More stories

  • in

    Lincoln Center Will Head Outside Its Closed Theaters to Perform

    #masthead-section-label, #masthead-bar-one { display: none }At HomeWatch: ‘WandaVision’Travel: More SustainablyFreeze: Homemade TreatsCheck Out: Podcasters’ Favorite PodcastsAdvertisementContinue reading the main storySupported byContinue reading the main storyLincoln Center Will Head Outside Its Closed Theaters to PerformOfficials announced plans to create 10 outdoor spaces for pandemic-era performances and rehearsals, and to work with blood drives and food banks.With its theaters closed by the pandemic, Lincoln Center plans to create create 10 outdoor performance and rehearsal spaces this spring. Here is an artist’s rendering of one.Credit…Ceylan A. Sahin Eker, via Lincoln CenterPublished More

  • in

    Report: New York City’s Arts and Recreation Employment Down by 66 Percent

    #masthead-section-label, #masthead-bar-one { display: none }At HomeBake: Maximalist BrowniesListen: To Pink SweatsGrow: RosesUnwind: With Ambience VideosAdvertisementContinue reading the main storySupported byContinue reading the main storyReport: New York City’s Arts and Recreation Employment Down by 66 PercentThe New York State comptroller’s office details the effects of the pandemic’s devastation and says a full recovery would be made only with government assistance.The arts, entertainment and recreation sector had seen the largest drop of all the parts of the city’s economy, the report says.Credit…David S. Allee for The New York TimesFeb. 24, 2021, 1:59 p.m. ETEmployment in New York City’s arts, entertainment and recreation sector plummeted by 66 percent from December 2019 to December 2020, according to a report released on Wednesday by the New York State Comptroller’s office that detailed the economy’s devastation from the coronavirus and the serious obstacles to recovery.The report from Thomas DiNapoli’s office said that the sector had seen the largest drop of all the parts of the city’s economy. A full comeback, it said, would depend upon significant government assistance.The sector “is a cornerstone of the city’s ability to attract businesses, residents and visitors alike,” the report said. “Yet the sector relies on audiences who gather to take part in shared experiences, and this way of life has been significantly disrupted by the pandemic.”Although nearly all business has been affected by the pandemic, its impact on arts, entertainment and recreation entities has been particularly striking.From 2009 to 2019, employment in the sector — which in this report includes performing arts, spectator sports, gambling, entertainment, recreation, museums, parks and historical sites — grew by 42 percent, faster than the 30 percent rate for total private sector employment.In 2019, according to the report, more than 90,000 people in 6,250 establishments were employed in the arts, entertainment and recreation. Those jobs had an average salary of $79,300 and provided $7.4 billion in total wages. In addition to businesses with employees, the report said, there are a large number of people who were self-employed, including artists and musicians.In February 2020, just before the pandemic shutdown in New York City, nearly 87,000 people were employed in the arts, entertainment and recreation sector there, the report said. Many major institutions announced closures on March 12. A statewide stay-at-home order went into effect on March 22. By April, employment in the sector stood at 34,100 jobs.Budgets at arts and recreation establishments have been “decimated,” the report said, and some organizations and facilities have struggled even as they were able to reopen, saying reduced revenues because of capacity restrictions, as well as diminished ticket sales, have limited income and necessitated budget cuts.Many performing arts venues are still closed. Most Broadway theaters do not expect to reopen until June at the earliest, the report noted, adding that the Metropolitan Opera and the New York City Ballet announced they would not be reopening until September.“Arts and recreation face an uphill climb to recover from the damage wrought,” the report said, adding: “The challenges facing the arts and entertainment sector require direct and impactful support from policymakers to maintain the city’s extensive cultural offerings.”AdvertisementContinue reading the main story More

  • in

    A Bored China Propels Box Office Sales to a Record

    #masthead-section-label, #masthead-bar-one { display: none }At HomeMake: BirriaExplore: ‘Bridgerton’ StyleParent: With ImprovRead: Joyce Carol OatesAdvertisementContinue reading the main storySupported byContinue reading the main storyA Bored China Propels Box Office Sales to a Record“Detective Chinatown 3” received tepid reviews, but Covid-19 travel restrictions drove many to the movies when they might have been journeying to their hometowns instead.“Detective Chinatown 3” raked in a record-breaking $397 million over three days in China, according to estimates, as millions went to movies there during the Lunar New Year holiday.Credit…Gilles Sabrié for The New York TimesFeb. 16, 2021, 4:18 a.m. ETHundreds of millions of people are stuck in cities around China during this Lunar New Year holiday, as coronavirus restrictions put a halt to a travel season that is usually the world’s largest annual migration. Instead, they are going to the movies — and powering a blowout resurgence at the box office.“Detective Chinatown 3,” the latest installment in a long-running buddy cop series, raked in an estimated $397 million over three days, according to Maoyan, which tracks ticket sales in the country. That set a world record for the largest opening weekend in a single market. The previous record-holder, “Avengers: Endgame,” took in $357 million in its weekend opening in the United States and Canada in 2019.The strong showing was a forceful reminder of the power of the Chinese consumer. While the Chinese economy has come roaring back as the country has largely tamed the coronavirus, shoppers and moviegoers have been slower to open their wallets.Now, people like Sophia Jiang are ready to spend, even on a movie that has received tepid reviews.Over the Lunar New Year holiday, Ms. Jiang, a 40-year-old freelance writer, would typically go with her parents to their hometown in the northern province of Jilin. But the authorities imposed restrictions on visits to ancestral homes this year to stem any coronavirus outbreaks. Photos circulating on Chinese social media showed eerily empty railway cars at a time when travelers are usually packed shoulder to shoulder.Stuck in the southern city of Shenzhen, Ms. Jiang has gone to the movies three times so far during the seven-day holiday, which ends on Wednesday. “Detective Chinatown 3,” she said, was the worst of the bunch.“The story wasn’t that bad,” Ms. Jiang said, “but it wasn’t particularly amazing either, and I fell asleep twice.”The film’s release was held for a year because of the pandemic. Credit…Gilles Sabrié for The New York TimesQuality aside, China’s booming box office returns offered a promising sign for the global film industry, which has seen movie theaters large and small decimated by the pandemic and has been racked with concerns about the future of moviegoing.By Tuesday morning, China’s total box office takings for the new year had reached $1.55 billion, according to local box office trackers. By contrast, total ticket sales last year in the United States, where many theaters are hanging on for survival, totaled $2.2 billion.“Some have argued that, during the pandemic, people have become accustomed to watching online entertainment at home,” Jane Shao, president of Lumière Pavilions, a Chinese movie theater chain, said in a telephone interview. “But I think this is proof that movie theaters are an effective venue for social gatherings.”Ms. Shao, who oversees 40 cinemas across 26 cities in China, said the Lunar New Year box office returns were like “night and day” compared to last year, when the outbreak of the virus in Wuhan prompted the government to close theaters at the start of the holiday. Recovery had been slow, she said, but the recent numbers have been encouraging.“It was a devastating year for our industry, but people have been thrilled to come back to the theaters,” Ms. Shao said.“Detective Chinatown 3” had initially been slated for release during last year’s holiday. China’s theaters for the most part reopened in July, but most have been limited over this month’s holiday to 75 percent seating capacity, and only 50 percent in areas like Beijing, which have recently seen small outbreaks.Theaters have been instructed not to sell concessions, further eating into profits. Movie ticket prices over the holiday were higher than usual, helping to overcome the gap.The film features two bumbling detectives, played by Wang Baoqiang and Liu Haoran, who go to Tokyo to investigate the murder of a powerful businessman. Online, audiences criticized its excessive product placement advertising, scenes of abuse against women and scattered plot threads. But the movie benefited from the strong brand recognition of the “Detective Chinatown” franchise.The Lunar New Year holiday has traditionally been a coveted window for film releases, and moviegoers, like these in Beijing, had a diverse selection from which to choose.Credit…Gilles Sabrié for The New York TimesThe Lunar New Year holiday has traditionally been a coveted window for film releases, and moviegoers had a more diverse selection to choose from than in past years. Coming in second place over the weekend was “Hi, Mom,” a time-travel comedy that grossed $161.9 million, according to Maoyan. “A Writer’s Odyssey,” an adventure film, took third place, with $48.4 million.Rudolph Tang, 41, a classical music critic, said he had seen all three. But he said he felt especially compelled to watch “Detective Chinatown 3” in part because he remembered seeing a poster for the movie on the facade of the historic Grand Cinema in Shanghai at the height of China’s coronavirus outbreak a year ago, when the normally bustling streets had been emptied and cinemas closed.“Seeing the film brought back a lot of memories of the hardship that people have been through,” Mr. Tang said in a telephone interview. “I felt like I was making a statement that the scar has healed in China and that people can return to cinemas now and watch movies.”Last year, box office revenue totaled $3.13 billion in China, making it the world’s largest movie market, ahead of the United States. But it is not clear whether the Chinese film industry’s early momentum this year can propel it beyond its performance of 2019, when it posted $9.2 billion in sales.China’s box office success will depend partly on Hollywood’s pace of recovery. Though domestic productions have been on the rise, China still has a large appetite for Hollywood films, and many theater managers are hoping that titles like “No Time to Die,” the latest Bond film, and Disney’s “Black Widow” stay on schedule for theatrical releases later this year.It is also unclear what role the unique circumstances of this year’s Lunar New Year holiday might have played in the weekend’s impressive box office performance. Air travel was down 72 percent in the first week of the holiday travel period compared to the same time last year, according to Chinese state media. Train travel was down by 68 percent in the first two weeks of the travel season compared to last year.Still, the phenomenon of going to the movies over the Lunar New Year holiday appears to be here to stay.“Celebrating Lunar New Year in China has traditionally meant setting off firecrackers, eating dumplings and watching the Spring Festival Gala,” said Yin Hong, a film professor at Tsinghua University in Beijing. “Now, more and more, going to the movies with family is being incorporated into that tradition.”Though domestic productions have been on the rise, China still has a large appetite for Hollywood films, like Ant-Man.Credit…Gilles Sabrié for The New York TimesCoral Yang and Liu Yi contributed research.AdvertisementContinue reading the main story More