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The Queer Kids Are All Right. And Now They’re Making Me Better.

Here’s a list of every openly queer person I knew when I was 15:

That’s it. None. Not even myself.

Oh sure, Paul Lynde and Liberace were flouncing on television; closer to home, a boy I kept my distance from decoupaged his notebooks. But even if they really were what people whispered or snarled about them, it was not then an identity they would dare to acknowledge.

Nor would I. Unable to see through their closet doors to the truth of what their lives might be, I did not have the benefit of their stories, which meant not having the benefit of my own.

Cut to today, 50 years later. Another 15-year-old boy — like me intense, unathletic and bullied — is the lead character on “Heartstopper,” a hit teen romance. But this boy, Charlie, knows all about queerness. He is, after all, growing up in the 2020s and, more to the point, in 2020s pop culture. In that magical land, also known as Netflix, adolescence for people like him is not only survivable but often a lovefest, all closet doors blown off their hinges.

And I do mean all. Charlie (adorkable Joe Locke) is happy to be gay, and why not: When he crushes on a dreamy and apparently straight rugby player, the rugby player promptly comes out as bisexual. Their romance is supported by a cute teenage lesbian couple they hang out with. Also in the group is a bookish nerd who realizes he’s asexual — or “ace,” as he explains, pinning a fun new name on that identity. Even the straight boy, vastly outnumbered, gets a queer love story when he falls for his best friend, a beautiful trans girl.

Welcome to the classic lifeboat plot, checking boxes on a diversity agenda. But this time it’s mostly calm seas and clear sailing.

Do I sound envious? I am. Also slightly embarrassed.

Don’t get me wrong: My husband and I devoured the first two seasons. (The third is expected in the fall.) I’ve also been watching, with or without him — for these are guilty pleasures — a slew of other queer youth stories, all the while trying to sort out my feelings.

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Source: Theater - nytimes.com


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