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‘The Jump’ Review: A Seaman’s Story of a Daring Escape

This documentary looks back at a Cold War defection drama that took place off the coast of Massachusetts.

In its first half-hour, the documentary “The Jump” brings a bracing immediacy to a 50-year-old Cold War incident. In 1970, a Lithuanian sailor, Simas Kudirka, jumped from a Soviet trawler onto a U.S. Coast Guard vessel off Martha’s Vineyard in an effort to defect from the Soviet Union. (The boats were moored alongside each other for talks on fishing rights.)

The Soviet crewmen were allowed to forcibly remove Kudirka from the Coast Guard ship and take him home, where he would presumably meet a chilling fate. The episode led to protests in the United States.

To lay out these events, the early scenes principally crosscut among three people. Kudirka revisits the Coast Guard vessel he had jumped to a half-century earlier and energetically points out what happened and where.

The director, Giedre Zickyte, interweaves Kudirka’s recollections with testimony from the ship’s captain, Cmdr. Ralph W. Eustis, and Lt. Cmdr. Paul E. Pakos, its executive officer, to create a fluid account that shows how the day unfolded from multiple perspectives.

When the story shifts to the Soviet Union, Zickyte introduces a K.G.B. interrogator who recalls questioning Kudirka. The sailor received a 10-year sentence but was freed in 1974. In the film, Kudirka revisits a prison where he was held.

“The Jump” grows less exciting after that, partly because Kudirka, its most engaging storyteller, was necessarily in the background of efforts to secure his freedom, and partly because his eventual release owed more to incredible luck than to a political breakthrough. In the film, Henry Kissinger recalls that President Gerald R. Ford directly intervened on Kudirka’s behalf. “No professional diplomat would ever have done that,” he says.

The Jump
Not rated. In Lithuanian and English, with subtitles. Running time: 1 hour 24 minutes. Rent or buy on Amazon, Apple TV and other streaming platforms and pay TV operators.

Source: Movies - nytimes.com


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