard’s Hot 100 chart following a dust-up on social media over the song’s video and a lawsuit from Nike.Exactly two years ago, a young rapper with buzz on TikTok released a remix with Billy Ray Cyrus, and a pop-culture juggernaut was born.That song, “Old Town Road” by Lil Nas X — a “country-trap” hybrid that mixed a booming bass line with an acoustic sample from Nine Inch Nails, and featured winking lyrics about the outlaw cowboy life — became a phenomenon, holding at No. 1 for a record-breaking 19 weeks and minting Lil Nas X as a master of music marketing and character sculpting in the age social media.This week, Lil Nas X, now 21, is back at No. 1 with a new song and a fresh online sensation. “Montero (Call Me by Your Name),” with a video set partly in hell and a corporate brouhaha over online sales of “Satan Shoes” (modified Nike Air Max 97s, supposedly with a drop of blood in the soles — drawing a lawsuit from Nike), is in some sense a 21st-century re-creation of the controversy over Madonna’s “Like a Prayer” video from 1989. As was the case with Madonna’s song, which drew condemnation from the right and panic from Pepsi, the furor mainly serves to drum up even more attention for Lil Nas X. (This time, a whip-smart Twitter feed from the star adds another dimension of entertainment and self-expression.)“Montero” opened at the top of Billboard’s Hot 100 chart with 47 million streams in the United States, according to MRC Data, Billboard’s tracking service.On this week’s album chart, the rapper and singer Rod Wave started at No. 1 with “SoulFly,” which had the equivalent of 130,000 sales, including 189 million streams and 4,000 copies sold as a complete package.Two other new albums landed high on the chart. The Michigan rapper NF is No. 3 with “Clouds (The Mixtape),” with the equivalent of 86,000 sales, and Carrie Underwood’s “My Savior” — with versions of hymns like “Amazing Grace” and “How Great Thou Art,” in time for Easter — starts at No. 4 with 73,000.Last week’s top album, Justin Bieber’s “Justice,” fell to No. 2, and Morgan Wallen’s “Dangerous: The Double Album,” which dominated the album chart for 10 weeks at the start of the year, fell two spots to No. 5 in its 12th week out. More