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    Philharmonic Opens Inquiry After Misconduct Allegations Are Revived

    The New York Philharmonic commissioned an outside investigation into its culture after a magazine article explored how it handled an accusation of sexual assault in 2010.The New York Philharmonic, which has been facing an uproar since a recent magazine article detailed allegations of misconduct against two players it tried and failed to fire in 2018, said on Thursday that it was commissioning an outside investigation into its culture.Gary Ginstling, the Philharmonic’s president and chief executive, said in a letter to musicians, staff members and board members that the organization had hired an outside lawyer, Katya Jestin, a managing partner of the law firm Jenner & Block, to “launch an independent investigation into the culture of the New York Philharmonic in recent years.”“I am empowering Katya to look at everything and to leave no stone unturned, including any new allegations as they are reported,” Mr. Ginstling wrote. The decision came after a report last week in New York magazine detailed accusations of misconduct made in 2010 against the players, the associate principal trumpet, Matthew Muckey, and the principal oboist, Liang Wang.In the article Cara Kizer, a former Philharmonic horn player, came forward for the first time to publicly discuss an encounter that she said occurred while she was on tour with the Philharmonic in Vail, Colo., in 2010. She told the Vail Police Department at the time that she had been sexually assaulted after spending the evening with the two players and was given a drink she came to believe was drugged, according to police records.No charges were filed against the men and both have denied wrongdoing.In 2018 the Philharmonic, under new leadership, commissioned an investigation and moved to dismiss Mr. Muckey and Mr. Wang. But the players’ union, Local 802 of the American Federation of Musicians, challenged their dismissals, and an independent arbitrator forced the orchestra to reinstate them in 2020.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Philharmonic Sidelines 2 Players It Tried to Fire for Misconduct

    The New York Philharmonic said the musicians would not perform for now, after a magazine article brought new attention to allegations of misconduct. They have denied wrongdoing.The New York Philharmonic said on Monday that two players it had tried to fire in 2018 — but was forced to rehire after the musicians’ union challenged their dismissal — would not take part in rehearsals or performances for the time being after a magazine article detailed the allegations of misconduct that had been made against them.The Philharmonic said that the players — the principal oboist, Liang Wang, and the associate principal trumpet, Matthew Muckey — would not appear as the orchestra deals with the fallout from a New York magazine article published on Friday.In the article Cara Kizer, a former Philharmonic horn player, came forward for the first time to publicly discuss an encounter that occurred when she was on tour with the Philharmonic in Vail, Colo., in 2010. She told the Vail Police Department then that she had been sexually assaulted after spending the evening with the two players and was given a drink she came to believe was drugged, according to police records.No charges were filed against the men and both have denied wrongdoing; their lawyers said they expect to return to the ensemble soon.In 2018 the Philharmonic moved to dismiss Mr. Wang and Mr. Muckey, who both joined the orchestra in 2006. It said at the time that it had received reports that the two players had “engaged in misconduct,” which it declined to describe, and that it had decided to fire them after commissioning an investigation. But the players’ union, Local 802 of the American Federation of Musicians, challenged their dismissals.The orchestra was forced to reinstate them in 2020 after an independent arbitrator found that they had been terminated without just cause.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ye Is Sued for Hostile Work Environment at Donda Academy and Yeezy

    A former employee sued the rapper formerly known as Kanye West, claiming a hostile work environment at Yeezy, his fashion brand, and Donda Academy, his private school.Ye, the rapper formerly known as Kanye West, was sued Tuesday by a former employee who accused him of discrimination and creating a hostile work environment by calling Adolf Hitler “great,” disparaging Jews and saying that “gay people are not true Christians.”The lawsuit was filed in Los Angeles Superior Court by Trevor Phillips, who says he was hired in November 2022, around the time a series of antisemitic remarks publicly made by Ye lost the artist his major-label record deal and put his businesses in jeopardy.Phillips was initially hired to oversee “projects related to growing cotton” and other plants in an effort to make Yeezy, Ye’s fashion brand, “self-sustainable,” the lawsuit said, and then went on to work for Donda Academy, Ye’s private school in Southern California.Phillips’s lawsuit claims that Ye made antisemitic comments in front of staff members at Donda Academy, including, “the Jews are out to get me” and “the Jews are stealing all my money.” After Adidas ended its decade-long partnership with Ye over his public remarks, the lawsuit claimed, the rapper told Phillips: “The Jews are working with Adidas to freeze up my money to try and make me broke!”The lawsuit claims that Ye treated Black employees at Donda Academy, including Phillips, “considerably worse than white employees.”Representatives for Ye and Donda Academy did not immediately respond to requests for comment on the lawsuit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Quiet on Set: The Dark Side of Kids TV’: 5 Takeaways

    The Investigation Discovery documentary takes a look at accounts of a problematic working environment at Nickelodeon.The Investigation Discovery documentary “Quiet on Set: The Dark Side of Kids TV” is a four-part series about working at Nickelodeon, including the environment under the former producer Dan Schneider, and what some described as harmful situations that child actors and adult employees were put in. It premiered on Sunday and is streaming on Max.Schneider, who parted ways with Nickelodeon in 2018, doesn’t appear in the docuseries, but former writers, child stars, staffers and journalists paint a picture of the environment at the network starting in the 1990s, through his departure.Schneider responded to the series in a video on Tuesday. “Watching over the past two nights was very difficult, me facing my past behaviors, some of which are embarrassing and that I regret, and I definitely owe some people a pretty strong apology,” Schneider said in a nearly 20-minute video posted to his YouTube channel.In response to producers’ questions, the documentary said, Nickelodeon stated that the network “investigates all formal complaints as part of our commitment to fostering a safe and professional workplace” and has “adopted numerous safeguards over the years to help ensure we are living up to our own high standards and the expectations of our audience.”Here are the biggest takeaways from the series.Drake Bell publicly speaks about his abuse for the first time.Drake Bell, in 2018. He has spoken publicly about his sexual abuse for the first time, in “Quiet on Set.”Slaven Vlasic/Getty ImagesBrian Peck, a dialogue coach for Nickelodeon, was convicted of sexually abusing the “Drake & Josh” star Jared Drake Bell. Peck was arrested in 2003 in connection with the sexual abuse of a teenager over a four-month period. In 2004, Peck pleaded no contest to two felonies, according to public records. At the time of the abuse, Bell was 15 and Peck was 41; in court documents, Bell was identified as John Doe.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Real Housewife, Leah McSweeney, Files Lawsuit Against Andy Cohen and Bravo

    A New York City housewife speaks about a new lawsuit against Andy Cohen and Bravo in which she alleges all of these things (and more) created a “rotted workplace culture.”“I thought it was going to be fun,” Leah McSweeney, a former star of Bravo’s “The Real Housewives of New York City,” said about joining the show’s cast in 2019.She was speaking on a video call on Wednesday, for which her lawyer and her publicist were present. The day before, Ms. McSweeney had filed a lawsuit against parties including the Bravo cable channel; its parent company, NBCUniversal; and Andy Cohen, the executive producer of the “Real Housewives” franchise, alleging the creation of a “rotted workplace culture” that “discriminated against, tormented, demoralized, demeaned, harassed and retaliated against Ms. McSweeney because she is a woman with disabilities, such as alcohol use disorder and various mental health disorders, all in the name of selling drama.”According to the complaint, which was reviewed by The New York Times, Ms. McSweeney, 41, joined the “Housewives of New York City” cast around the time she had relapsed after nine years of sobriety.She became sober just before she started filming the show and has alleged that producers developed “artificially close relationships” with her through which they “cultivated a treasure trove of Ms. McSweeney’s dark secrets with intent to place her in situations known to exacerbate her alcohol use disorder and mental health disabilities because they thought that intentionally making these conditions worse would create good television.”The complaint goes on to allege that producers frequently undermined Ms. McSweeney’s sobriety not only by encouraging her outright to drink but by “engaging in guerrilla-type psychological warfare intended to pressurize Ms. McSweeney into a psychological break and cause Ms. McSweeney to relapse.”It also claims that Mr. Cohen frequently uses cocaine with other “Housewives” stars and that he rewards those cast members with “favorable treatment.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Manslaughter Trial Begins of ‘Rust’ Armorer in Alec Baldwin Shooting

    Prosecutors said the armorer, Hannah Gutierrez-Reed, was responsible for the presence of live ammunition on the set and for failing to check the gun; the defense said she was a scapegoat.The involuntary manslaughter trial of the armorer who loaded the gun Alec Baldwin was rehearsing with on the set of “Rust” when it fired, killing the movie’s cinematographer, began on Thursday with prosecutors accusing her of performing “sloppy and incomplete” safety checks of the weapon and of being responsible for the presence of live rounds on the set.During opening arguments one of the prosecutors told the jury that the armorer, Hannah Gutierrez-Reed, had treated gun safety protocols on the film set “as if they were optional,” leading her to miss the fact that she had loaded a live round into an old-fashioned revolver she was preparing for Mr. Baldwin.The gun went off as he practiced drawing it at a blocking rehearsal, killing the film’s cinematographer, Halyna Hutchins.“We believe that it was the negligent acts and failures of the defendant, Ms. Gutierrez, that resulted in both the acts that contributed to Ms. Hutchins’s death and to the live rounds being brought onto the set,” the prosecutor, Jason J. Lewis, said in the First Judicial District Courthouse in Santa Fe, N.M., as the trial began.Mr. Baldwin is being tried separately on an involuntary manslaughter charge. He has pleaded not guilty.On the day of the fatal shooting — Oct. 21, 2021 — the crew was setting up a tight frame of Mr. Baldwin drawing a revolver ahead of a gunfight when the weapon fired a live round, striking Ms. Hutchins and then hitting the movie’s director, Joel Souza, who survived.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How Flight Attendants Fought Back Against Sexism in the Airline Industry

    Decades ago, “stewardesses” earned less than men, couldn’t get married or gain weight, and had to retire at 32. A key figure in a landmark lawsuit looks back at a not-so-golden era.In 1958, when Mary Pat Laffey Inman became a stewardess — as they were then called — for Northwest Airlines, she was 20 years old and the clock was already ticking. At 32, she would be forced to retire. That is, if she didn’t marry, get pregnant or even gain too much weight before that: All were grounds for termination. It was the golden age of aviation for everyone except, perhaps, the women serving in-flight meals to the nattily dressed passengers.Six years later, President Lyndon Johnson signed the Civil Rights Act, outlawing discrimination based on race, color, religion, sex or national origin, and female flight attendants began to join forces against sexism.In 1970, Ms. Laffey Inman, a union leader and Northwest’s first female purser — the lead attendant on a flight — spearheaded a class-action suit, Laffey v. Northwest Airlines Inc., that resulted in the airline paying more than $30 million in damages and back wages in 1985. It also set the precedent for nondiscriminatory hiring of flight attendants across the industry. But even then, not everything changed: Flight attendants on some airlines were still subjected to “weigh-ins” into the 1990s. (Northwest merged with Delta Air Lines in 2008.)Now, decades after the landmark decision, Ms. Laffey Inman, 86, is one of several former flight attendants featured in “Fly With Me,” an “American Experience” documentary that chronicles how women fought to overcome discrimination in the airline industry. It premieres on PBS on Feb. 20. The New York Times spoke to Ms. Laffey Inman about how she made history. This interview has been edited for length and clarity.Ms. Laffey Inman in her Northwest uniform in 1968, around the time she became the airline’s first female purser, or lead attendant on a flight.Courtesy of Mary Pat Laffey InmanWhat inspired your career in the airline industry?I was working at Montefiore Hospital, in Pittsburgh. I always wanted to travel, ever since I was a kid. As a flight attendant, I could travel — all expenses paid. I thought it was wonderful. Other stewardesses and I laugh about how lucky we were to be in the industry at that time. We would bid for three-day layovers in Paris, London, Amsterdam, Tokyo. A limo would be there to pick you up and take you to the hotel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Inside Kanye West’s Fraught Relationship With Adidas: 7 Takeaways

    The runaway success of the Yeezy collaboration between Kanye West and Adidas came at a price as the company tolerated misconduct by him for nearly a decade.When Adidas cut ties with Kanye West a year ago, ending their wildly lucrative shoe deal, the breakup appeared to be the culmination of weeks of his inflammatory remarks about Jews and Black Lives Matter. But a New York Times examination found that behind the scenes, the partnership was fraught from the start.Mr. West, who now goes by Ye, subjected employees to antisemitic and crude sexual comments and routine verbal abuse. As Adidas executives doubled down on a partnership that boosted company profits and made Mr. West a billionaire, they scrambled for ways to cope with the star’s demands and provocations.Interviews with current and former employees of Adidas and of Mr. West, along with hundreds of previously undisclosed internal records, including contracts, text messages and financial documents, provide the fullest accounting yet of the relationship. Here are seven takeaways.For almost 10 years, Adidas looked past Mr. West’s misconduct as profits soared.Mr. West’s first contract with Adidas, in 2013, had the most generous terms it had ever offered to a non-athlete. In the next one, three years later, Mr. West got more money, and Adidas got a morals clause — allowing it to end the partnership if he did anything that led to “disrepute, contempt, scandal,” according to a copy obtained by The Times.As the partnership earned billions of dollars, Mr. West’s behavior grew increasingly erratic. But it is not clear whether the brand ever considered invoking the morals clause before terminating the deal last year.Both Adidas and Mr. West declined interview requests and did not comment on The Times’s findings.Mr. West showed a troubling fixation on Jews and Hitler in the partnership.Shortly after signing with Adidas, he met with designers at company headquarters in Germany to discuss ideas. He was so offended by their sketches, he drew a swastika on one, shocking employees.He later told a Jewish Adidas manager to kiss a portrait of Hitler every day. He informed a member of the company’s executive board that he had paid a seven-figure settlement to one of his own employees who accused him of repeatedly praising Hitler.Mr. West told Adidas colleagues that he admired Hitler’s command of propaganda. He also expressed a belief that Jews had special powers allowing them to amass money and influence.He brought pornography and crude comments into the workplace.Weeks before the swastika incident in 2013, Mr. West made Adidas executives watch pornography during a meeting at his Manhattan apartment. He continued showing pornography to Adidas employees at work. Last year, he ambushed Adidas executives in Los Angeles with a pornographic film.Staff members also complained to top executives that he had made angry, sexually offensive comments to them.Big demands and mood swings weighed on the relationship.Mr. West contended repeatedly that Adidas was exploiting him. He sought more money and power, even suggesting that he should become chief executive.His complaints were often delivered amid severe mood swings, creating whiplash for employees. Diagnosed with bipolar disorder, he at times rejected the assessment and resisted treatment. Tears were common; so was fury. In 2019, he abruptly moved his Yeezy operation to remote Cody, Wyo., ordering the Adidas team to relocate. He used “terms like ‘believer’ and ‘pilgrimage’” to describe those who would follow him there, an Adidas executive told colleagues in a group text chain. In a meeting with Adidas’s leaders that year to discuss his demands, he hurled shoes around the room.Adidas adapted to Mr. West’s behavior: ‘We are in a code red.’Managers and top executives started the group text chain, the “Yzy hotline,” to address issues involving Mr. West.The Adidas team working on Yeezys adopted a strategy they likened to firefighting, rotating members on and off the front lines of dealing with the artist. “We are in a code red,” the team’s general manager texted colleagues in 2019. “The first line is completely exhausted and don’t feel supported.”The company assigned a human resources official to the unit and gave new hires a subscription to a meditation app. The staff regularly gathered for something akin to group therapy.Mr. West on tour in 2016, the year he and Adidas renegotiated their deal.A J Mast for The New York TimesAs the brand grew more reliant on Yeezys, it sweetened the deal for Mr. West.Under the 2016 contract, he received a 15 percent royalty on net sales, with $15 million upfront along with millions of dollars in company stock each year.The “biggest issue,” an Adidas document from contract negotiations noted, was “putting CASH in Kanye’s pocket to show him we VALUE him.” The partnership would propel him to Forbes’s list of the world’s richest people.And in 2019, Adidas agreed to another enticement: $100 million annually, officially for Yeezy marketing but, in practice, a fund that Mr. West could spend with little oversight.He still stands to make money from the Adidas deal.After the relationship ruptured a year ago and Yeezy sales came to a halt, both Adidas and Mr. West were hit hard. The company projected its first annual loss in decades. Mr. West’s net worth plummeted.But they had at least one more chance to keep making money together. In May, the company began releasing the remaining $1.3 billion worth of Yeezys. A cut of the proceeds would go to charity. But most of the revenue would go to Adidas, and Mr. West was entitled to royalties. More