Suits and Litigation (Civil)

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      He Made ‘Seven Brides’ Less Sexist. But Can He Stage It?

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      David Landay, an author of the 1982 stage musical, reworked a kidnapping scene for a 2021 production. Now he’s suing the estates of his coauthors for the right to keep going.“Seven Brides for Seven Brothers” features a central plot twist that makes the story problematic for contemporary audiences: A group of ill-mannered brothers kidnaps the women they have been eyeing.The plot device goes back all the way to ancient times, when it was the theme of a Roman legend called “The Rape of the Sabine Women.” That story inspired paintings (Rubens, et al.), a short story (“The Sobbin’ Women”) and a 1954 musical film later adapted into a 1982 stage musical, which closed on Broadway three days after it opened.Now, an effort to modernize the story to make it palatable for today’s theatergoers has landed in court.The dispute centers on a version of the show that was staged in 2021 in St. Louis at the Muny, one of the nation’s biggest musical theater venues. For that staging, David Landay, the only one of the 1982 show’s four writers who is alive, added a prologue and revised the plot so that the women foil the kidnapping attempt but, bored with life in their small town, opt to flee voluntarily with their would-be abductors.Landay hoped there would be more productions to breathe new life into a tired title.A modernized version of the “Seven Brides” musical was staged at the Muny in St. Louis in 2021.via MunyBut according to a lawsuit filed this week in the United States District Court for the Southern District of New York, the heirs of his deceased collaborators, Al Kasha, Lawrence Kasha and Joel Hirschhorn, would not agree to productions beyond the one at the Muny. Landay, represented by Lita Beth Wright, argues in the lawsuit that the heirs are breaching their contract with him by unreasonably withholding their consent.Although it was a flop on Broadway, the original musical is admired by some for a few songs and its exuberant dance numbers. An outdoor production in London in 2015 received mostly positive reviews, although with qualifiers, like the one in The Standard: “some of the most dubious gender politics — and there’s a lot to choose from — in musical theater.”So when Mike Isaacson, the Muny’s artistic director and executive producer, thought about staging the show during a pandemic summer (the Muny’s shows are outdoors), he was clear about the conditions. The story would have to be revised.“The criteria I have is that if there’s a woman sitting there with her daughter, what is it that they’re receiving,” he said in an interview, adding that the female characters in the original version were “guileless and passive.”He added: “It’s one of those shows that audiences love and have great affection for, but when you look at it, it’s really challenging to do now — in the original version, there are not a lot of good choices being made. The music is gorgeous, and the barn dancing is epic, and there’s a decent love story for the two leading characters, but it’s one of those shows that belongs to another era.”In the lawsuit, Landay, who wrote the original book with Lawrence Kasha, is seeking at least $250,000 in damages as well as the right to pursue future productions of the revised version.“Because of #MeToo it had become outdated,” he said in an interview. “Before that, it was done all over the world.” He added, “The version I came up with, now I want to get it out there so people can enjoy it.”The defendants could not be reached for comment. More

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      Sean Combs Accused of Raping 17-Year-Old Girl in 2003 in Lawsuit

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      In the complaint, an unnamed woman says she was flown from the Detroit area to New York on a private plane and gang-raped in a recording studio. Mr. Combs denied the allegations.Sean Combs, the hip-hop mogul who has been named in three recent lawsuits accusing him of rape, now faces a fourth complaint, by a woman who says that Mr. Combs and two other men gang-raped her in a New York recording studio 20 years ago, when she was 17 years old.In the latest lawsuit, filed on Wednesday in Federal District Court in Manhattan, the woman, who is not named in the court papers, described a nightmarish scene on a night in 2003, when she was in the 11th grade. The woman says in the complaint that she met two associates of Mr. Combs at a lounge in the Detroit area, and they took her on a private plane to New York. There, the suit says, the three men gave the woman copious amounts of drugs and alcohol, and took turns raping her in the studio’s bathroom as she drifted in and out of consciousness.When they were done, the suit says, the woman fell into a fetal position in a bathroom, lying on the floor in pain, and she was soon driven to an airport and put on a plane back to Michigan.In a statement, Mr. Combs said: “Enough is enough. For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”Through his lawyers, Mr. Combs has denied the allegations in the three earlier suits.Douglas H. Wigdor, a lawyer for the unidentified woman, released his own statement that said: “As alleged in the complaint, defendants preyed on a vulnerable high school teenager as part of a sex trafficking scheme that involved plying her with alcohol and transporting her by private jet to New York City where she was gang-raped by the three individual defendants at Mr. Combs’s studio.”“The depravity of these abhorrent acts,” he added, “scarred” the woman “for life.”The first of the recent lawsuits against Mr. Combs, who has been known as Puff Daddy or Diddy, was filed on Nov. 16 by Casandra Ventura, a singer once signed to Mr. Combs’s label, Bad Boy, who was also his longtime girlfriend. In a graphic 35-page complaint, Ms. Ventura, who performs as Cassie, accused him of rape and forcing her to have sex with a series of male prostitutes, as well as subjecting her to violent beatings that took place over nearly a decade. The case was settled in just one day. Mr. Combs denied the accusations and Ms. Ventura said in a statement that the case had been resolved “amicably.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Former Grammys Head Michael Greene Accused of Sexual Assault in Lawsuit

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      In a complaint, Terri McIntyre, who worked at the Recording Academy in the mid-1990s, says the organization’s then leader, Michael Greene, subjected her to ongoing misconduct.A woman who worked at the Grammys organization in the 1990s has accused its former chief executive, Michael Greene, of drugging and sexually abusing her nearly 30 years ago and of making sex a condition of her employment, according to a lawsuit filed in California on Wednesday.Terri McIntyre, a former executive director of the Los Angeles chapter of the Recording Academy, the nonprofit group behind the Grammy Awards, sued Mr. Greene in Los Angeles Superior Court, in the latest of a wave of lawsuits accusing powerful men in the music industry of past misconduct.In her suit, which also names the Recording Academy as a defendant, Ms. McIntyre says that from 1994 to 1996, Mr. Greene caught her in a “trap” in which he regularly pressured her into sexual contact, and forced sex on her against her will.Mr. Greene could not be immediately reached for comment but has previously denied allegations that he sexually harassed employees while an executive with the Grammys.In a statement, the Recording Academy said: “In light of pending litigation, the academy declines to comment on these allegations, which occurred nearly 30 years ago. Today’s Recording Academy has a zero-tolerance policy when it comes to sexual misconduct and we will remain steadfast in that commitment.”In her lawsuit, Ms McIntyre says that while attending a Grammy board meeting in Hawaii in May 1994, soon after she got the job, Mr. Greene gave her Champagne in his hotel room. She “quickly began to feel unwell and began to lose control of her physical movements,” she says in the court papers. She later woke up nude in Mr. Greene’s bed and realized she had been “violated,” according to the suit.On another occasion, she says in the complaint, she was driving with Mr. Greene to a business meeting when he unexpectedly took her to his home near Malibu, Calif., and forced her to perform oral sex in his kitchen.Throughout her time at the Recording Academy, Ms. McIntyre says, Mr. Greene made it clear that enduring his harassment was part of a “quid pro quo proposition” in which she could succeed at the organization, and in the music industry, only if she had a sexual relationship with him. In her complaint, the woman said she was a single mother and needed the job to care for her young daughter.The suit was filed a month after another case in New York against Neil Portnow, Mr. Greene’s successor as the Grammys’ chief. In that suit, an unnamed woman accused Mr. Portnow of drugging and raping her in a New York hotel room in 2018. Mr. Portnow denied the accusations.Ms. McIntyre’s suit offers a new perspective on a tumultuous period in Grammys history. In 2002, Mr. Greene was forced out of the academy after 14 years at its helm, during which he was widely credited with expanding the organization and transforming its annual ceremony into a lucrative, must-see television event. At the same time, Mr. Greene was dogged by a series of scandals, including multiple accusations of sexual harassment and discrimination, and allegations that MusiCares, a Grammy charity founded under his watch, had spent less than 10 percent of its donations on its stated purpose of helping suffering and indigent musicians.The tipping point for Mr. Greene’s ouster was an accusation by the academy’s human resources officer that he had sexually abused her in a parking lot; he denied the accusation, and the academy said that an investigation had cleared Mr. Greene of wrongdoing. According to news accounts at the time, that woman was paid $650,000 to settle her allegation, a reported payment that Ms. McIntyre cited in her suit.According to reports in The Los Angeles Times in 2001 and 2002, the academy’s human resources department was created because of an earlier accusation against Mr. Greene. A spokesman for the Recording Academy did not answer a question about when the human resources department was created.In 1996, Ms. McIntyre says in her complaint, she left the academy and the music business overall because Mr. Greene had blackballed her in the industry. Ms. McIntyre’s lawyers gave The New York Times a copy of her resignation letter, which reads: “I am compelled to leave due to what I perceive to be serious problems in my work environment.”In her suit, Ms. McIntyre also says that years later, she became an anonymous source for Chuck Philips, then a reporter at The Los Angeles Times, whose articles investigating Mr. Greene’s conduct precipitated the executive’s ouster. In 1999, Mr. Philips and another Los Angeles Times journalist, Michael A. Hiltzik, shared a Pulitzer Prize in beat reporting for a series of articles about the music industry. The articles included discussions of Mr. Greene’s power and compensation at the Grammys; the problems at MusiCares; and complaints from Grammy insiders about the organization’s accounting practices.Mr. Philips could not be reached for comment on Wednesday.After leaving the Grammys, Mr. Greene — who began his career as a saxophonist — founded a company called Artist Tribe, which he has described as a “creative production, technology, education, database and philanthropic enterprise” that serves “creative and cultural communities.”A call on Wednesday to a number associated with Mr. Greene was answered by a man who said that Mr. Greene was on a plane and was not available to comment on the lawsuit.In her suit, Ms. McIntyre says that after her resignation, Mr. Greene and the Recording Academy offered to pay her severance money in exchange for signing a nondisclosure agreement, but she refused.Ms. McIntyre’s suit is the latest in a series that have accused powerful men in the music industry of sexual harassment and abuse. In addition to Mr. Portnow, those men have included the hip-hop mogul Sean Combs, Axl Rose of Guns N’ Roses, Steven Tyler of Aerosmith and the producer L.A. Reid; Mr. Combs and Mr. Rose denied the allegations, while Mr. Tyler denied one accusation and did not respond to a second, and Mr. Reid did not respond.Many of the suits were filed under the Adult Survivors Act, a New York law that gave a one-year window for people who say they were the victims of sexual abuse to bring a civil suit even if the original statute of limitations for their case had expired. That window expired last month. But a similar law in California, under which Ms. McIntyre brought her case, allows cases to be brought until the end of the year.Julia Jacobs contributed reporting. More

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      Hall v. Oates, No Longer a Mystery, Arrives at Court in Nashville

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      Hall has accused Oates of committing the “ultimate partnership betrayal” when he moved to sell off his portion of a joint venture. Oates denies wrongdoing.The nature of the dispute between Daryl Hall and John Oates, which had been obscured in sealed court documents, became clearer on Thursday as one of pop music’s most recognizable and long-running duos put their fight in front of a judge in Nashville.Details of the collapse of the 50-year artistic collaboration and business partnership between the two had been trickling out for days in court papers submitted before Thursday’s hearing in Chancery Court, where Hall and Oates were represented by lawyers but did not appear.Hall, the lead singer and songwriter for many of the band’s hits, is arguing that Oates violated their contract by moving to sell his portion of one of their business partnerships without Hall’s approval.Hall’s lawyers went to court to block any sale while their business disagreement goes through a separate arbitration process. On Thursday, Chancellor Russell T. Perkins granted their request, preventing Oates from going further in the agreement until the arbitrator resolves the impasse, or until Feb. 17.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Daryl Hall Is Suing John Oates. Over What Is a Mystery.

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      The duo, whose songs regularly appeared on the top of the charts, is embroiled in some kind of legal dispute, but a judge in Tennessee has sealed the court file.With a string of No. 1 hits like “Rich Girl, “Maneater” and “She’s Gone” in the 1970s and ’80s, followed by a more recent cultural resurgence, Daryl Hall and John Oates have long been one of pop music’s most celebrated duos.But over the decades, there have been hints that things were not entirely copacetic between the two men whose names are almost always uttered in sequence. (Oates is the one with the famous mustache.) In the ’80s the group went on hiatus, and both members have at times pursued solo work. In 2020, they announced plans for a 19th studio album, but it never came to fruition; this year, the musicians performed separate tours.Now, the discord is undeniable as Hall, 77, has filed a lawsuit in Nashville against Oates, 75, the partner with whom he was inducted into the Rock & Roll Hall of Fame in 2014. Because a judge allowed the complaint to be filed earlier this month under seal, details on the disagreement are scant, but court records classify it as a contract lawsuit.Lawyers for the two men did not immediately respond to requests for comment.The lore of Hall and Oates dates back to 1967, when the musicians were students at Temple University. As Oates tells it in his 2017 memoir, both men were performing in separate bands at a sock hop in Philadelphia when gunfire broke out and they ended up in a service elevator together. A few weeks later, Oates’s band split up after two of its members joined the military, and Hall invited Oates to play guitar for his group. Later on, they started writing music together, landing a deal with Atlantic Records in 1972 that propelled them to pop stardom.“John and I decided when we first came together as kids that we were both going to share the stage,” Hall, who has generally been seen as the principal writer and lead singer of the duo, told Classic Pop Magazine last year. “And that’s really the way that both of us have treated our careers.”Known for their soulful music and bountiful heads of hair, the duo gained cultural cachet when their music became frequently sampled by hip-hop artists. Though their most recent studio album was a Christmas-themed effort in 2006, new generations have been exposed to their songs through TV and film placements: See Joseph Gordon Levitt’s elated strut to “You Make My Dreams” in “(500) Days of Summer.”Hall and Oates have performed together often in recent years, including in a visit to the White House in 2015 and on their band’s most recent tour in 2021. In an interview that year with GQ, Oates said that he and his collaborator had “way more ups than downs,” adding, “It’s actually a miracle, I’m actually shocked that we are able to still play together and it’s great. It’s something that you have to really appreciate.” More

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      Former Model Sues Axl Rose, Accusing Him of 1989 Rape

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      Sheila Kennedy filed a complaint in New York State Supreme Court that says the Guns N’ Roses singer “overpowered” her in a hotel room. A lawyer for Mr. Rose said “this incident never happened.”Axl Rose of the band Guns N’ Roses was sued on Wednesday by a woman who accused him of dragging her by the hair, tying her up and raping her in a New York hotel in 1989.The suit was filed in New York State Supreme Court, in Manhattan, by Sheila Kennedy, a former model who has appeared in Penthouse magazine. She accused Mr. Rose of sexual assault and battery, and her suit seeks unspecified damages.Ms. Kennedy’s suit is the latest in a series of cases against powerful men that have been brought under the Adult Survivors Act, a New York law that created a one-year window for people who say they were victims of sexual abuse to file civil suits after the statute of limitations has expired. That window ends this week.In recent weeks, such cases have been filed against Steven Tyler of Aerosmith; the music executive L.A. Reid; and Neil Portnow, the former head of the organization behind the Grammy Awards. Last Thursday, the singer Cassie filed an explosive suit against Sean Combs — the producer and executive also known as Diddy and Puff Daddy — but it was settled in one day. (Mr. Portnow has denied the accusation; Mr. Tyler and Mr. Reid have not responded. A lawyer for Mr. Combs said that the settlement was “in no way an admission of wrongdoing.”)In a statement, Alan S. Gutman, a lawyer for Mr. Rose, said: “Simply put, this incident never happened.” He added: “Though he doesn’t deny the possibility of a fan photo taken in passing, Mr. Rose has no recollection of ever meeting or speaking to the Plaintiff, and has never heard about these fictional allegations prior to today.”In her suit, Ms. Kennedy says she met Mr. Rose in early 1989, when she went to a New York nightclub with a friend who was a fan of Guns N’ Roses. The band was at perhaps the peak of its fame — and its members relished their reputations as hard-partying bad boys — but Ms. Kennedy says in her suit that at the time she did not know who Mr. Rose was.According to Ms. Kennedy’s complaint, Mr. Rose invited her and another woman to a party at his suite in a hotel on Central Park West, where he offered them cocaine and alcohol. According to the complaint, the party “was in full swing” until Mr. Rose called for everyone to leave except Ms. Kennedy, the other woman and a man.According to the complaint, Mr. Rose began having sex with the other woman, in an “aggressive” way that Ms. Kennedy says in the suit “appeared painful” for the woman. Ms. Kennedy says that she went to another room in the suite, where she could hear the sounds of breaking glass and objects being thrown in Mr. Rose’s room, and that she heard him yelling at the other woman and calling her a “whore.”According to Ms. Kennedy’s suit, Mr. Rose stormed into the room where she was, knocked her down, “grabbed her by the hair and dragged her across the suite back to his bedroom.” Her knees were bleeding from being scraped against the rug, the suit says.In Mr. Rose’s room, the suit says, he threw her facedown on the bed, tied her hands behind her back with pantyhose and sexually assaulted her, forcing anal penetration. The suit says that Mr. Rose never sought Ms. Kennedy’s consent, and that she “did not consent and felt overpowered.”In her suit, Ms. Kennedy says that she has suffered anxiety and depression as a result of the incident with Mr. Rose, and that her career as an actress and model has suffered. Ms. Kennedy catalogs her success as a Penthouse model, mentioning that she was Pet of the Year in 1983 and was on the cover of the magazine four times.Ms. Kennedy has discussed her encounter with Mr. Rose in the past, including an interview on the website of The Daily Mail in 2016, and in a memoir, “No One’s Pet,” published that same year. She also appeared in “Look Away,” a 2021 documentary about sexual abuse of young women in the music industry.In her memoir, Ms. Kennedy also described her encounter with Mr. Rose as a violent one, which left her “crying and bleeding.” But she added in the book: “Weirdly enough, I was okay with this. I had wanted to be with him since the minute I’d first laid eyes on him, and now I was getting him.”When asked about that account, Ann Olivarius, a lawyer for Ms. Kennedy, said in a statement: “Like many victims of sexual assault, it has taken Sheila time to come to terms with her experiences and to be able to talk about it fully and openly.” More

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      Cassie Settles Lawsuit Accusing Sean Combs of Rape and Abuse

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      The R&B singer Casandra Ventura and the music mogul did not disclose terms of the settlement, which came one day after Ms. Ventura filed an explosive complaint.Sean Combs and the singer Cassie have reached a settlement just one day after she filed an explosive lawsuit accusing the hip-hop mogul of rape and numerous instances of physical abuse.The parties announced on Friday evening that they had reached an agreement to resolve the case, though they disclosed no details about the terms of the settlement.“I have decided to resolve this matter amicably on terms that I have some level of control,” Cassie, whose full name is Casandra Ventura, said in a statement. “I want to thank my family, fans and lawyers for their unwavering support.”In a statement, Mr. Combs said: “We have decided to resolve this matter amicably. I wish Cassie and her family all the best. Love.”For Mr. Combs, the settlement quickly shuts down what could have been a risky and potentially embarrassing process of legal discovery — in which reams of evidence are made public — and a possible trial. And Ms. Ventura, who has already aired her accusations through a public complaint, avoids a cross-examination by Mr. Combs’s attorneys.In a lawsuit that drew international attention, Ms. Ventura — who signed to Mr. Combs’s Bad Boy label in 2005, when she was 19, and dated him for about a decade — accused Mr. Combs of what she said was years of beatings, controlling behavior and various forms of sexual abuse, including a rape. In response, a lawyer for Mr. Combs, Ben Brafman, said, “Mr. Combs vehemently denies these offensive and outrageous allegations.”According to Ms. Ventura’s suit, which was filed on Thursday in Federal District Court in Manhattan, Mr. Combs assaulted her numerous times, leaving her bloodied and bruised; she said his employees sometimes took her to hotel rooms for days to recover out of the public eye.In one of the suit’s most disturbing allegations, Ms. Ventura said that for years she was forced to participate in sexual encounters with a succession of male prostitutes, as Mr. Combs watched, masturbated and recorded videos. According the suit, Mr. Combs called these events “freak offs,” and they took place in a number of high-end hotels throughout the United States.According to Ms. Ventura’s suit, Mr. Combs controlled nearly every aspect of her life, paying for her homes, car, clothes and other necessities, and even had access to her personal medical records. The suit says Ms. Ventura never went to the police because she feared it “would merely give Mr. Combs another excuse to hurt her.”Mr. Combs, who started Bad Boy in 1993, became one of the most powerful and successful figures in the hip-hop industry, working with stars like the Notorious B.I.G. and Mary J. Blige, and helping to transform rap music and culture into a global pop phenomenon and a major business.Still, his rise to fame has been dotted with allegations of violence, including that he and his bodyguards beat a rival music executive, Steve Stoute, with a Champagne bottle and other items.Last year, Mr. Combs received a lifetime achievement honor at the BET Awards, and in September he was given the global icon award at MTV’s Video Music Awards.Even with the settlement, however, the damage to Mr. Combs’s reputation and legacy may be substantial. In the day since Ms. Ventura’s suit was filed, past allegations of violence and abuse have been resurfaced, and various musicians have publicly signaled their support for Ms. Ventura.In a statement, Douglas Wigdor, a lawyer for Ms. Ventura, said: “I am very proud of Ms. Ventura for having the strength to go public with her lawsuit. She ought to be commended for doing so.” More

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      Sean Combs Is Accused by Cassie of Rape and Years of Abuse in Lawsuit

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      In the suit, the singer says Mr. Combs, known as Puff Daddy or Diddy, subjected her to a pattern of control and abuse over about a decade. Mr. Combs “vehemently” denied the allegations.Sean Combs, the producer and music mogul who has been one of the most famous names in hip-hop for decades, was sued in federal court on Thursday by Cassie, an R&B singer once signed to his label, who accused Mr. Combs of rape, and of repeated physical abuse over about a decade.In the suit, filed in Federal District Court in Manhattan, Cassie, whose real name is Casandra Ventura — and who had long been Mr. Combs’s romantic partner — says that not long after she met him in 2005, when she was 19, he began a pattern of control and abuse that included plying her with drugs, beating her and forcing her to have sex with a succession of male prostitutes while he filmed the encounters. In 2018, the suit says, near the end of their relationship, Mr. Combs forced his way into her home and raped her.“After years in silence and darkness,” Ms. Ventura said in a statement, “I am finally ready to tell my story, and to speak up on behalf of myself and for the benefit of other women who face violence and abuse in their relationships.”In response, a lawyer for Mr. Combs, Ben Brafman, said: “Mr. Combs vehemently denies these offensive and outrageous allegations. For the past six months, Mr. Combs has been subjected to Ms. Ventura’s persistent demand of $30 million, under the threat of writing a damaging book about their relationship, which was unequivocally rejected as blatant blackmail. Despite withdrawing her initial threat, Ms. Ventura has now resorted to filing a lawsuit riddled with baseless and outrageous lies, aiming to tarnish Mr. Combs’s reputation and seeking a payday.”Douglas Wigdor, a lawyer for Ms. Ventura, said the parties had spoken before the suit was filed. “Mr. Combs offered Ms. Ventura eight figures to silence her and prevent the filing of this lawsuit,” he said. “She rejected his efforts.”Ms. Ventura’s case is the latest in a series of sexual assault civil suits filed recently against prominent men in the music industry, including Steven Tyler of Aerosmith, the executive L.A. Reid and Neil Portnow, the former head of the organization behind the Grammy Awards. (Mr. Portnow has denied the accusation; Mr. Tyler and Mr. Reid have not responded.)Mr. Combs, 54, founded Bad Boy in 1993 and became one of the primary figures in the commercialization of hip-hop, working with stars like the Notorious B.I.G. and Mary J. Blige. His net worth has been estimated as high as $1 billion, and last year Forbes calculated Mr. Combs’s annual earnings at $90 million, attributing that amount largely to his former partnership in a liquor brand, Ciroc, that is owned by the spirits giant Diageo.Mr. Combs, who in his career has variously been known as Puff Daddy, Diddy and Love, may be the most famous music executive of his generation. But the suit depicts Mr. Combs as a violent person who, beyond repeatedly assaulting Ms. Ventura, asked her to carry his gun in her purse, and the suit suggests he was responsible for blowing up the car of a rival suitor. In one incident, the suit says, Mr. Combs dangled a friend of Ms. Ventura’s over a 17th-floor hotel balcony.In naming additional defendants, the court papers assert that others who worked with Mr. Combs had helped him to control Ms. Ventura, at times by threatening her with retribution — like suppressing her music if she did not obey his orders — or by helping to conceal his behavior. The suit, which names Mr. Combs and a number of his associated companies as defendants, seeks unspecified damages.“After years in silence and darkness,” Cassie, whose real name is Casandra Ventura, said in a statement, “I am finally ready to tell my story.”Karwai Tang/WireImage, via Getty ImagesAccording to Ms. Ventura’s suit, she was swept into Mr. Combs’s jet-set lifestyle not long after meeting him and signing with Bad Boy, which released her debut album in 2006.But, the suit says, he soon began to assert an extraordinary level of command over her life. In addition to controlling her career, he paid for her car, apartments and clothing, and even had access to her personal medical records. According to the suit, the results from an M.R.I. scan she had — for memory loss, possibly caused by drug use or by a beating she said she suffered from Mr. Combs — went directly to Mr. Combs.Mr. Combs also provided Ms. Ventura with “copious amounts of drugs,” including ecstasy and ketamine, and urged her to take them, the suit says, and often became violent, beating her “multiple times each year.” The suit says Ms. Ventura never went to the police because she feared it “would merely give Mr. Combs another excuse to hurt her.”In one incident in Los Angeles in 2009, the suit says, Mr. Combs became enraged when he saw Ms. Ventura talking to another talent agent, then pushed her into a car and kicked her repeatedly in the face, making her bleed. According to the suit, Mr. Combs then had his staff bring her to a hotel room to recuperate for a week. She asked to go home to her parents, but Mr. Combs refused, the suit says.The suit says that after seeing the violent repercussions of rejecting Mr. Combs, and the extent to which he would isolate her from her support network, “Ms. Ventura felt that saying ‘no’ to Mr. Combs would cost her something — her family, her friends, her career, or even her life.” And though she tried to leave Mr. Combs, the suit says he sent his employees to lure her back.In one incident described in the court papers, Ms. Ventura says that in early 2012, Mr. Combs grew so angry about her dating the rapper Kid Cudi that he said he would blow up the rapper’s car. “Around that time,” the suit says, “Kid Cudi’s car exploded in his driveway.”Through a spokeswoman, Kid Cudi confirmed Ms. Ventura’s account that he had a car that exploded. “This is all true,” he said.A few years into Ms. Ventura’s relationship with Mr. Combs, the suit says, he began coercing her “to engage in a fantasy of his called ‘voyeurism,’” in which she was directed to have sex with a succession of male prostitutes, while Mr. Combs watched, masturbated, took pictures and shot video.According to the suit, Mr. Combs called these encounters “freak offs,” which involved costumes, like masquerade masks and lingerie. They continued for years, taking place at high-end hotels across the United States and in Mr. Combs’s homes. The suit says that he instructed Ms. Ventura to search the websites of escort services to procure male sex workers.Drugs were supplied at these events, which Ms. Ventura’s suit says she took because they “allowed her to disassociate during these horrific encounters.”According to the suit, Ms. Ventura would delete videos from these incidents that had been shot on her phone, but Mr. Combs told her he still had access to those videos, and on a flight once made her watch a video she thought she had deleted.The suit says that as a result of these sexual encounters in different cities, Ms. Ventura was a victim of sex trafficking. The suit also accuses Mr. Combs of sexual battery, sexual assault and violations of New York City’s gender-motivated violence law.Ms. Ventura’s suit includes several accounts of her unsuccessful attempts to escape Mr. Combs’s control.In one example, the suit says that during a “freak off” at a Los Angeles hotel in 2016, an intoxicated Mr. Combs punched Ms. Ventura in the face, giving her a black eye. He fell asleep and she tried to leave the room, but Mr. Combs woke up and followed her into the hallway, where he threw glass vases at her, sending glass shattering throughout the corridor, according to the court filing. The hotel’s security cameras captured that incident, but the suit says Mr. Combs paid the hotel $50,000 for the footage.The court filing says that in 2018, after Mr. Combs and Ms. Ventura met for dinner, he forced himself into her apartment and raped her while she “repeatedly said ‘no’ and tried to push him away.” After that, the suit says, she left him for good. Ms. Ventura married Alex Fine, a personal trainer, the following year and now has two young children. According to the complaint, her association with Bad Boy ended in 2019.Ms. Ventura’s case, like other recent sexual assault lawsuits, is being brought under the Adult Survivors Act, a New York law that allows people who say they were victims of sexual abuse to file civil suits after the statute of limitations has expired. The one-year window to bring cases under this law ends next week.That law is cited in Ms. Ventura’s complaint, and in a statement she addressed its importance.“With the expiration of New York’s Adult Survivors Act fast approaching,” she said, “it became clear that this was an opportunity to speak up about the trauma I have experienced and that I will be recovering from for the rest of my life.” More