The Eternal Memory (Movie)

Subterms

    Latest story

    113 Shares178 Views

    4 Documentaries That Explore How Families Cope With Dementia

    by

    In “Little Empty Boxes” and other films, the heartbreak of memory loss is intertwined with deeper cultural implications.When his creative, funny, independent mother, Kathy, began to exhibit signs of dementia, the writer Max Lugavere moved cross-country and picked up a camera to start documenting his journey to figure out how to help her. The result is “Little Empty Boxes,” a new documentary that’s strongest when it chronicles their relationship. Kathy’s memories of Max’s upbringing and his desire to be close to her bring them both a strange comfort. (She passed away in 2019.) The rest of the film — notably interviews with researchers studying links between nutrition, exercise and brain health — is uneven. Its visual language ranges from traditional, brightly lit talking heads to an observational approach, which can provoke whiplash for the viewer.But “Little Empty Boxes,” directed by Lugavere and Chris Newhard, made me think about other powerful documentaries that chronicle walking through memory loss with a loved one. The experience can be tremendously painful, with family and friends feeling helpless; watching a film about it can in turn be both gut-wrenching and cathartic.One of the best recent movies about memory loss — nominated for an Oscar last year — is “The Eternal Memory” about the Chilean journalist Augusto Góngora and his wife, the actress Paulina Urrutia. Directed by Maite Alberdi, the film (streaming on Paramount+) weaves Góngora’s slow decline into a broader meditation on cultural memory, and on what we lose as communities when we’re denied the ability to retain those memories — through book bans and state propaganda that whitewashes historical truth. But the broader metaphor doesn’t obscure Góngora and Urrutia’s love story, which is heartwrenchingly beautiful.Even more harrowing is “Tell Me Who I Am” (Netflix) directed by Ed Perkins. Like “Little Empty Boxes,” this 2019 film is more effective when exploring its subjects’ relationship than when it turns journalistic. Alex Lewis was in a motorcycle accident at 18, and when he woke up, he’d lost his memory. His twin brother, Marcus, helped him reconstruct his life, but as the film goes on, Alex — and the audience — realize that Marcus was holding back information about their past, and that revealing it is fraught. The brothers’ trust and love holds the film together.The most unmissable and life-affirming film of this sort, though, is “Dick Johnson Is Dead” (Netflix) from 2020. Dick Johnson is the father of the director Kirsten Johnson; years after losing his wife (Kirsten’s mother) to Alzheimer’s, he begins to exhibit signs of dementia. Facing an uncertain future, Dick and Kirsten work together to humorously and movingly stage different ways he might die, while exploring their relationship and the meaning of love, history and remembrance. It’s a vital, hilarious, gorgeous and truly innovative film, and I can’t think of a better exploration of the bond between a filmmaker and a parent in the face of impending loss. More

    More stories

    • 88 Shares159 Views

      in Movies

      8 Documentaries About True Love and Relationships

      by

      These movies go beyond examining a relationship to reveal the glories, discontents and more about romance.Romance and love are oddly tricky to capture authentically in a documentary. So much of what fosters real connection — as opposed to, say, “Bachelor”-style performative love — happens away from cameras. Plus, every love story is a bit of an experiment, and the observer effect applies: being filmed tends to change the results.But you can capture something about romance in a documentary. I don’t mean the kind that ends in disaster and a true crime documentary. I mean the movies that reveal something to us about the highs and lows, the glories and discontents, and above all something ineffable about love itself, transcending just romance.You probably have your own favorites, and your list might include one of mine: “Fire of Love” (2022, Disney+), Sara Dosa’s swooner about the volcanologists Katia and Maurice Krafft. United in love of one another and, perhaps just as much, love of volcanoes, they perished together in a volcanic explosion in 1991. Their shared interest was a fundamental part of their lives, which made me think of several documentaries about artistic couples, like Daniel Hymanson’s heartbreaking “So Late So Soon” (2021, rent on major platforms) and Zachary Heinzerling’s acclaimed “Cutie and the Boxer” (2013, Vudu), both of which delve into complex relationships that weave together creativity and partnership.Other documentaries tap into the power of love to sustain us across tragedy and hardship. I think of this year’s Oscar-nominated “The Eternal Memory” (Paramount+), directed by Maite Alberdi, about a couple navigating one partner’s deteriorating memory. Or Jonas Poher Rasmussen’s “Flee” (2021, Hulu), in which, on the verge of marriage, an Afghan refugee tells his story of traumatic displacement; his soon-to-be husband has become the only place of safety he can find, but he’s still reticent to trust any home at all. Or there’s “Time” (2020, Prime Video), Garrett Bradley’s gutting film about Fox Rich’s fight to free her husband, Rob, from a 60-year prison sentence. (This was a co-production of The New York Times.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares179 Views

      in Movies

      Why the Documentary Oscar Race Is the Most Unpredictable One

      by

      All five nominees are international features focused on geopolitical events, and three are directed by women.Most post-nomination Oscar chatter focuses on surprises and snubs connected to the fiction nominees. But I’m a nonfiction nerd, so for me the documentaries are where it’s at, and in recent years, the picks have grown delightfully unpredictable. This year, two seeming slam dunks were left off the list: “Still: A Michael J. Fox Movie” and “American Symphony,” about the musician Jon Batiste. Both are artful, and their nominations had seemed assured because, at least in the past, well-made portraits tended to get eyeballs and thus votes.But here we are, in a strange new world. Biographical documentaries are still hugely popular; next to true crime, they’re what’s hot in nonfiction right now, as our recently reviewed releases “June” and “Lil Nas X: Long Live Montero” indicate. This time around, though, the voters cast their net more widely.Much more widely, in fact. Don’t look now, but this may be the most groundbreaking category at the awards. All five are international films, centering mostly on geopolitical situations. Three are directed by women. And all five are also, as it happens, very good.“The Eternal Memory,” a second nomination for the Chilean director Maite Alberdi (her first was “The Mole Agent”), landed on my Top 10 list last year. (Stream it on Paramount+.) It deals with the erasure of public memory in Chile, refracted through the relationship of one couple: the prominent cultural journalist Augusto Gongora and his wife, Paulina Urrutia, as she cares for him after an Alzheimer’s diagnosis. (Gongora died last May.)The nomination of “Four Daughters” made its Tunisian director, Kaouther Ben Hania, the first Arab woman to be nominated twice at the Oscars. (Her first, “The Man Who Sold His Skin,” was nominated for best international feature.) “Four Daughters” (for rent on most major platforms and streaming here) explores radicalization in a single Tunisian family and uses unexpected techniques, like having actors play out scenes in the family’s life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 138 Shares199 Views

      in Movies

      ‘The Eternal Memory’ Review: A Love That Lasts When Recollections Fade

      by

      This documentary from Maite Alberdi looks at how a couple faces one partner’s Alzheimer’s diagnosis.The word “Alzheimer’s” isn’t spoken until well into “The Eternal Memory.” While that may be because this documentary’s subjects rarely mention it themselves, withholding the diagnosis also seems like a deliberate choice by the director, Maite Alberdi (“The Mole Agent”).An uncannily intimate portrait of a couple adapting their relationship to a disease that affects the mind, “The Eternal Memory” doesn’t aim to hold spectators’ hands. Like Paulina Urrutia, whose husband, Augusto Góngora, is the one with Alzheimer’s, the viewer must continually reassess Góngora’s lucidity, which for long stretches is hardly in doubt. Part of Urrutia’s strategy is to gently quiz him about their lives. Does he remember their first date? Was it at one of their homes? (The correct answer is no: Neither can cook.)Góngora — who died in May, after the film was completed and first shown — was a TV journalist in Chile who participated in underground newscasts during the Pinochet dictatorship. Urrutia is an actress who served as culture minister during the Chilean president Michelle Bachelet’s first term. Their occupations add another layer of reflexivity: In different ways, both were involved in telling other people’s stories and preserving the national memory.Urrutia, who is shown taking over the shooting of the documentary once the pandemic necessitated isolation, is almost surreally unflappable; she is rarely seen losing patience with Góngora, although there is a heart-rending scene in which she informs him that he has gone a whole morning without recognizing her. Could any film completely capture such a private dynamic? Surely not, but at moments, “The Eternal Memory” appears to come close.The Eternal MemoryNot rated. Running time: 1 hour 25 minutes. In theaters. More