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    ‘Bella!’ Review: Taking the Fight to the Streets and the House

    The jam-packed documentary “Bella!” hustles to chronicle the pioneering political career of the New York congresswoman Bella Abzug.Jeff L. Lieberman’s biographical documentary “Bella!” churns along at a hectic pace as if hustling to keep up with its subject. Bella Abzug fought ferociously for equal rights and against the Vietnam War in the U.S. Congress, bringing a New Yorker’s tenacity and a plain-spoken dedication to democratic ideals, akin to fellow pioneer Shirley Chisholm.The child of Russian Jewish immigrants, Abzug began her political path with pamphleteering in childhood, and later drew on organizer-style moxie and a Columbia legal education (defending Willie McGee in a notorious case in Jim Crow Mississippi). But it wasn’t until 1970 that she ran for a congressional seat, beating a longtime incumbent in Manhattan in the primary and kicking off a busy decade of legislative battling.Lieberman’s starry interviews — from Hillary Clinton to Gloria Steinem to Representative Maxine Waters to the avid Abzug fund-raiser Barbra Streisand — speak to the liberal, feminist revolution of which Abzug was a vital part. Abzug’s own words — drawing on audio diaries — provide the background to her political worldview: as a reaction to the “cocoon approach to living” of the 1950s, as a manifestation of Judaic notions of justice, and as a dedication to equal rights for all, leading to her sponsoring the Equality Act of 1974, intended to “prohibit discrimination on the basis of sex, marital status, and sexual orientation.”Aides and others recall that the tireless Abzug could be both a charmer and a screamer. After losing a 1976 Senate race to Daniel Patrick Moynihan, she tried and failed to attain other offices before shifting to international activism; she died in 1998. Her never-say-die advocacy still inspires, but the film also illustrates the merciless challenges of electoral endurance even for the fiercest fighter.Bella!Not rated. Running time: 1 hour 42 minutes. In theaters. More

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    Marcos Witt, the Pop Star Bringing Latino Evangelicals to the Pews

    The sanctuary of Northside church in Charlotte, N.C., is built for joyous adoration. Enormous speakers hang from its domed ceiling, along with an elaborate system of colored lights. Its semicircular stage has wide, carpeted steps that lead down on all sides to rows and rows of wine red pews, which hold about 2,700 people. The evening I visited last February, they filled to capacity with Latino families who had come to see the evangelical superstar Marcos Witt.Listen to This ArticleFor more audio journalism and storytelling, More

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    Elton John Warns of ‘Growing Swell of Anger and Homophobia’ in U.S.

    “We seem to be going backwards,” the pop superstar warned as he lamented the curtailing of L.G.B.T.Q. rights in the United States, particularly in Florida.The British pop superstar Elton John lamented the “growing swell of anger and homophobia” in the United States and described several laws recently passed in Florida that curtail L.G.B.T.Q. rights as “disgraceful.”“It’s all going pear-shaped in America,” John, a longtime leader for gay rights and visibility, said in an interview published Tuesday in Radio Times, in which he pointed to a rise in violent incidents and recent legislation curtailing rights. “We seem to be going backwards. And that spreads. It’s like a virus that the L.G.B.T.Q.+ movement is suffering.”More than 520 pieces of such legislation have been introduced in over 40 states this year, a record, according to the Human Rights Campaign, an L.G.B.T.Q. advocacy group.“I don’t like it at all,” John said, referring to the increasingly hostile climate. “It’s a growing swell of anger and homophobia that’s around America.”John, 76, will headline Glastonbury, Britain’s biggest music festival, on Sunday, as his lengthy final tour, Farewell Yellow Brick Road, heads toward its finale in Stockholm on July 8. The tour, which will have had over 330 dates, began in 2018 but was interrupted by the pandemic as well as John’s hip surgery.As he prepared to perform at Glastonbury, the last British date on the tour, John said that he did not know if the rising anti-L.G.B.T.Q. sentiment is as prevalent in Britain. “I don’t know if it’s around Britain, because I haven’t been here that much,” he said.But he called the scandal around the prominent British news anchor Phillip Schofield — who recently resigned after admitting he had a relationship with a younger man — “totally homophobic.”“If it was a straight guy in a fling with a young woman, it wouldn’t even make the papers,” John said.In the interview with Radio Times, John said he might eventually be open to doing a residency after his farewell tour ends, “but not in America.” That, his representatives said, is for the same reason that he had decided to stop touring: He wants to spend more time with his husband and children, who live in Britain.Last year, John — who objected to his songs being played at rallies for former President Donald J. Trump — performed at the Biden White House. “I just wish America could be more bipartisan,” John said as he sat at his piano. After his set, President Biden awarded John the National Humanities Medal. More

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    Newton N. Minow, F.C.C. Chief Who Deemed TV a ‘Vast Wasteland,’ Dies at 97

    His stunning declaration caused an instant sensation when he made it in 1961 and ignited a national debate over Americans’ viewing habits.Newton N. Minow, who as President John F. Kennedy’s new F.C.C. chairman in 1961 sent shock waves through an industry and touched a nerve in a nation addicted to banality and mayhem by calling American television “a vast wasteland,” died on Saturday at his home in Chicago . He was 97. His daughter Nell Minow said the cause was a heart attack.On May 9, 1961, almost four months after President Kennedy called upon Americans to renew their commitment to freedom around the globe, Mr. Minow, a bespectacled bureaucrat who had recently been put in charge of the Federal Communications Commission, got up before 2,000 broadcast executives at a luncheon in Washington and invited them to watch television for a day.“Stay there without a book, magazine, newspaper, profit-and-loss sheet or rating book to distract you, and keep your eyes glued to that set until the station signs off,” Mr. Minow said. “I can assure you that you will observe a vast wasteland.”The audience sat aghast as he went on:“You will see a procession of game shows, violence, audience participation shows, formula comedies about totally unbelievable families, blood and thunder, mayhem, violence, sadism, murder, Western bad men, Western good men, private eyes, gangsters, more violence and cartoons. And endlessly, commercials — many screaming, cajoling and offending. And most of all, boredom.”He added, “If you think I exaggerate, try it.”Mr. Minow spoke at the Gannett Foundation Media Center at the Columbia School of Journalism on May 9, 1991, the 30th anniversary of the speech in which he called television a “vast wasteland.” Susan Ragan/Associated PressTo broadcasters who for years had enjoyed a cozy relationship with the F.C.C., Mr. Minow’s scorching indictment opened a troubling new era of regulatory pressures that for the first time stressed program content and public service. While the F.C.C. had no authority to tell broadcasters what to air, Mr. Minow pointedly reminded them that it did periodically renew station licenses for the use of the public airwaves, and that it had the power to revoke them for irresponsible performance.Mr. Minow’s characterization of TV as “a vast wasteland” — a phrase inspired by T.S. Eliot’s poem “The Waste Land” — was an instant sensation, entering the American lexicon and setting off an avalanche of headlines, editorials, cartoons and letters to the editor, and a national debate over the viewing habits of adults and children.It also transformed Mr. Minow, a 35-year-old Chicago lawyer who had campaigned for Adlai E. Stevenson and President Kennedy, into an overnight celebrity — a household name that a poll of editors by The Associated Press found to be the “top newsmaker” of 1961, ahead of Jack Paar, Gary Cooper and Elizabeth Taylor.Mr. Minow insisted that he had not meant his remarks to the National Association of Broadcasters as a frontal attack. But in the ensuing months, his public hearings and pronouncements kept up the pressure on networks to raise the quality and diversity of programming. And for a time it worked: TV violence appeared to recede, educational offerings for children expanded slightly, the stature of network news was reinforced.But the networks — still reeling from the payola and quiz show scandals of the 1950s — contended that they were only giving the public what it wanted, and an NBC special about Mr. Minow’s hearings appeared to bear them out. The program attracted only a small audience and was swamped by ratings for the western “Maverick” on ABC and the talking-horse sitcom “Mister Ed” on CBS.There was also a certain vengeance — perhaps lost on audiences — when the phrase “vast wasteland” was featured years later as an answer to questions on TV game shows, like “Jeopardy!” and “Who Wants to Be a Millionaire.”Communications PioneerMr. Minow served with the F.C.C. for only about two years. And in retrospect, experts say, his most important contributions probably had less to do with his famous speech than with his efforts on behalf of two laws adopted during the Kennedy administration.One required TV sets sold in America to be equipped to receive ultra-high-frequency (UHF) signals as well as the very-high-frequency (VHF) broadcasts that predominated at the time. By the end of the 1960s, most Americans had reception on scores of channels, not just a dozen, with a wide diversity of programming, especially on independent and public stations.Mr. Minow also pushed legislation that opened the era of satellite communications. It fostered the creation, by a consortium of interests, of the Communications Satellite Corporation (Comsat), and later the International Telecommunications Satellite Organization (Intelsat), which allowed the United States to dominate satellite communications in the 1960s and ’70s, and it ultimately led to greater program diversity.Mr. Minow, right, in an undated photo with, from left, Frank Stanton, the president of CBS; the program host Arthur Godfrey; and William S. Paley, the network’s chairman.Bettmann, via Getty ImagesIn an interview for this obituary in July 2019, Mr. Minow bemoaned the likelihood that he would be remembered for his assessment of America’s television culture rather than for his efforts on behalf of communications satellites, which he said led to the global information revolution, to digital communications and to the internet.“I went to the White House and told President Kennedy that these communications satellites were more important than sending men into space, because they would send ideas into space and ideas last longer than people,” he said. “I testified 13 times in Congress for the legislation to create the corporations and the funding. I think this is more important than anything else I’ve ever done, for its impact on the future of the world.”The legislation was adopted, and America’s first communications satellite went into orbit in 1962 and was soon used to transmit programs across the world. Mr. Minow’s role was detailed in “Chasing the Moon,” a 2019 book, by Alan Andres and Robert Stone, and a companion PBS-TV series marking the 50th anniversary of the first manned lunar landing in 1969.Mr. Minow resigned from the F.C.C. in 1963 to become an executive with Encyclopaedia Britannica. Two years later he joined a Chicago law firm that merged in 1972 with Sidley Austin, one of the world’s largest practices. Mr. Minow was a partner until 1991 and then became senior counsel. In 1988, he recruited Barack Obama to work as a summer associate at the firm, where Mr. Obama met his future wife, Michelle Robinson.In the decades that followed his F.C.C. tenure, Mr. Minow wrote books and articles, lectured widely and continued to campaign for programming reforms. The Corporation for Public Broadcasting and the Public Broadcasting System were founded, educational programming for children and adults was greatly expanded, and network news grew from adolescence to maturity, with a new emphasis on documentaries.Mr. Minow also played important roles in the development of the nation’s televised presidential debates, which began in 1960 with a confrontation between Mr. Kennedy and Richard M. Nixon. Mr. Minow and Mr. Stevenson, a former Illinois governor and presidential candidate, helped persuade Congress that year to exempt presidential debates from the F.C.C.’s equal-time rule, so that broadcasters could cover them without having to include marginal candidates.Without congressional exemptions, there were no debates in 1964, 1968 and 1972. But the F.C.C. later changed its rules to provide exemptions, and Mr. Minow helped the League of Women Voters revive the debates.He was co-chairman of the 1976 and 1980 debates and later served on the board of the Commission on Presidential Debates, the bipartisan nonprofit group that has organized them since 1988. With Craig L. LaMay, he wrote “Inside the Presidential Debates: Their Improbable Past and Promising Future” (2008).In the 2020 election campaign, President Donald J. Trump scuttled a second debate with his Democratic opponent, Joseph R. Biden, by abruptly announcing that he would not participate in a virtual face-off ordered by the Commission on Presidential Debates because of concerns over the spreading coronavirus. It was the first time any candidate had pulled out of a scheduled presidential debate.Mr. Minow called Mr. Trump’s withdrawal “a big loss to the democratic process,” adding, “American voters are the losers — deprived of the opportunity to see, hear and evaluate presidential candidates through today’s technology.”Mr. Trump said the debate commission was “trying to protect Biden” and repeatedly sought to undermine its integrity. Without evidence, he accused the scheduled moderator, Steve Scully, of being a “never Trumper” and said the moderator of the first debate, Chris Wallace of Fox News, “was a disaster” who favored Mr. Biden.A Biden spokeswoman said: “Donald Trump doesn’t make the debate schedule. The debate commission does.”In 2016, President Obama awarded Mr. Minow the Presidential Medal of Freedom, the nation’s highest civilian honor, in a ceremony at the White House.Newton Norman Minow was born in Milwaukee on Jan. 17, 1926, the son of Jay A. Minow, who owned a chain of laundries, and Doris (Stein) Minow. He attended public schools in Milwaukee, enlisted in the Army in World War II and, after earning a certificate in engineering at the University of Michigan as part of an Army training program, helped lay the first telephone line connecting India and China. He mustered out in 1946 as a sergeant.In 1949, he married Josephine Baskin. The couple had three daughters. Besides his daughter Nell, Mr. Minow is survived by his other daughters, Martha and Mary Minow, and three grandchildren. His wife died last year. Mr. Minow graduated from Northwestern University in 1949 with a bachelor’s degree in speech and political science, and a year later he received a law degree at Northwestern, where he was editor of the law review and first in his class academically.After a year with a Chicago law firm, he became law clerk to Chief Justice Fred M. Vinson of the United States Supreme Court. He then joined Governor Stevenson as an aide and worked on his unsuccessful presidential campaigns in 1952 and 1956 against Dwight D. Eisenhower. He also got to know Robert F. Kennedy, with whom he discussed the effects of television on children.He joined the Kennedy presidential bandwagon early, and after the 1960 election he eagerly sought the $20,500-a-year F.C.C. chairmanship — an appointment some observers considered inappropriate given his limited experience with the media and communications law.Mr. Minow recalled years later that when he told Mr. Stevenson, who had been passed over for secretary of state, that the Kennedy transition team had him in mind for the F.C.C. job the former governor said: “Oh, you must have misunderstood. You’re only 34 years old. They’re not going to ask you to be chairman of the F.C.C.” But they did.A Sitcom’s RebukeWhile his campaign against television violence and mediocrity was widely applauded, it was also criticized by powerful television executives as an unconstitutional government attempt to interfere with private enterprise, and by others as an elitist attack on entertainment enjoyed by millions of viewers. The sitcom “Gilligan’s Island,” (1964-67) offered a rebuke of sorts: The boat that sank, leaving its passengers stranded, was named the S.S. Minnow.President Barack Obama awarded Mr. Minow the Presidential Medal of Freedom, the nation’s highest civilian honor, in 2016.Chip Somodevilla/Getty ImagesMr. Minow’s books on programming, presidential debates and other subjects included “Abandoned in the Wasteland: Children, Television, and the First Amendment,” (1995), written with Mr. LaMay, which urged broadcasters, parents, advertisers and legislators to elevate children’s programming.He was on the board of the Public Broadcasting Service and its predecessor, National Educational Television, from 1973 to 1980, and was chairman from 1978 to 1980. He helped fund the influential PBS series “Sesame Street.”Nearly a half-century after a speech that had become among the most widely quoted of an era, Mr. Minow was still being asked about it, and he still insisted the press had misconstrued his intent.“The reaction was astonishing to me,” he recalled in a 2003 article for the Federal Communications Law Journal. “Particularly astonishing was the importance the press placed upon two words — vast wasteland — which I didn’t think were that important. But somehow that stuck in the public mind. I had two different words in mind: public interest.”In 2011, Mr. Minow wrote an article for The Atlantic, “A Vaster Wasteland,” in which he hailed the “sizzling and explosive advances in technology” that had transformed communications. But he berated television again for failing America’s children and politics, sounding every inch the war horse of old.“For 50 years, we have bombarded our children with commercials disguised as programs and with endless displays of violence and sexual exploitation,” he declared. “We are nearly alone in the democratic world in not providing our candidates with public-service television time. Instead, we make them buy it — and so money consumes and corrupts our political discourse.” More

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    An Avett Brother Meets a Founding Son: John Quincy Adams

    Bob Crawford is part of the folk-rock band the Avett Brothers. He’s also the host of a new podcast about the sixth president.Some professional musicians spend their days on the tour bus staring out the window, sleeping or pursuing various routes to oblivion. For Bob Crawford, the bassist for the folk-rock band the Avett Brothers, history has been his distraction of choice.“On the van, and later the bus,” he said recently in a video interview from his home near Durham, N.C., “I would read history books.”One day, he picked up Sean Wilentz’s mammoth study “The Rise of American Democracy: Jefferson to Lincoln.” From there, he moved on to “several books about Martin Van Buren,” as well as studies of Andrew Jackson, the rise of the two-party system and the knockdown congressional debates over slavery in the 1830s.Now, he’s put it all together in “Founding Son: John Quincy’s America,” a six-episode podcast about John Quincy Adams, America’s sixth president and a man, Crawford argues, for our own fractured times.“He knows democracy is on the line, he knows slavery is a moral evil,” Crawford said of Adams, who became a leading antislavery voice in the House of Representatives, where he served after leaving the White House. “He’s one of those transcendent characters. He deserves to be in the pantheon.”“Founding Son,” available through iHeartRadio starting April 13, is the latest entry in the crowded field of history podcasts. But it’s one where Crawford (who composed and played the show’s old-timey mandolin theme) hopes to use his musical celebrity and serious historical chops to illuminate a complex, formative period in the evolution of American democracy.The Early Republic, as scholars call it, may be a rich field of study. But it’s largely a blank for most Americans, who are a bit foggy on what exactly happened between the American Revolution and the Civil War.Adams, the only president to serve in Congress after leaving office, is a vehicle for tracing the arc of the period, which saw the United States transform from a nation dominated by its founding elites (like the Adamses) into an expansionist, populist democracy where every white male had the vote, regardless of property or station.“Founding Son” focuses on John Quincy Adams, the only president to serve in Congress after leaving the White House (and the earliest American president to be photographed).Hulton Archive/Getty ImagesAs a seven-year-old, Adams, the son of John Adams, witnessed the Battle of Bunker Hill, when his mother, Abigail, took him to the top of the hill to watch the gunpowder rise in the distance. And he lived long enough to serve in the House alongside Abraham Lincoln.And in an impossibly dramatic ending, Adams (spoiler alert!) died in the Capitol, after having a cerebral hemorrhage as he stood up to cast a vote relating to the Mexican-American War, which he opposed.“It’s almost poetic,” Crawford said. (Oh, Adams also wrote poetry.)Crawford, 52, grew up in Cardiff, N.J., where he recalled himself as an unimpressive student, although one with a passion for history. He recalled how one of his high school teachers, Mr. Lawless, would ask the class, “Does anyone who isn’t Bob know the answer?”If there was one person he wished he could have interviewed for the podcast, Crawford said, it was William Lee Miller, the author of “Arguing About Slavery,” who died in 2012.Kate Medley for The New York TimesOver an hour-long conversation about the podcast, Crawford, his upright bass visible on a stand behind him, regularly pulled books from the shelf to underline a point. (William Lee Miller’s “Arguing About Slavery,” he said, was a particular inspiration.) He repeatedly apologized for diving into a rabbit hole before diving into another one.With his neatly trimmed hair and soulful eyes, he gives off the vibe of the intense, idealistic high school history teacher who is also “in a band.” Except that Crawford (who earned a master’s degree in history online in 2020) really is in a band.Crawford joined with Scott and Seth Avett in 2001, after a decade of jobs that included selling shoes, working in movie production and slinging grilled cheese sandwiches “in the parking lot of Grateful Dead shows,” as the band’s official bio puts it. (In an email, Crawford clarified it was actually Phish.)Scott Avett, the band’s banjo player and co-writer, said that the podcast reflected Crawford’s steadfast character.“He does hold a lot of facts, and it’s really impressive,” said Avett (who voices dialogue for Charles Francis Adams, one of John Quincy’s sons, and the abolitionist Theodore Dwight Weld). “But that’s not the point, which is how he carries those facts and who he is when expressing them.”Crawford, center, onstage with Scott and Seth Avett of the Avett Brothers.CrackerfarmAnd it’s not just Crawford’s friends who are impressed. Wilentz, who appears on the podcast, also praised his historical chops.“He’s really quite versed,” Wilentz said. “He had a lot of really specific questions to ask, some of which I didn’t know the answer to.”Crawford’s side gig as a history podcaster started in 2016 with “The Road to Now,” which he created with the historian Benjamin Sawyer. (Recent episodes have covered Benghazi, Jimmy Carter’s foreign policy and the history of March Madness.)Last year, Crawford hosted “Concerts of Change,” a SiriusXM docuseries about human rights benefit concerts from the 1970s to the 1990s. While working on that, he got an invitation from a friend to pitch a show to iHeart, and suggested Adams.The initial response was lukewarm. “They asked, was he involved in any true crime?” Crawford recalled.But eight months later, they bit. Will Pearson, the president of iHeartPodcasts, said what ultimately sold him on the project was the combination of Crawford’s enthusiasm and knowledge and the unfamiliarity of the John Quincy Adams story.“In my opinion one of the strongest elements of a good history podcast is the element of surprise,” he said.Crawford wrote the show (a coproduction of iHeartPodcasts, Curiosity Inc., and School of Humans) himself, with help from James Morrison, a producer who also works on the Smithsonian podcast “Side Door.” (Adams is voiced by Patrick Warburton, familiar to some as Elaine’s boyfriend on “Seinfeld.” Andrew Jackson is voiced by Nick Offerman, of “Parks & Recreation.”)Crawford with notes for the podcast. “He’s really quite versed,” said the historian Sean Wilentz, who appears on the podcast.Kate Medley for The New York Times“Founding Son,” which takes a largely chronological approach, has a certain whiskery dad-history vibe. There are dramatic set pieces (some with Ken Burns-style voice-overs and sound effects) about events like the battle of the Alamo and the 1838 burning of Pennsylvania Hall, an abolitionist meetinghouse in Philadelphia that was destroyed by a racist mob. (Burns himself pops up as the voice of Roger Baldwin, the lawyer who represented the enslaved people who revolted aboard the Amistad.)But even as Crawford focuses on elite politics and Congressional maneuvering, he makes clear that politics was far from just a white man’s game.He acknowledges the crucial role of Black abolitionists like David Walker, whom he likens to the Black musicians who inspired rock ‘n’ roll — the creative sparks who are rarely given enough credit.And he notes that the antislavery petition drives of the 1830s, which led to the notorious “gag rule” forbidding any mention of slavery in Congress, were largely the work of women, who played a growing role in national politics despite being denied the right to vote.“Founding Son” underlines the story’s resonance to contemporary politics, with terms like “one-term president,” “alternative facts” and “deep-state cabal.” There are even accusations of a “stolen election,” after Adams — despite losing the popular and electoral votes — was elevated to the presidency in 1825, following a back room deal in Congress.)But Crawford, who calls himself an “unaffiliated” voter, also allows plenty of room for those aspects of history that don’t satisfy a contemporary thirst for a simplistic morality play.Crawford said he wanted to avoid turning the past into an oversimplified morality play. In history, he said, “everyone’s a hero, everyone’s a villain.”Kate Medley for The New York TimesConsider the treatment of Adams’s archrival, Andrew Jackson. Today, Jackson — a slaveholder who pursued a brutal policy of Native American removal, in defiance of the Supreme Court — is anathema to Democrats who not so long ago celebrated him as a founder of the party. And Crawford seconds the opinion of Lindsay Chervinsky, a historian featured on the podcast: There’s a word for him, and it’s “not a nice one.”But he also notes that it was Jackson who blocked John C. Calhoun’s doctrine of “nullification,” which held that the Constitution allowed states to reject federal legislation.As for Adams, for all his noble fight against slavery, some of his rhetoric — like his lament that American leaders, unlike Europe’s, were “palsied by the will of our constituents” — does not sound great today.In history, Crawford said, “everyone’s a hero, and everyone’s a villain.”As for today’s politics, he laments the intensity of the polarization, and the loss of any connection with a “shared reality.” But the dysfunction, as he sees it, is not equally shared.“Today the parties are clearly out of balance,” he said. “And yes, it seems to be that the Republican Party of 2023 bears no resemblance to its former self.”What comes next, he said, “is a story for someone else to tell many years from now.” In the meantime, he’s outlining another history podcast he hopes to record.“It’s juicy and reflects this moment,” he said, launching into an enthusiastic elevator pitch. “I’m not dallying in presentism — not doing that! But man.”He paused: “And I’ve already got a whole shelf of books.” More

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    Ben Savage, ‘Boy Meets World’ Actor, Is Running for Congress

    The former star of the 1990s-era ABC sitcom is running as a Democrat for a seat in the Los Angeles area that is being vacated by Representative Adam B. Schiff.Ben Savage, the former child actor who was the star of the ABC sitcom “Boy Meets World” in the 1990s, said on Monday that he was running to represent a Los Angeles-area district in Congress.“I’m running for Congress because it’s time to restore faith in government by offering reasonable, innovative and compassionate solutions to our country’s most pressing issues,” Mr. Savage, 42, said in a statement on Instagram.“It’s time for new and passionate leaders who can help move the country forward,” he said. “Leaders who want to see the government operating at maximum capacity, unhindered by political divisions and special interests.”A representative for Mr. Savage did not immediately respond to a request for comment on Tuesday.Mr. Savage moved to Los Angeles in 1987 and landed a role two years later in “Little Monsters,” a movie about a boy who discovers a world of monsters under his bed. He is best known for his role as Cory Matthews on “Boy Meets World,” a coming-of-age sitcom that was a staple of ABC’s Friday night lineup for seven seasons, from 1993 to 2000. He reprised his role in 2014 in a spinoff series, “Girl Meets World.”Mr. Savage, the younger brother of the actor, director and former child star Fred Savage, submitted paperwork to the Federal Election Commission in January to run as a Democrat in the 30th Congressional District, which includes parts of well-known Southern California cities like Burbank, Glendale and Pasadena. (For those familiar with both the show and Southern California geography, the district does not include Topanga Canyon, which shares a name with Cory Matthews’s love interest and sits in the 32nd District.)Mr. Savage, who lives in West Hollywood, is running to replace Representative Adam B. Schiff, a Democrat who led the first impeachment trial of former President Donald J. Trump and who is now seeking the Senate seat long held by Dianne Feinstein.Ms. Feinstein, 89, announced last month that she would retire at the end of her term in 2024, capping more than three decades in office.In November, Mr. Savage ran unsuccessfully for a seat on West Hollywood’s City Council, earning less than 7 percent of the votes, according to the Los Angeles County Registrar’s office.For his congressional run, Mr. Savage, who described himself as a “proud Californian, union member and longtime resident of District 30,” will campaign on affordable housing solutions, reforms and improvements to police-citizen interactions, and supporting women’s health rights, according to his campaign website.Mr. Savage, who graduated from Stanford University with a degree in political science, joins a growing list of California celebrities-turned-politicians.Ronald Reagan was an actor in Hollywood before his political career, serving as the governor of California and the 40th president of the United States. In 2003, Arnold Schwarzenegger, a Republican and former action-movie star, was sworn in as California’s 38th governor, serving two terms. And Caitlyn Jenner, the Republican former Olympian and prominent transgender activist, unsuccessfully ran for governor of California in 2021. More

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    Bob Orben, One-Man Gag Factory and Speechwriter, Dies at 95

    He wrote tens of thousands of jokes in his career. Among those who told them were Dick Gregory, Jack Paar, Red Skelton — and, for a while, President Gerald R. Ford.Bob Orben, who after writing jokes for Dick Gregory, Jack Paar, Red Skelton and others in the 1960s found a new avenue for his wit when he became a speechwriter for President Gerald R. Ford in 1974, died on Feb. 2 in Alexandria, Va. He was 95.His death, at a nursing home, was confirmed by his great-niece, Yvette Chevallier.Mr. Orben was a one-man gag factory. He wrote joke books. He dispatched one-liners to entertainers, politicians and disc jockeys through his subscription newsletter, Current Comedy. And he wrote a column, My Favorite Jokes, for Parade magazine.“I don’t mean to blow my own horn,” he told The Washington Post in 1982, “but between Johnny Carson’s monologues, the political cartoonists such as Herblock and Oliphant, and me, if we all decide what the hot subject in the country is, that’s what it is.”In 1968, Gerald Ford, a Michigan Republican who was then the House minority leader, needed someone to spice up a speech he was going to give to the Gridiron Club, an organization of journalists whose annual dinner was an opportunity to lampoon political figures. George Murphy, the former actor and United States senator, knew Red Skelton, for whom Mr. Orben was a writer, and recommended him.Mr. Orben’s goal was to make Ford funny, or at least funnier than Vice President Hubert H. Humphrey, another speaker at the dinner. After listening to tapes of Ford’s delivery, Mr. Orben came up with a few zingers.“Ford was the surprise hit,” Mr. Orben recalled in 2008 in an oral history interview with the Gerald R. Ford Presidential Foundation. Among the Orben lines Ford delivered was the observation that he had no interest in the presidency, except that “on that long drive back to Alexandria, Virginia, where I live, as I go past 1600 Pennsylvania Avenue, I do seem to hear a little voice within me saying, ‘If you lived here, you’d be home now.’”Mr. Orben continued to feed jokes to Ford during his vice presidency. When Ford became president in 1974, after President Richard M. Nixon resigned, he hired Mr. Orben.A 1975 profile of President Ford in The New York Times Magazine quoted him reading aloud from a speech written by Mr. Orben that he was going to give to the Radio and Television Correspondents’ Association. It included references to a prominent Democratic senator and an agriculture secretary known for his off-color remarks.“I have only one thing to say about a program that calls for me to follow Bob Hope,” he read. “Who arranged this? Scoop Jackson? It’s ridiculous. Bob Hope has enormous stage presence, superb comedy writing and the finest writers in the business. I’m standing here in a rented tuxedo — with three jokes from Earl Butz!”Mr. Orben cautioned the president not to pause when delivering a good one-liner.“Watch Hope,” he told him. “You’ll see he really punches through a line.”Mr. Orben fed Ford self-deprecating lines that suited his personality. One of those lines, also delivered in 1975, played off something Lyndon B. Johnson had famously said about him.“It’s a great pleasure — and great honor — to be at Yale Law’s Sesquicentennial Convocation,” he said. “And I defy anyone to say that and chew gum at the same time.”Mr. Orben became the director of the White House speechwriting staff in early 1976 and served through the end of the Ford administration.Mr. Orben at the White House with President Ford in 1976. He fed jokes to the president and coached him on how to deliver them.Gerald R. Ford Presidential Library.John Mihalec, a speechwriter for President Ford during the 1976 presidential campaign, said it was not surprising that a comedy writer should excel at writing speeches.“Comedy writing is so precise — the setup and the punch line and everything has to be at exactly the right volume and in the right place,” Mr. Mihalec said in a phone interview. “It’s good training for the precision of presidential speechwriting.”Robert Orben was born on March 4, 1927, in the Bronx to Walter and Marie Orben. His father was in the hardware business. Bob was smitten by magic at an early age, and when he was 12 he and his brother, Walter, performed a mentalist act in the Catskill Mountains, “The Boy With the Radio Mind.” It flopped.After graduating from high school in 1943, he attended Drake Business School. He also started his short-lived career in magic.He was hired as a magic demonstrator in a shop in Manhattan, but he found his métier not in performing magic but in writing about magicians; he was impressed by one magician’s onstage comedic patter, which led him to publish a pamphlet, “The Encyclopedia of Patter,” in 1946.Over the next decade he would publish books like “Blue Ribbon Comedy,” “The Working Comedian’s Gag File,” “Tag-Lines,” “Bits, Boffs and Banter” and “The Emcee’s Handbook.” He published dozens of joke collections in his career.He began writing his comedy newsletter in 1958, and in the 1960s he wrote for “The Jack Paar Program” and then for “The Red Skelton Hour.”After coming to the attention of the groundbreaking Black comedian Dick Gregory, Mr. Orben said, he sent him a page of jokes every day. Another one of Mr. Orben’s clients was someone very different from Mr. Gregory: the conservative Arizona Republican senator Barry Goldwater, for whom he wrote during his unsuccessful campaign for the presidency in 1964.“One of the jokes that I wrote for Greg was talking about Goldwater,” Mr. Orben said in the Ford Presidential Foundation interview. “And as you know, the campaign slogan was, ‘In your heart, you know he’s right.’ And Greg used to say, ‘In your heart, you know he’s white.’”Mr. Orben never returned to the White House. But he kept writing joke books, among them “2500 Jokes to Start ’Em Laughing” (1979), “2100 Laughs for All Occasions” (1983) and “2000 Surefire Jokes for Speakers” (1986).He also continued to write his newsletter through 1989, as well as writing speeches for business executives and working as a consultant to IBM.Mr. Orben’s wife, Jean (Connelly) Orben, died last year. He leaves no immediate survivors.In 1974, Mr. Orben was helping Vice President Ford rehearse his speech for the Gridiron Club dinner. One line, about Ronald Reagan, who was then the governor of California, worried Ford: “Governor Reagan does not dye his hair. Let’s just say he’s turning prematurely orange.”He asked Mr. Orben, “Do you think the governor would take offense at that?”“Now, I’m looking at this blockbuster joke of the year go up in smoke, but I think I gave him a fair, honest answer,” Mr. Orben said in the 2008 oral history interview. “I said, ‘You know, Mr. Vice President, Reagan has been in show business a good part of his life. He has gone through a thousand roasts and I’m sure he has heard dyed-hair jokes. So I really don’t think so.’”To Mr. Orben’s relief, Vice President Ford delivered the line. More

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    Jill Biden Shines at the Grammys

    In silver Oscar de la Renta, the first lady hit the high notes.Jill Biden got the dress code memo.As the first lady walked onstage at the Crypto.com Arena in Los Angeles toward the end of the 65th Grammy Awards — one of the few first ladies in modern memory to present at the show — she did so wearing an off-the-shoulder silver column gown made to sparkle all the way to the nosebleed seats, shining like the gleam of Lizzo’s smile.Actually, shining just like the ruched silver minidress Lizzo herself was wearing (after she changed out of her orange Dolce & Gabbana rose cloak). Not to mention the tinsel-spangled silver Gucci jumpsuit Harry Styles wore to perform his number. Or the silver of Beyoncé’s ruffled Gucci corset gown — the one she wore when she made history as the winningest artist at the Grammys, before she changed into black Schiaparelli and, later, velvet Balmain.Harry Styles in spangled Gucci. Valerie Macon/Agence France-Presse — Getty ImagesEven though Dr. Biden’s dress was by Oscar de la Renta, one of the first lady’s go-to designers, and simply a more eye-catching version of the de la Renta navy lace column she had worn to the state dinner in December (the one with hand-embroidered cutouts), it was an unusual choice, given that she generally hews more to the floral and the understated.But it was also a clever one — like the decision to be part of the Grammys. Michelle Obama appeared, in 2019, but her husband had left office by then; Hillary Clinton won, in 1997, for best spoken word or nonmusical album.More Coverage of the 2023 GrammysWelcoming Rebels: The Grammys need to build bridges between generations. That means convincing once-overlooked upstarts to show up as elders, Jon Caramanica writes.Viola Davis’s EGOT: The actress achieved the rare distinction during the Grammys preshow, becoming the 18th person to have won an Emmy, a Grammy, an Oscar and a Tony.Protest Song: Shervin Hajipour’s “Baraye,” which has become the anthem of the protests in Iran, won in a new special merit category recognizing a song for social change.After all, if you are the soft-power face of an administration whose much-discussed Achilles’ heel is the age of its leader; if you are the partner of a president contemplating running again who was already the oldest person ever to assume the office; if the goal is to get out of establishment Washington and be seen in a different, more … energetic context, the Grammys is not a bad way to do it.Lizzo wore a ruched silver mini. Frazer Harrison/Getty ImagesEspecially a Grammys powered by the combined attention of the BeyHive, Swifties and Harries. Especially one recognizing the legacy of 50 years of hip-hop.Especially one in which Dr. Biden was handing out the first Grammy in the category of song for social change, given to Shervin Hajipour, a young Iranian whose song “Baraye” has become an anthem for the women’s rights protests and a way for those around the world to demonstrate solidarity. (Haider Ackermann used it in his recent couture show for Jean Paul Gaultier.)The first lady also gave Bonnie Raitt her surprise Grammy for song of the year, but it was the award to Mr. Halipour, currently in Iran awaiting trial and charged with disseminating propaganda against the regime and inciting violence, that made the political point. Albeit one couched in the glitz and circumstance of an awards telecast.If an administration wanted to underscore exactly what side it was on, that was a pretty slick way to do so.Machine Gun Kelly in silver foil Dolce & Gabbana with a crystal harness. Kevin Mazur/Getty ImagesThe first lady knew the constituency she was speaking to, and she fit right in. How often do Dr. Biden and Machine Gun Kelly (in a reflective silver foil Dolce & Gabbana suit) look as if they are in the same universe? Being part of the most dominant fashion trend of the night is a very specific form of outreach, the planting of a visual earwig.It’s like the yin to President Biden’s upcoming State of the Union yang; the pop culture version of the political theater scheduled to take place Tuesday, a mere two days after the Grammys, back in D.C. When it comes to curtain-raisers, you don’t get much better than that. And all the silver meant it was impossible to miss. More