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    ‘Heartstopper’ Star Joe Locke Has a Soft Spot for ‘The Goonies’

    “It’s the peak coming-of-age adventure film,” said the actor, who is set to make his Broadway debut in “Sweeney Todd.”Joe Locke was so moved when he saw “Next to Normal” at the Donmar Warehouse in London last fall that he called his agent with a request.“I was like, ‘I want to do a musical so bad,’” said Locke, 20, who for two seasons has played the sensitive teenager Charlie Spring in Netflix’s L.G.B.T.Q. coming-of-age drama “Heartstopper.”Soon after, his agent said he’d gotten an email from the casting team of Broadway’s “Sweeney Todd,” and the show was looking for a new Tobias Ragg, an urchin taken in by the scheming pie-maker, Mrs. Lovett.“The easiest way to play him is that he’s a bit simple — he’s not a full egg, as the Irish would say,” Locke said in a phone conversation in early January from his Manhattan apartment, before one of his first rehearsals. “But I think he’s a very street-smart character who’s survived in a world where people like him shouldn’t survive.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    ‘Heartstopper’ Season 2, Watched With L.G.B.T.Q. Teens

    Three British 16-year-olds took an advance look at Season 2. There was popcorn, giggling and more than a little eye-rolling.This week, the British coming-of-age drama “Heartstopper” returned to laptop screens all over the world. Based on Alice Oseman’s webcomics, the Netflix series follows a romantic relationship between two high school students, Charlie (Joe Locke) and Nick (Kit Connor), whose friendship group includes a young trans woman, Elle (Yasmin Finney), and a lesbian couple, Tara (Corinna Brown) and Darcy (Kizzy Edgell).The first season of this fizzy, feel-good show amassed 24 million hours of views in its first week, according to Netflix, and received glowing reviews from critics. But does it really reflect reality for British L.G.B.T.Q. teenagers? “It’s probably my only comfort show,” said Sharan Sahota, 16, as she settled into an armchair on a recent afternoon to watch the first four episodes of the new season. In “Heartstopper,” Charlie is outed as gay in eighth grade; Sahota, who identifies as pansexual, was also outed at school around the same age.“It wasn’t a pleasant experience,” she said, adding that seeing a similar ordeal depicted in “Heartstopper” has helped her feel less alone. “If they can get through it, and they’re living happily, so can I,” she said.Sahota, Oscar Wittams-Nangle and Ari Przytulski, all 16, recently gathered in London for a “Heartstopper” watch party. The trio — who attend a weekly youth club run by the charity Mosaic L.G.B.T.+ Young Persons’ Trust — discussed the show’s relevance and accuracy, as well as its surprisingly chaste attitude to sex. There was popcorn, giggling and more than a little eye-rolling.The following conversation has been edited for length and clarity, and contains mild spoilers.In this season, we see Nick struggling to come out as bisexual multiple times. How relevant is coming out to your generation?ARI PRZYTULSKI I think it’s still definitely relevant. Many kids still feel like they have to come out, especially to parents. I came out to my mum twice, first I was gay, then I was like, actually I’m trans.OSCAR WITTAMS-NANGLE Coming out is definitely a pressure. But at least for me, it was always an external pressure that came from other people, rather than something I felt I needed to do for me.SHARAN SAHOTA When you’re outed, you’re just like, “I can’t do anything.” The closet is just glass after that. But when you change environments, you don’t have to come out.PRZYTULSKI I understand why they wrote Nick feeling like he needs to come out to everyone in order to actually be out. But I feel like it would be a better message to show that you don’t need to. You can just exist as an L.G.B.T. person, and just be in a relationship without having to tell everyone that you are this way.From left, Felix (Ash Self), Naomi (Bel Priestley) and Elle (Yasmin Finney) at an art school.Netflix/Samuel DoreWhat do you think “Heartstopper” is doing that other L.G.B.T. films and shows aren’t?PRZYTULSKI What I like about the show is that it doesn’t overdramatize for shock value, or just to play with your emotions. It’s about gay people, but it’s not tragic. A lot of queer films just show how sad it is. Especially in shows like “Euphoria”: It’s all about how horrible everyone is and how everything just goes badly. In “Heartstopper,” people fix stuff by talking.WITTAMS-NANGLE “Queer as Folk” was released in 1999 in Britain. I saw a few reviews draw comparisons to that. And it’s like, not really: It’s not that the reviewers didn’t understand it, but it was definitely a result of them not having this sort of show when they were growing up. There aren’t that many cultural references that they can draw on.What do you make of the lack of sex in the show?PRZYTULSKI A lot of other shows focus way more on sex when it’s not all about that: It’s also your affection toward people. That’s why so many straight people misunderstand us. It’s not about being proud of liking boys, or whoever you like, it’s about the experience of being gay in a heteronormative society.WITTAMS-NANGLE It’s good that “Heartstopper” moves away from sexuality being purely about sex. It does mean more than that to me. It’s an identity, it’s a community. I think there are some things that are sanitized, but I wouldn’t say it would be the portrayal of sexuality.Locke and Connor in Season 2 of “Heartstopper.”Netflix/Samuel DoreWhich aspects are sanitized, do you think?WITTAMS-NANGLE The Harry character is very sanitized. Most queerphobic bullies say things that are a lot worse. I’ve had worse.SAHOTA In real life there’s a whole group of them.WITTAMS-NANGLE Exactly.PRZYTULSKI Whether it’s people staring at you, or it’s people outright harassing you, it’s a constant struggle. I understand why you wouldn’t want to include that in the show, because it’s meant to be a happy show.WITTAMS-NANGLE Also, it definitely is not easy in this country to be able to get gender affirming care, especially at our age, because you need to either have money, or luck.We don’t see Elle’s transition on the show.WITTAMS-NANGLE If you can get past all the waiting lists, all the appointments go well, then maybe you’ll get it on the N.H.S. [Britain’s National Health Service]. But, otherwise, there’s no chance. I think that is a struggle that isn’t shown in any media.Does it matter that the two main characters are two cisgender white boys?PRZYTULSKI I think it does. That’s one of the things that makes it less relatable to me as a trans woman. With Nick and Charlie both being white cis boys, it’s more digestible. They’re the default, and then there’s one variable, that they’re gay, or bi.WITTAMS-NANGLE Personally, I’m fine with it not being perfect, because there is absolutely no way you can make the perfect show for something which is as varied and as individual as living life as a queer person.Do you think “Heartstopper” is aiming for realism, or is it depicting an aspirational world?SAHOTA I think it’s a mix.WITTAMS-NANGLE Aspiration is the word. A lot of people don’t have accepting parents, or don’t have an accepting peer group, don’t have friends they feel comfortable coming out to. I watch the show and I’m like, “I wish my school could’ve been like that.”PRZYTULSKI They’re kissing a lot. They really were shoving each other into the wall. They’re in the middle of school and practically making out!WITTAMS-NANGLE It was quite funny, the changing room scene where they’re like, “We shouldn’t be kissing at school. We need to be discreet.” And they’re talking really loudly. Not doing very well on the discreet thing. More

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    They Put the Heart in ‘Heartstopper’

    Kit Connor and Joe Locke discuss the pressure of expectations and how the global success of their Netflix hit, returning Aug. 3, has changed their lives.Kit Connor and Joe Locke sat on a plump bordello-red couch at the Manhattan headquarters of Netflix. It was June, and they were in town to talk about their roles as the leading sweeties on “Heartstopper,” Alice Oseman’s romantic dramedy series about queer British high schoolers that begins its sophomore season on Netflix on Aug. 3.When “Heartstopper” debuted in April 2022, its fate was anybody’s guess. “Euphoria,” “Elite” and other shows with teen queer characters lured eyeballs with sex and bad behavior. “Heartstopper” offered its audience mellow dramatics and an understanding that puppy love is universal. “Just queer people being,” as Connor put it.It paid off. “Heartstopper” made the Netflix Top 10 — a list of the service’s most-watched shows in a given week — in 54 countries, and its first-season numbers were good enough to get the show renewed for two more. To date on TikTok, #heartstopper has 10.7 billion views and counting. Readers also gobbled up the source material: Oseman’s best-selling graphic novels and original webcomic, which now has over 124 million views. In April, Oseman announced that a fifth graphic novel was set to publish in November, with a sixth in the works.So my first question was: How has the “Heartstopper” phenomenon changed the lives of the two actors at its center?“The easier question is how hasn’t this changed our life?” Locke said.He wore a cream-colored cardigan with elegant vertical caviar beading plus skinny jeans and black sneakers, looking a lot like how his character, the misfit naïf Charlie, might dress if he were on a class trip to New York. Connor wore a blousy turquoise top and wide-legged black pants over what looked like flamenco heels — an elegant ensemble that his character, Nick, who is Charlie’s anxious jock boyfriend, would be aghast to find in his closet.Now 19, as is Connor, Locke said he’s had to grow up fast but in exchange got a platform to “normalize queerness.” Example: Days after our interview, Locke posted on Instagram a photo of himself wearing a “Trans Rights Are Human Rights” T-shirt on a float in D.C.’s Pride parade, an image that his 3.5 million followers have showered with over a million likes.In the new season, Charlie and Nick go to Paris together on a class trip.Teddy Cavendish/Netflix“There’s a big push in our world at the moment to take away young queer people’s autonomy,” Locke said. “It’s beautiful to be part of a show that really pushes and loves that young queer people can be in charge of their own fates.”And Connor?“I’m a bit more confident in myself in a very open sense, about who I am, what I can do, the way that I hold myself and the people I spend my time with,” he said. “I have a lot more pride.”But then we started talking about coming out, and the mood in the room shifted, fast. Last year, Connor came out on Twitter as bisexual, saying he felt forced to do so after some fans accused him of queer-baiting.“Telling someone you’re gay or bi or part of the queer community, there’s a thing where you feel like they might see you differently or think that it would change who you are,” he said. “For me, it’s just who I am. Coming out didn’t change me.”He’s cool with being called queer, he said, explaining that it is “more freeing in a way, less about labels.”Locke, who also identifies as queer, jumped in: “I think coming out is stupid, that it’s still a thing that people have to do.” He said he briefly came out at 12 on Instagram before reconsidering.“I had just told my mum, and I was on top of the world,” he said. “I quickly realized I was ready to tell my mum but I was not ready to tell the world. So I quickly deleted it and said my Instagram had been hacked. I went back in the closet for three years. I retold all my friends and they’re like, ‘Yeah, you told us two years ago.’”And now that he’s out-out and playing gay on “Heartstopper”? Locke glanced down and fingered his rings.“Twelve-year-old me would be very proud, and terrified,” he said.He paused to let tears collect in his eyes. “I’m getting emotional,” he whispered. Connor watched him. The room was still. “I’ve never thought about it in that sense before,” Locke continued, “which is weird because I’ve thought about the show a lot.”After a few seconds, he said softly: “It’s great.” He wore a teeny grin.“They’re meant for each other,” Connor said of his and Locke’s characters.Victoria Will for The New York TimesQueer pride, quick-fire emotions, happy tears, supportive mums: It’s like these guys are on “Heartstopper” or something. Thea Glassman, the author of “Freaks, Gleeks and Dawson’s Creek: How 7 Teen Shows Transformed Television,” said the series is rich in a rare commodity for contemporary teen television: “unapologetic sweetness.”“It’s about kindness and positivity and acceptance, and as teens, that’s all you’re looking for,” she told me. “As adults, that’s all you’re looking for.”The new season focuses on Nick and Charlie’s couple stuff: sharing a bed during a class trip to Paris, navigating hickey shame, coming out about their relationship. There is still no sex or even under the shirt stuff, though — there is no second base in “Heartstopper.”There is also a character who is asexual (as is Oseman) and new transgender characters that Locke said he hopes will help transgender kids understand “that there are still people in the world who have their backs.”Locke and Connor were very aware that expectations from fans, Netflix and industry watchers are considerable now that the show is a global hit. The pressure, Locke said, is “terrifying.”But if they were antsy about it, it didn’t show in their relaxed rapport and modest demeanors. Connor, who grew up in Croydon in South London, comes across as grounded and affable, and he speaks with considered thoughtfulness, like he actually took notes during media training.Locke has Charlie’s gentle deportment but with the soft edge of a cool-kid wise guy. As our conversation turned to their own education, Connor mentioned that he “wasn’t one of those people who thrived at school,” and sheepishly said he got a B in drama. When he finished, Locke leaned over, cracked himself up and said into my recorder: “You don’t need school, kids. He got a B in drama.”Locke said a sharp tongue is one way he protected himself while growing up on the Isle of Man. “People knew not to give me [expletive],” he said.”I think coming out is stupid, that it’s still a thing that people have to do,” Locke said.Victoria Will for The New York TimesAs for what’s next, Connor is set to star in a new horror-thriller, “One of Us,” and Locke recently shot “Agatha: Coven of Chaos,” Marvel’s “WandaVision” spinoff. The stage beckons: Locke wants to be in a Broadway musical, Connor would do Shakespeare in London. If they had free time, Connor would hang with friends in a park. Locke wants someone to make him brunch.As our conversation ended, I asked both men where they’d like their characters to be in 20 years.“The hope would certainly be that they’re still together,” Connor said softly, looking at Locke as if to get approval.“I think they would be,” Locke replied, glancing back.“They’re meant for each other,” Connor said.“They’d have some children, a family,” Locke said.“Happy would be nice,” Connor said.“Yeah,” Locke said, again with that grin. “Just happy.” More

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    On TV, the Faces That Look Back at Us When We Come Out

    Pattern Recognition is a series that looks at the building blocks of culture.Produced by Alicia DeSantis, Nick Donofrio, Gabriel Gianordoli, Jolie Ruben, Tala Safie and Josephine Sedgwick.Images: “Ellen” (ABC), “Dawson’s Creek” (WB), “This is Us” (NBC), “Seinfeld” (NBC), “Buffy the Vampire Slayer” (WB), “Master of None” (Netflix), “The Golden Girls” (NBC), “Schitt’s Creek” (Pop TV), “My So-Called Life” (ABC), “All in the Family” (CBS), “BoJack Horseman” (Netflix), “Glee” (Fox), “Heartstopper” (Netflix), “The Office” (NBC), “The Jeffersons” (CBS), “Big Mouth” (Netflix), “Everything Sucks!” (Netflix), “Andi Mack” (Disney Channel), “Never Have I Ever” (Netflix), “Atypical” (Netflix), “Stranger Things” (Netflix), “Sense 8” (Netflix), “Chilling Adventures of Sabrina” (Netflix). More